Mike-Thanks for listening.
I was struggling to find an answer as I find joy in the two simulataneously.
(Competing and exploring a golf course) have a hard tiime separating setting,feel, conditioning,history, evolution and architecture.
So as far as an answer as to architecture improving one's game, the only answer I had was how much better I tend to play after a week of links golf in tough conditions due to the imagination and shotmaking skills required-and due to turning off mechanics (but that's a type of golf rather than sheer architecture)
I'm just not sure how knowing a Redan from a Biarritz helps a player, but even the most (seemingly)architecturally illiterate player can appreciate an angle or know what shots will work better within the framework of his own abilities.
I guess a better answer is I don't confuse knowing a course with knowing its architecture-and I do think we under rate a touring professional's (useful to him) achitectural knowledge.I will say the more rough and tumble his background (hardpan public courses, gambling, caddying, struggling etc) the wider array of creativity and shotmaking the player will have. Which is where the euros still have us in spades.
I think the NLU comments are taking parts of one interview out of context without reading all of his other fine works.
I will say I don't think we can condone taking our dogs to the course based on the good manners of the dogs (and people) at Swinley Forest. Things might get a bt out of hand at Bethpage yellow
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