Jim,
That's a great question and it certainly is one that deserves a great answer.
What I would like to do is point to you to a series of books that you've heard many of us postulize so many times. The first four would be one of my favorties,
The Architectural Side of Golf with the second being George Thomas'
Golf Architecture in America and then actually reading before that, Geoff Shackelford's
The Captain. The other would be Robert Hunter's,
The Links.So why these books?
Because they contain the direct answer to your question, as well as reiterate it over and over from author to author. My take on it is this:
Features are the key ingredient to great shots and great golf. Also these features have to be utilized in a way that they influence the play or at least, make the player think his way around the course. (in this case, golf hole) Where many confuse the issue of "the look" and how it plays, "to produce the best shot value*" is in the naturalness of the feature, found, refined, or even artificially constructed. In Nature exists some of the best quirks of nature and in many cases the imperfection
is the perfection.
(*I myself, in fact, hate the term "shot value" and "risk and reward" just because its utilized by so many that have little knowledge of the subject other then to use those two terms)(There have been times where I wanted to scratch my cousin's eyes out when he used this term!
)
This thing about routing a golf course and how the metaphor of it being a journey are sort of ridiculous to me also. While I have never really routed a course, I do think if I ever had to, it would be a full learning experience. simply because I would learn exactly what Thomas or Bell or Ross or Tillinghast or MacKenzie or MacDonald, etc. were thinking when routing their courses. It was a high art back then. Today its the best proximation for restrooms and a cart barn.
While there are in fact many golf architects today inducing sound strategies to their designs, still many of them miss out on what they should be designing and how the land dictates that.
So many excuses--so little substance.
Something you bring up that is a valid point is that the difference between playing hickory and steel.
As far as the hickories, I have thought about it and planned on doing it--even talked to Ralph about what it would take to start assembling a set. I have yet to even start simply because of so many other major things on my plate at the moment! Still, I'll eventually get it together and play a set one day!
However, recently Brian Gracely brought up a interesting thread expounding the virtues of using less clubs. I couldn't agree more because I find, just like Brian and Dan King have, that playing with less clubs leads to more Golden Age-like shotmaking. If you read the Thomas book, he explains and suggests half pars. Holes where it may be a half stroke more or less, and will produce the term "hard bogie/easy par." Or as they say it in this day and age, "hard birdie/easy eagle! With scoring holes as half-pars, the proprieter of that swing is going to go looking for protecting the club.