Tom,
I knew lesson eight would be right up your alley. It is starting to become extremely funny to see how closely many of Renaissance's ideals are meshing with a neo-conservative (I would call Gen Powell "by association" though). You are a card carrying Republican right?
It's interesting to try and lead people you know will be (or at least have the aptitude to be) better than you one day. I've run into that a few times these last few years and I am always surprised at how I react. The most productive time I've had with subordinates of mine is the fleeting moment just before they realize they are ready to do something on their own. Then I've lost them. They're appreciative of their time with me, but they know they've got me beat. That's where rank helps!
It doesn't surprise me that unleashing was your favorite part of lesson eight. But expounding on that a bit more, what is the most difficult part of getting someone to the point of being unleashed? What is the secret behind indoctrination? I know how we do it in the AF. What about golf architecture/construction?
Ben:
It is easy in golf architecture / construction because most of the people who have worked in the business for a while are SHOCKED that you would give them any freedom to create. They are used to architects trying to rein them in, or their bosses (golf course contractors) telling them just to get finished and get on to the next hole and not waste time on embellishments.
Jim Urbina had felt reined in by Perry Dye, as had Eric Iverson, to a degree. [Eric was stationed overseas so Perry didn't spend much time trying to control him.] Bruce Hepner felt reined in not so much by Ron Forse, but by the clients they had, who were too sensitive about budgets and didn't even want to pay them to watch the construction process. Kye Goalby had worked under the restrictions of budgets, and his dad's watchful eye ... Kye's interviews here are the best I've read talking about that aspect of the work. Brian Slawnik and Brian Schneider were easier, because they didn't work too long with others. Most of the other good guys we've had [Gil and Mike DeVries and McCartin and Jonathan and Kyle Franz and George Waters and Philippe Binette] were easy, because I was their first employer.
Aside from my own crew, one of the people we unleashed was a guy named Jerame Miller. When we built Lost Dunes, Bill Kubly asked me if I wanted a shaper who could hit grade stakes or a shaper who worked by feel, and I took the feel guy, who was Jerame. On a few of the greens I gave him diagrams, and on others none, but those greens turned out as wild as they are (and as good as they are) because it was the first time that Jerame -- an art major who had learned to run a bulldozer -- had ever had a chance "off leash".
When I was asked to collaborate on Sebonack, the guy who convinced me that it would work was Jerame Miller. He had shaped 2 or 3 courses for Jack after Lost Dunes, and he told me that if we built cool greens, Jack would take them and run with them. For the most part, he was right about that. And after we finished Sebonack, and Jack was looking for someone who could build more greens like that, he hired Jerame as a full-time design associate, so it worked out for everyone.
P.S. Are you sure that General Powell is really a neo-conservative, and not just somebody who had to answer to them?