... under Architecture Timeline and Courses by Country.
A reputation is an especially precious commodity for a golf course architect. A good one enables good projects and a great one enables great projects. Yet, what exactly constitutes a "great project"?
To me, it means a properly funded undertaking with a spacious setting, good soil and a natural diversity of hazards. Alison’s reputation commanded that time and time again wherever in the world he worked. Royal Hague, for instance, with its tumbling dunes is the stuff of dreams. In North America, Alison’s best projects are marked by superior water hazards of the sort that modern architects see only infrequently. Think about Pine Valley’s three holes beside and over the lake where Alison helped after Crump’s death, Kirtland and its awesome river valley that dominates the back nine and the great natural hazards of Sea Island and Timber Point.
If you accept my definition of a great project, then Milwaukee Country Club represented yet another great prospect for Alison. Yet ... he still had to make it happen. Walter Travis had a mostly similar opportunity there – and he blew it. Whether he mailed it in or not I don’t know but I do know this: Alison never mailed it in. Not unlike William Flynn, Alison didn’t overextended himself and he gave every project the personal attention it required. Throw in his work in Japan that changed how that country viewed golf and I place him at my table of Master Architects. Seated along with him would be Park, Fowler, MacKenzie, Colt, Ross, Maxwell, Tillinghast, Macdonald, Raynor, Flynn, Thompson, Thomas, Dye, Coore and Doak. Morris would call the dinner to order!
Speaking of Tom D., the work done by Don Placek and Brian Schneider of Tom’s Renaissance Design has re-established Milwaukee near the forefront of existing Alison courses. Trees are once again back from play and the scale of this second to none exquisite parkland setting is on full display. In its infancy, the members there turned to the golf mecca of Chicago to establish their first golfing iterations. If you ask me, the student can now teach the master: If there is a better course in Illinois than Milwaukee CC, I haven’t seen it. Doak claims that Chicago GC is playing just about pitch perfect now but if I think about the two raw properties I know where I would rather have a game.
The sight and sound of the Milwaukee River help make the stretch from 8 to the clubhouse one of my all-time favorite strings of holes. That’s courtesy of Alison’s routing skill. Throw in his varied bunkering schemes and something very special emerges. Of course, Alison was famous for his bunkers (they are referred to as “Alisons” in Japan), both for their depth and placement. Of the 79 bunkers around Milwaukee, many have famously steep, vertical faces. If more people saw Milwaukee, I dare say it would have a near cult following as the point of restitution of these sand particles is pushed to the max here. That takes talent, time (and therefore money) but that’s fine with the board. Green Keeper Pat Sisk gets what he needs and does an outstanding job. As you scroll through the 30+ plus photographs, you will gain a sense (correctly!) that this is a big time operation.
No detail work is too small at Milwaukee: Placek loves how this fairway bunker at the fourteenth visually lines up with the greenside bunker in the distance.I first played here in October, 1986 and was dumbstruck how such a great course could fly under the radar. I played that day with a USGA committeeman Tom Egan who passed away earlier this year. After the round, I asked Tom (who was a Baltusrol member at the time), “Apart from the history that comes from hosting US Opens, can you think of any reason why Milwaukee isn’t as famous as your home club”? He responded, “Absolutely not.” And what’s happened at Milwaukee since then? It has been improved! I am trying to round up some before photos now but have a look at the photos from the 1st and 10th in the profile and imagine being unable to see those respective greens. That was the course I greatly admired back then. Now thanks to a series of smart decision by its boards and handiwork by Sisk, Placek, Schneider and others, this Golden Age design is finely tuned and re-assumes a dominant presence upon the Midwest landscape.
Allow Tom MacWood, who passed away suddenly this year, to have a say. Tom said of Alison in his In My Opinion Piece on this web site entitled Gliding past Fuji – C.H. Alison in Japan:
The sense of rhythm and harmony, simplicity of vision, the importance of design, that Nature should be the source of inspiration, these are the element found in the arts of Japan. Alison recognized these principals and merged his naturalistic tendencies of golf design born on the heathlands with that Japanese aesthetic. It was Alison’s ability embrace and incorporate what he saw in Japan that made his lasting influence possible.Many of those same qualities apply to Midwest sensibility and Alison adopted them during his time in North America. Milwaukee is now Exhibit A for this talented man’s immense design skills. If anyone has played it in the last year or two and doesn’t agree, I will be shocked.
Cheers,