...under Architecture Timeline and Courses by Country.
As a long time fan of Graham Marsh after having played his courses in Australia, I was particularly keen to get to Sutton Bay. Rarely are high hopes exceeded but such was the case here. The course is replete with so many traditional design features that I really like that, when layered across such an incomparable setting, it is impossible not to fall under Sutton Bay's spell as a magical place for a game.
There is much to learn and appreciate here. The detail in regards to the formation of Sutton Bay, the challenges of construction, etc. will be addressed in an upcoming Feature Interview with Mark Amundson (one of the super nice guys that golf has a way of attracting), so stay tuned.
In the meanwhile, several people have already asked if I doctored the photographs in the course profile. When you see them, you might understand perhaps why the suggestion would be made. However, people who know how technologically inept I am would laugh and the answer is “no.” The place is simply that beautiful.
In fact, its beauty is all that 95% plus may care about. However, the classic design elements really deserve praise and recognition in their own right and hopefully the course profile makes that point.
I suppose people will be tempted to compare Sutton Bay to Sand Hills but you couldn't have two more different settings or more different soil types. The characteristic that both have the most in common is how kind and considerate the people who work there are, a gene seemingly quite strong in people born in the mid-west!
E.C. Chilton's review of Brideshead Revisited in small part went 'It is a world in itself, and the reader lives in it and is loth to leave it when the last page is turned.' The golfer will appreciate that sentiment when it is his time to leave Sutton Bay.
Cheers,