I played the Lido a few days ago. I was incredibly fortunate to play with Peter Flory, so not only did I get to try my hand on the course but I also got to hear more about its genesis than has even been discussed here. Like many, I had heard many varying opinions about Lido, with many whinging about how hard it was, how they were beaten up, and so on. Others absolutely loved it, so I was very excited to see what all the fuss was. I am 71, I played the white tees which gave me 20 strokes. The best local comparison I have for difficulty in the Twin Cities, where I play, is Hazeltine National. Since for my taste, while I enjoy the occasional round at HNGC with a close member friend, I'd slit my wrists if I had to play there every day. At Lido, I had a totally different experience, even though my score was about what I shoot at HNGC. We were playing with a group in a match play competition, so score was less important than just trying to win a hole- more fun for sure. But with Peter, and our excellent caddie Dave, I quickly found real excitement and challenge as I was introduced to the many different ways to get to each green. Peter gave us all rule #1 for the Lido- "Avoid the damn bunkers at all costs"! The variety of shots was remarkable, and the need to really concentrate on trying to put the ball more or less where it needed to go was really stimulating. No weak holes; playing the MacKenzie 18th was a gas, both as a golf hole and for the historical context.
So in short, I loved it and look forward to the next time. But where I'm going here- and what I'd like to hear from you all about- is the overall concept of "tabula rosa" design. As we all know, CBM was given a blank check and a blank slate to build upon. I hadn't realized that in fact 15+feet of sand had to be pumped from the sea to create the surface in the first place! So what struck me was the realization of golf architecture as sculpture in a pure sense. CBM envisioned everything, created a plasticene replica with all rumples and humps and bumps to scale, and Raynor directed 400 men daily to build it. Previously, I felt strongly that a course should be "found" in the land- think the Old Course, Prestwick, Sand Hills, Pacific Dunes, White Bear Yacht Club and on and on. When I first played at Whistling Straights, it was difficult for me to accept the course since there was nothing there before it was built, and Dye created the whole thing. I now look in awe at the accomplishment, and believe I was small-minded and didn't really understand what design can be about, in spite of the books I had read and courses I had seen. Are courses like WS and Lido the ultimate "found" courses, as a sculptor finds their subject in the blank marble? I still love the "found" course but have a new viewpoint. What say you? Tom Doak, I really be interested in your view of this, and also the use of the amazing technology used to create Lido for future designs.