Sean,
That approach to No.5 at Strandhill looks like a blast... It's a course I still haven't visited but must one day soon...
Unfortunately, Pat Ruddy wasn't able to contribute to this piece... But he was the first architect that I searched out to ask... That in itself should give some idea of the esteem that he is held within Ireland, regardless of the differing opinions on here...
Matthew Mollica, when you showed that pre-construction photo of Lost Farms to highlight flat duneland in between sandhills, that to me looks like a dune slack which will only occur around the water table level... An example of this at The European Club would be the land that the 7th hole lies on... I don't know how much "flattening" out of the land Pat did on some of the higher holes but I tend to be in the Jack Marr camp - what does it matter?... We all play the course... and we like some things and we dislike others... But it's the finished product we rate in our heads, not the process of how it came to be...
To move away from that subject, here's another description from the article... Tom MacKenzie on the 3rd at Baltray:
Baltray is one of my favourite courses, not just in Ireland but anywhere. It is not a course with huge dunes lining the fairways like Ballybunion, nor is it renowned as being brutally hard as Portmarnock perhaps is. The reason for liking it so much is the quality of the detailed design, the legacy of Tom Simpson. He is one of the great golf course architects whose handiwork can also be seen at Carlow and Ballybunion amongst others.
I have previously cited the 14th as one of the finest short par fours but someone beat me to it for this feature. In any case, it is good to think about alternatives. The 5th was considered but, in the end, I have opted for the 3rd, which some may find a little strange. I selected it because whenever I have played it, I have always wanted to walk back to the tee and play it again immediately. It is full of options and variations. Furthermore, the green is one where I could while away an hour on a summer’s evening just trying different things. It is a fairly severe green, but this challenge really shapes how the hole plays.
For those who don’t know it, the hole is a mid-length par five, measuring 544 yards. Holes of this length, when well designed, should mess with the golfers’ minds and this one certainly does. The design is so clever for two reasons. It is a brilliant example of how visibility can and should be used in the strategy of the hole and the long, narrow and tilted green is almost impossible to hold from the right and much more receptive from the left.
Simpson’s play with visibility centres on a ridge that lies about 40 yards short of the green. A marker shows where the green is and, for those in range, a decision has to be made on whether to risk the blind shot to the narrow green, as missing the green left or right leaves a nervous recovery shot. In some cases, the best option is to play what feels like a long way left to where there is a notch in the ridge. From here, the green is visible making the pitch much easier and the angle of the green also favours this as the line of attack.
This is a remarkably simple design, but it just does what good holes should do. It tantalises, infuriates and excites all at the same time. If you have any sort of interest in golf course architecture, then ink Baltray into the list of courses to play and make sure that you have time to really study the details. The whole course is a masterclass in design.