With regards to design pedigree I'd point to the example of Carnoustie. A great course, most would agree, with a roll call of many great architects who have had a hand in it ranging from Allan Robertson, Old Tom Morris, Willie Park Jnr, James Braid, Tom Simpson and MacKenzie Ross as well as in more recent times Martin Ebert. However it was James Wright, the then greens convener, who with no architectural pedigree at all who gave us Carnoustie's famed finish.
Should we discard his work because of his lack of pedigree or should we take a leaf out of Ryan's book and simply judge his work on it's merits ?
Even a blind squirrel occasionally finds a nut That blind squirrel had the balls to change Braids finish to wide spread acclaim. He also brought in Simpson to consult.
I'd say more often than not, the results are not great. But we don't see that because we only focus on the one's that were a success. For every story like this (and Woking) there are dozens more like Montrose, where the course and greens were tweaked and revamped to what we have today - a good, but not great links course. It could still be great if not for continual tweaks (outside of those required for coastal erosion). [size=78%] Courses often get labelled Colt courses or Braid courses when in actual fact what they are are a collection of different ideas and work from various people (mostly amateur I'd suggest) over a number of years. Montrose might be a good example. From memory that was the course that Colt rerouted in the dunes (which are now washing away) but they quickly reverted back to the original routing (Adam - please confirm). As much as no one talks about the things that the amateurs got wrong, equally we don't tend to see that things that the ODG's didn't get quite right, and that is because they get changed.
[/size]I like to think I am open to seeing great updates to great courses irrespective of the name or pedigree, but all I can go on is what i've seen. So there are two possibilities:[size=78%]
[/size]1. I am right and a majority of the recent changes that I've seen in the UK to great courses don't materially improve the course[size=78%] How recent ?
[/size]2. I overlook the good updates and only focus on the bad ones either because I don't know, or because it doesn't suit my agenda.[size=78%] Very possibly
[/size]I believe it's the former, but am open to it being the latter, in which case you and Ryan would be correct. I recognise you and Ryan are likely much more well-versed than I am, in which case, I'm happy to be talked off the ledge, but I'd love to see concrete examples of (greens specifically) changes in the last 80 years to great courses that made the course substantially better. Better in this case being defined by Dr Mackenzie that the course and hole should provide the most amount of pleasure for the most amount of golfers and have the power to last. With this definition, pleasure comes from repeat plays on greens that favour originality; providing genuine inspiration to all that play. [size=78%]
[/size]
Niall,
I'd say any changes within the last 80 years.
To your point on Montrose, I think it illustrates the heart of what I'm possibly trying to get at. Yes, improvements can be made any any course, but once you set a precedent, there's no going back. Montrose must illustrate this point, because what's on the ground now isn't great (though certainly not bad!). It may not have all been Harry Colt or a famous architect that does the good work, but under the banner of 'continual' improvements, a course will eventually do work that isn't good. It's inevitable. Look at Augusta.
So the cut off then becomes, when do you stop to make the changes? For example, if Cape Wickham thought they could amend 3 holes, would I have the same issue? In a part, no. Mainly because in my head, Cape Wickham represents the here and now, which can be replicated in similar fashion. But you can't build another Machrihanish. No matter how one tries, it just can't happen because thinking and tools are different.
While it's all up for debate, I'd say any course that's over 20/30 years old (ie - standing the test of time) and is considered great should probably be left alone.