Happy Thanksgiving to all.
It is unprecedented and somewhat scary for me to have earned the Emperor's editorial approval.
At the same time, I regret that super archie Tom Doak characterized my comments regarding Mr. Weiskopf as bashing. Had I wanted to bash "Terrible" Tom, I could have chosen far more damning and well corroborated stories.
I actually sort of like Tom. He apparently cares greatly for the Scarlet course just as I do. I certainly respect his talent as a player and some of his broadcasting work. He just would not be the guy who I would urge a young kid to approach for an autograph for fear of what his reaction might be.
I have only played two original W & M courses, Buffalo Creek (Rockwall, TX- public) and Mira Vista (Fort Worth, TX- private), and one renovation, Northwood (Dallas- private). I enjoy these courses tremendously, and find them to be highly playable for the average player (from the appropriate set of tees), yet challenging enough to hold significant local and regional competitions. With Northwood, a Diddel course which held the US Open in the 1950s, W & M seem to have done a wonderful job of preserving the original course.
In my limited experience with these architects' works, I have not seen anything to verify Mr. Doak's observation that Weiskopf designs from the perspective of his peers. Knowing a little bit about Weiskopf, I had concluded that Morrish had an ameliorating influence on Tom's design work.
Pine Dunes, a Morrish-sans Weiskopf design near Frankston, TX is a smashing architectural success. I don't see where Tom's input was greatly missed, though there are a couple of holes that seem to lack some finishing.
Weiskopf is doing a TPC course near McKinney, Texas (just north of Dallas). It will be interesting to contrast his work here to the other courses he did in the area with Morrish, and also to his ex-partners solo work nearby.
Finally, I may be mistaken, but I think that I read an interview in a golf magazine with Weiskopf awhile back which included some revelations about problems with depression. I don't recall if he was diagnosed as a manic-depressive, but it appeared that he was receiving treatment. As we learned through another gca.com colleague, depression is a very serious matter, and no one should make light of it. I do wonder, however, whether the effects of medication (putting him on a more even keel) will have a negative impact on his creativity as a designer. Perhaps I just have far too much time in my hands.