Milwaukee Country Club
Wisconsin, United States of America

Set over gorgeous property, Milwaukee Country Club is a standard-bearer for the best virtues that parkland golf has to offer.

The idea of a country club – literally a club in the country – has great merit. Nowhere is the game better enjoyed than away from the crush of the masses. Golf courses and clubs are land intensive and the land cost in the country helps make the proposition feasible. Searching for the best property is time well spent as the better the property, the better the course will likely be. Milwaukee Country Club, which occupies one of the top dozen or so properties of any country club in the United States, is a prime example of this concept.

Like many clubs of historic importance, Milwaukee Country Club’s origins were elsewhere from its present location. According to its well produced centennial club history book entitled A Sense of Tradition by John Gurda, the original course comprised of play in a pasture, before evolving to nine holes in 1898. Golf became understood as it was played with vital lessons learned, including the drawbacks of building a course on flattish land over heavy clay soil. Standing water became a dreaded nuisance, precluding any hopes of fast and firm conditions suitable for golf, especially with the gutta percha ball.

In 1909, the club’s prospects for possessing good golf brightened considerably when members found today’s site within ten miles north of the downtown business district. The soil was sandy loam in spots with more than half of the 108 acres located high with nice movement over a river valley.

Though the golf architecture work being done in the 1910’s was superior to that of the 1900’s, it was still a far cry short of what would be accomplished during the height of the Golden Age of architecture in the 1920’s. The head golf professional at Milwaukee, Alex Robertson, oversaw the construction of eighteen holes that included more of his ideas than those of Tom Benedelow, who had been called up from Chicago. Parallel holes abounded and Robertson’s eighteen holes felt cramped as they were crammed into the a section of today’s property that only features ten holes.

Thus in 1924, another 77 acres were acquired including the yummy section where today’s fifth through eleventh holes reside and Walter Travis was brought in. One might think this would have been the final answer as Travis was a legend within the sport. While he excelled at building features, Travis’s routing skills betrayed him at Milwaukee and the resulting effort paled against his other architectural achievements. Based in New York, it is unclear how much time Travis spent on property. Whatever the reason, though Travis was the most accomplished architect to work at Milwaukee to date, his course actually existed the briefest period of time.

The crème de le crème of Milwaukee society demanded something better. Golf became ensconced as an important part of life for the well-heeled of the 1920’s Midwest and numerous courses around greater Chicago captured the grandeur of the game far better than Milwaukee Country Club.

A few final pieces to the puzzle came together. First, it was agreed to move the clubhouse somewhat lower and on the edge of the bluff, which opened up the possibility for the high spot of the property to be occupied by Alison’s eighteenth fairway instead of the building. Simultaneously, a triangular plot of 10 acres was acquired north of the Milwaukee River; the very patch of land where today’s twelfth green, thirteenth hole and fourteenth tee now reside. At nearly 200 acres, the club now possessed ample room for a world class course and the prospects must have been enticing to Charles Hugh Alison when he arrived in 1927. High on a bluff would stand a majestic clubhouse, below was a river valley and the opportunity to traverse the eighty yard wide Milwaukee River in several spots. Plus the river lent the soil sandy qualities so favorable for the game of golf.

Give a great architect great land and a great course should ensue. That’s exactly what happened here which should surprise no one familiar with Alison’s glittering resume. According to the late great historian Tom MacWood, “Born in Lancashire, England in 1883, he had been educated at Malvern and Oxford. Better known for athletics than academics, Alison excelled at both cricket and golf. He was the youngest member of the Oxford and Cambridge Golf Society’s team, captained by John Low, which toured America in 1903. Following a short career in cricket and golf journalism, Alison became the secretary of the new Stoke Poges Golf Club in 1907, a Colt design in the London outskirts. It is believed he dabbled in design while serving as secretary, but he didn’t devote himself completely to golf architecture until after WWI – going into partnership with Colt and Alister MacKenzie. Almost immediately he was dispatched to America where he worked throughout the twenties, producing a number of impressive designs.”

Alison first oversaw the completion of the last three holes at Pine Valley Golf Club. His work at Kirtland Country Club in 1921 to the east of Cleveland ranked among the best in the golf rich state of Ohio. His Timber Point on the south shore of Long Island in 1923 drew rave reviews and was considered among the very best in the country at that time. His sterling Seaside nine holes at Sea Island had just opened and counted Bob Jones as its most ardent fan. Alison’s last great work in North America would occur at Milwaukee. After that, the Great Depression sent him to Japan and later the Netherlands where several more world class designs were constructed including Hirono, Kawana and Royal Hague.

Unlike Travis, Alison spent a considerable time on site routing and the result is today’s course with all of his playing corridors still in use. A few of Travis’s corridors were preserved including the 2nd, 15th and 16th which roughly parallel each other as well as the Milwaukee River. The course now became the fresh and exciting venue longed for by the members.

 

Milwaukee’s specimen trees add to the overall ambiance of the round. Few places provide a more enticing fall game than Milwaukee when its autumnal colors are on full display.

 

At the heart of the experience is the bucolic setting that the club enjoys to this day. Outside intrusions are at bare minimum. Rather the golfer (and tennis player and paddle ball player and swimmer for that matter) is free to concentrate on the task at hand. While working in the urban cityscape of Milwaukee one can only imagine the pleasure that its members derive by driving north to escape into the pretty Wisconsin landscape. The golf experience alternates  between the topographic challenges posed on the front to the glories of playing along the snaking river on the back before climbing out of the river valley for the last two holes. Together the two nines encircle the clubhouse which stands some ninety feet above the holes in the river valley. What more could one possibly ask for?!

A successful tee shot across the Milwaukee River at the fourteenth hole sees the golfer leave the last plot of land that the club acquired for the sake of Alison’s work.

One sequelae of the short lived Travis course was that the members became adamant that the ninth green return near the clubhouse (the Travis out side finished 300 yards away and created a lot of teeth gnashing). By the mid 1920s, nines that returned to the clubhouse were viewed as desirable by most clubs. The number of rounds played around the country was continually rising and returning nines gave clubs better control over the play. While this desire by clubs certainly placed an additional burden on architects; it did not present a major hurdle here. How many properties naturally afford seventy plus yard wide corridors for the first, ninth, tenth, and eighteenth holes like Milwaukee? Not many.

Yet in all the world of golf, there may not be four better holes that start and conclude nines than at Milwaukee Country Club. Think about it. The first drops down into the river valley, the ninth plays heroically along high ground and was improved when Trent Jones moved the green to its current location in the 1970s; the tenth starts on the bluff and plunges down toward the river and the eighteenth stands as one of the best finishing holes anywhere.

Parkland courses in the United States generally pale in comparison to the grander forms of golf because the environment is less memorable than a links found along the sea and lacks the exhilaration found in playing across a wide expanse of heath land. However as we see below, the case here is different and the glories of Milwaukee’s golf unfold in their own unique way.

Holes to Note

Please note: The yardage below are from the 6,900 yard set of tees as few players need even consider the 7,100 yard set.

First hole, 435 yards; A rousing start! The golfer is given every opportunity to make a free flowing, positive swing from the elevated tee: all the hazards are clearly visible, the fairway is broad, and the trees are properly back from play. Yet, such was not the case a decade ago. Then, the golfer couldn’t even see the  first green from the tee so much did the trees encroach from the right. Eight years ago, the board at Milwaukee had the good sense to contact Renaissance Design. Tom Doak and Don Placek came out to tour and since that time have worked hand in hand with the board and Green Keeper Pat Sisk to restore the scale and proportion of Alison’s work. The detail work carried out over the past decade is first rate. Note how the bunkers edge into the fairway. According to Placek, “We spent an awful lot of time making sure that the bunkers relate to the fairway and that the fairways relate to the bunkers.”

A good first hole should make a golfer itch to play and the first hole at Milwaukee does that better than most! It’s a special feeling to emerge from the Men’s Locker Room and stand on the first tee only a few paces later.

 

Fourth hole, 180 yards; Both the first and final one shotters play uphill at Milwaukee. That’s their only similarity though as this one sets up for a draw while the penultimate hole demands a fade. Given the shape of the green and the bunkering, the golfer wants the fourth to be a Redan, but he must put aside his instincts and accept this as a fine hole on its own.  With the uphill nature of the hole (hardly conducive to a Redan), the green tilts from back to front but not so much from right to left.

Fifth hole, 435 yards; The recent widening of the neck of the fairway has restored the temptation on the tee as to whether to attempt to shape a draw with a driver or to lay back with a 3-wood. By removing a couple of trees and restoring Alison’s bunkers on the inside of the dogleg left, the same sense of spaciousness that pervades the rest of the course was returned to this hole. Up ahead, the pushed up green now features short grass around its banks – and there is nothing more that a good player fears than where short grass may ultimately deposit his ball.

Once cramped, the fifth playing corridor has been opened up, returning Alison’s strategic options to the hole.


Sixth hole, 410 yards;
Milwaukee possesses the full gamut of holes, from flat ones found in the river valley to its elevated interior holes where the topography lends playing interest. The sixth is of the latter variety and features the steepest uphill approach shot on the course.

Unlike so many ill-presented parkland courses, the fairway bunkers at Milwaukee play bigger than their actual footprint with short grass feeding into them. Note the absence of thick rough to retard a tee ball from finding the fairway bunker at the sixth.

 

Seventh hole, 480 yards; Perfectly presented holes are always create a most pleasurable encounter. In this case, the hole looks to be straightaway and can play that way – but only for the courageous golfer. Here is a classic bunker configuration: hug the bunkers right off the tee and enjoy a good look into the green past the left greenside bunker. What makes the hole function perfectly is 1) the recaptured Alison tee on the left and 2) the mow lines whereby twenty yards of turf right of the green is maintained as fairway. Too many parkland courses feature thick rough encircling green after green, thereby giving the golfer the dull option of hacking out a pitch shot somewhere onto the putting surface. Far better and more engaging to allow the golfer to make a clean strike on the ball. Every time Renaissance suggested more short grass, Milwaukee eagerly agreed despite the additional economic requirements.

The courageous golfer takes the straightline down the hole by hugging the fairway bunker off the tee. Those less confident play to the left and then …

 

… to the right where there is plenty of short grass well right of the green. Few architects were better at adding strategic value by their placment of hazards than Alison.

 

 

Eighth hole, 175 yards; Most parkland courses suffer relative to other types of courses (links, cliffs, heath land, mountain) because their holes aren’t as distinctive. Here and over the next eight tee shots, Milwaukee serves up a dazzling and diverse array of shots that become seared into a player’s memory.

Where Alison procured the dirt to build some of his pushed up green pads is rarely evident. His work here and elsewhere around the world always sits softly upon the land.

One thing’s for sure: Where there is a tall green pad, there are steep and deep greenside bunkers like those above. The golfer saves himself a lot of potential grief by hitting the green from the tee with what is one of the more important swings of the day.

 

Ninth hole, 325 yards; Played across the most rambunctious land on the course, the ninth is the favorite of many. And guess what? Robert Trent Jones Sr as opposed to Alison deserves the lion share of the credit. Yes, Alison’s hole emanated from here and played over much of the same fairway. However, in 1928, the clubhouse hadn’t taken its final form and Alison’s green was actually fifty yards left of today’s. Trent Jones moved it in the mid-1970s when he had the advantage of positioning it perfectly to the east wing of the clubhouse which serves as the handsome backdrop. Indeed, the feeling of occasion exists here so much so that one could be forgiven for thinking this is the Home hole.

 

Alison’s green was fifty yards to the left of today’s location. Trent Jones moved it here in the mid 1970s. Though pure conjecture, one presumes that Alison would have done the same if the wing of the clubhouse had existed at his time.

 

Calling for finesse, the pitch to forward hole locations at the ninth is one of the more nervy shots on the course. The agony of watching one’s approach land on the green, only to spin backwards and finish thirty yards down the hill is most demoralizing as the resulting thirty yard pitch might be even harder than the one from 100 yards!

 

Trent Jones’s best work at Milwaukee mimics and compliments that of Alison. A good example is the false front of the ninth. Few golfers would suspect that different architects had built the false fronts at the ninth and eleventh greens.

 

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