Frankly, I think it's very presumptuous for anyone to make any definitive statements about the quality of any serious course's architecture on the basis of a few photos and without playing several rounds on it over time and in different conditions. I think a good course only reveals its nature through playing it - and playing it again and again. If you don't tire of it; if you continue to feel challenged and have fun; if your round has a variegated nature, like music, with changing tempos and rhythms to keep your interest and test your game at different levels - then it's a good, solid course. But none of this will come through from a few photos. All these folks are just exercising their fingers and flexing their egos.
It's nice to have something pretty to look at, too, when you're playing golf. A fine point of BH's aesthetics is what Mr. Doak criticized. But I looked at the same picture of the hole he criticized, and I didn't see what he saw. To me, the jagged lines didn't look "silly" -- they added interest to the otherwise too-soft melding of sky and hills. Like music -- there has to be little discordant note (a "contra"-something, it's called in music -- I can't remember the term) to add a little color, maybe to make the golfer feel just a bit uncomfortable (without even knowing why). Of course, Mr. Doak, aesthetics is a little easier when you're blessed to have the best sites, like at Bandon Dunes on the craggy terrain abutting the Pacific Ocean. Who, outside of tight golfing circles, new of Mr. D before he was engaged to build on that premium site? (Not me, anyway.)
But aesthetics is not the be-all. The holy Mecca of all golf -- St. Andrews -- didn't someone famous at one time famously state that he hated the place, before he finally decided he loved it as the best of all golf courses?