Questions regarding bunker detailing are so far away from the intent of my original criticism that I feel the need to re-state my position and hopefully better explain where I'm coming from.
Hopefully, one thing we might all agree on here at sunny GolfClubAtlas is that Golf Course Architecture, like its prettier sister, Landscape Architecture and like its more muscular big brother, built Architecture, is an ART FORM. NOT a Science and NOT Engineering. Sure, elements of those fields are involved, but PRIMARILY, golf course architecture is ART.
Do we agree on that?
For that is my initial position on all golf course architectural discourse. If we don't agree on that, we can agree on nothing else.
Now then, if gca is Art, then we can only logically examine and criticise it so. Thus, my contention is that truly great Art can only be ORIGINAL. Truly great Art can only be a product of great creativity. Truly great Art transcends its environment, its time and its place.
Truly great Art might reflect and REFERENCE truly great Art of the Past, but it always does so in the company of new, ORIGINAL thought and with an execution which brings something NEW to the scene.
Lucky me, I had an education which covered Art, Architecture, Landscape Architecture and Golf Course Architecture and I've had a wealth of experience in Occupations which have further strengthened that knowledge with practical experience. I've read the books and attended the seminars. A good few folk around here would do well by themselves in reading some of the tomes regarding 'Truth in Architecture'. There's plenty of them out there from Palladio, through Ruskins Seven Lamps to 'The Fountainhead' and the seminal Charles Bronson's 'Death Wish' Series. SEE, I couldn't be THAT serious for THAT long, now could I...
cheers,
FBD.