As Scott Macpherson notes in his post below regarding St. Andrews, the question of preservation of golf course architecture is rightly complicated. I think Scott did a pretty good job of breaking it down in the quote below:
"This subject always raises, and rightly so, questions about equipment, but it is probably more helpful that they are put to one side so we don't muddy the waters. So is your question;
A) Is it right that The Old Course should be changed for the Open Championship? or
B) Should any changes ever be made to The Old Course ever again? or
C) Is it right that bunkers can be adjusted on The Old Course?
D) Should Greens contours be adjusted on The Old Course?
E) Something else...........etc etc
My answer to these questions changes depending on the slant.
I have little issue with the idea of adjusting bunkers based on the historical precedent established, but I react with much greater caution to the idea of adjusting the greens, green contours, green approach or surrounds undulations etc. So, have a think about the single question you want to pose and then please let me tell you what camp I am in."
First, let's note that this argument does not just apply to The Old Course at St. Andrews ... it ought to apply with equal force to any course that we think of as a great piece of artwork. We are talking about preserving the artwork here. In other forms of art there would be little argument. Technically, perhaps, The Louvre owns the Mona Lisa [or maybe it's only on loan, for all I know], but The Louvre can't just decide to change the expression on her face because it is no longer fashionable.
So, can we establish some ground rules for what it is about golf architecture that ought to be preserved?
To take Scott's points one at a time:
A) The changing of golf courses for tournaments has a long history. It is part of the slippery slope we find ourselves at the very bottom of today.
For years, the governing bodies have pretended that they don't require changes to golf courses as a condition of hosting a championship, that it is up to the clubs and their consulting architects what to do. That's been a farce for quite a while now, but this year it's finally out in the open.
This summer the USGA decided to add a bunker on the 17th hole at The Olympic Club three weeks before the U.S. Open, which was totally the call of USGA Executive Director Mike Davis ... he didn't even pretend to ask the consulting architect's opinion for confirmation of his belief that the bunker needed to be installed. Of course, the change was warranted in part by the fact that Davis had decided to change the length of the hole specifically for the U.S. Open, and that change didn't seem to be working out as he had thought.
And now this winter, the R & A has announced they are going to change The Old Course at St. Andrews. They have proposed these changes under the guise of it being the architect's idea, but we can never know that for sure ... everyone involved seems afraid of disagreeing with Peter Dawson, so Martin Hawtree may be afraid to speak up, for fear of losing his coveted consulting gigs with other Open rota courses. It has even been suggested that the town of St. Andrews, which actually owns the course, might be afraid to stand up for it because the R & A controls how often the Open will be played there, and hosting the Open is of significant economic interest to the town.
So do we believe that the governing bodies really know best for golf architecture? Because it is clear that THEY do.
The question, really, is whether there shouldn't be at least a few golf courses where making a significant change takes something more than the whim of a green committee, OR the Championship Committee.
B) Should any changes be made ever again?
Really, this argument is all about the question, what constitutes an architectural change?
We are all agreed that golf courses are living entities. They have to be maintained, and yet those very maintenance practices, plus the weather, change the features of the course slowly over time. Occasionally, the changes become so pronounced that it is only right for the feature in question to be rebuilt. The simplest example is that bunkers erode, or revetments fail and need to be redone. But when do these things pass across the threshold of golf architecture? Scott tried to get to that in his next questions:
C) Is it right that bunkers can be adjusted on The Old Course?
Adjusted how? Certainly the revetted bunkers have to be rebuilt every few years, and it is up to the greenkeeping staff to do the job well. Many of the bunkers have changed in character since I lived in St. Andrews thirty years ago ... some for the worse, in my opinion. But that's just an opinion.
Moving the position of bunkers is a different matter. Again, we all know that it's been common practice for the last 75 years for architects to move bunkers around to try and challenge particular golfers -- usually, but not always, justified as trying to "keep the course relevant for the best players of today". The question is whether any courses should be above the fray -- because if any should, one would suppose that The Old Course would be among the first nominated.
Though history records that bunkers have been moved on The Old Course in past ages, no new bunker has been added and no bunker has been moved since 1920 -- and those changes were made after great debate among the members of the club, who included some of the leading minds on golf course design. If a process like that had been followed for The Old Course, and all agreed, then I wouldn't have a problem with changing the position of some bunkers, even though personally I believe that the course should not be changed in that way. But I haven't heard any evidence that such a process was followed. Were past Open champions consulted? Were outside architects consulted, or did the R & A just decide to make a change and find an architect who was willing to do the work?
There will always be an architect willing to do the work on the grounds that he's "got to feed his family." That can't be the standard for changing the best courses in the world.
[more to come]