I agree and disagree as to the signifigance of the architect's name associated with a course.I agree that the end product as it stands today is how a course should be measured. Who cares who designed it? If you enjoyed reading a book, does it matter if it was by a no-name author? Of course not. But the key is how did you select that book? Did you just get lucky and happen to pick it, did someone refer you to it, did you read a review, etc.If you are debating which course to play or how to plan a trip, then the architect is a valuable way to do it. I have never been disappointed by playing a Coore/Crenshaw, Doak or Pete Dye course (and I had high expectations each time). Also, a name architect may signify that there is more to the course than meets the eye. The art of subtlety may be present or the course may have potential for betterment (eg. 8th hole at Riviera), all of which may be fascinating to the student of design.Thus, I agree on the one hand that rather than worrying about who designed a course seventy years ago, Clubs are better off to focus on insuring the present day course is the best it can be. On the other hand, one way to do that is to understand (hopefully the genius of) the architect who was responsible.Perhaps if Mackenzie's work was restored, then those 30 courses you refer to would be worth a journey. Truth in advertising would say if the majority of an architect's work is no longer present at a course, then his name should be removed from being associated with it. Donald Ross would second that vote, I do believe.