"Well, I can’t agree that Colt, Simpson and Braid were similar.
Out of curiosity, what does an opposite design look like today?
Ciao"
I agree Sean, this shows the folly of trying to categorise any GCA's (ODG or Present Day) work as synonymous.
That is part of the human condition to wish to order things, but when dealing with different sites, budgets, clients and time periods it's even harder to force similarity.
This is especially the case for under-appreciated Braid, who did great work on all terrains and budgets.
I think IMHO that in itself is reason that his reputation should be higher than some might acknowledge, regardless of the scale of his body of work (530+ design credits)
Braid worked on courses from 1896 (Romford) right up until his death in 1950 (Stranraer & Home Park) he also had progression/change and adjusted to the styles, fashions and best thought of the day. Just as his prolific peer Donald Ross did in the US.
He also collaborated, thus assimilating others inputs, as a previous thread I discovered (w. Adam L) he worked (Routing) with HS Colt (Bunkering) at Bishops Stortford (in order to help Douglas Rolland out at a point of need).
Across his work I have seen work that certainly could be described (by others) as akin to Colt's and/or Simpson's in style and quality.
Sometimes even mistaken for the others one way of the other (Sherwood Forest for instance).
I have also seen images of Braid bunkering that The Good Doctor would be extremely proud of too (Ryl. Blackheath).
But of course closer inspection by experts and fanatics (I count myself in that) of one designer or another might see (or seek exhaustively) the subtle differences...which of course are there...they are all artists of great skill who we should appreciate and celebrate and not strive so hard to differentiate or worse than that try and rank!
Cheers