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Derek_Duncan

  • Total Karma: -2
Re: Pete Dye and his GCA family tree
« Reply #25 on: December 12, 2009, 02:43:55 PM »
Mike -

Agreed. It's also why, I suspect, he made his Scottish pilgrimage. He was looking for fresh design ideas.

How can these ideas be considered "fresh" if they existed for decades prior to Pete's pilgrimage? ;)

By the way, I'm not sure they Dye's went to Scotland on a design "pilgrimage." I believe they were there for the British Am--Alice was playing in it I believe. Joel?

www.feedtheball.com -- a podcast about golf architecture and design
@feedtheball

BCrosby

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #26 on: December 12, 2009, 04:00:01 PM »
Mike -

You mean other than you? :) A bit more seriously, what tree did George Fazio come from? Other than his nephew, who were George's progeny?

Derek -

Agreed Pete didn't do a pilgrimage as such. Also agreed that I need to buy Zuckerman's book.

Your sentence...

"He's told me on two occasions (and I've heard it reported by many others) that he wanted to purposely distinguish himself from RTJ and Dick Wilson."

.. is interesting. I've thought the same thing. Dye's architecture is defined by what it isn't. More broadly, his style is to build features that are different from what you are used to seeing. But trying to define his style affirmatively is very hard. Which has caused me to wonder exactly what it was he got out of his tour of Scottish courses. Clearly he got some aesthetic ideas. Sleepers, more geometric bunker and green shapes, more severe bunkers and other things that contribute to his "look".

But I wonder what he got beyond his "look"? That is, did the basic design principles he came up with differ in any important way from those of the men (RTJ and DW) he wanted to distinguish himself from? By that I mean, whatever the distinctive look of his courses, is there very much original about Dye's placement, frequency and use of hazards?

For example, it seems to me you can see TPC Sawgrass as a course with Dye's typical finish work on the bones of a RTJ course. (I think of the controversial 17th there as being as much an anomaly for Dye as it would be for RTJ.)   

I'd be interested to get your take. 

Bob

Joel Zuckerman

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #27 on: December 12, 2009, 04:10:39 PM »


By the way, I'm not sure they Dye's went to Scotland on a design "pilgrimage." I believe they were there for the British Am--Alice was playing in it I believe. Joel?



They went over to the UK because Pete, not Alice, qualified for the British Am in 1963, when Pete was 38 years old.

Mike_Young

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #28 on: December 12, 2009, 04:14:58 PM »
Mike -

You mean other than you? :) A bit more seriously, what tree did George Fazio come from? Other than his nephew, who were George's progeny?

Yep..other than me.. ;D
"just standing on a corner in Winslow Arizona"

Joel Zuckerman

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #29 on: December 12, 2009, 04:15:45 PM »


Bob,

The answer to many of the questions being posed in this thread can be found in Joel Zuckerman's book, which is really fantastic: great history and photography and really insightful, thoughtful write-ups on most of Dye's notable courses.

But to give one answer to your question, and to compliment the sage advice Diddel gave to Dye as Joel shares it in the book, Dye deliberately tried to create golf courses that cut against prevailing trends, primarily to set himself apart. It was about branding.

He's told me on two occasions (and I've heard it reported by many others) that he wanted to purposely distinguish himself from RTJ and Dick Wilson.

Derek--you are very kind to compliment my book, and I appreciate it!  

To lend further credence to your point above, here is a brief excerpt from the Harbour Town chapter:

Always quick to deflect praise, Dye gives credit to one of his colleagues, Robert Trent Jones, for inspiring his vision.  “I noticed that Mr. Jones was using big machinery to carve out long tees, huge bunkers, and massive greens at nearby Palmetto Dunes at the time,” recalls Dye.  “I decided to do the opposite.  I figured small greens, tiny pot bunkers, and a low-profile design would separate my identity from the other designers on the island and be something really unique.”  

Tom_Doak

  • Total Karma: 11
Re: Pete Dye and his GCA family tree
« Reply #30 on: December 13, 2009, 06:47:33 AM »
You could put all of my current associates on that family tree if you wanted to, plus Mike DeVries ... although the first-generation list is probably more impressive in itself.

The reason Mr. Dye has turned out so many future architects is that he offered none of us any job security.  You moved from one construction job to the next, with no guarantee you'd be chosen again; and if you wanted to settle down or start a family you were probably done.  That meant more than the average number of guys moved through the program -- but it was also a great training ground for the realities of having a golf course design business on your own, where there are no guarantees.

Adam Clayman

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #31 on: December 13, 2009, 03:54:43 PM »
How many practicing architects that have courses on the ground with their names on them are not from a tree?

Does a shingle count?  ;D

Happy Holidays to you Mike.
"It's unbelievable how much you don't know about the game you've been playing your whole life." - Mickey Mantle

JC Urbina

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #32 on: December 13, 2009, 08:35:06 PM »
Mike,


The reason I asked is a lot of people had different experiences at different levels.  I agree the association with Pete can be taken in many different ways.

I am also not against tree limbs either.

I was just curious. 

Who ever has the pen to write the story has the power to judge the level of involvement.

Chris Wirthwein

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #33 on: December 16, 2009, 07:06:33 PM »
To answer BCrosby's earlier questions (that he wished someone would ask Pete Dye), here are comments Pete told me during one of the interviews I did with he and Alice as I was researching and writing the history of Crooked Stick Golf Club. (www.crookedstickbook.com)

BCrosby asked...
At the time of your first tour of the great Scottish courses, what was it about US courses that you thought was unsatisfactory?


"Answers" from Pete/Alice:

From the book:
PETE: “When we first got in the design business, we went up to Chicago to study the courses, because those were the best we knew of. I had played a lot of tournaments there and people considered them the real greats. But to my eye they all looked the same – all of them green, green, green – carefully manicured…tree-lined – and every single green had the same back-to-front slope. I remember thinking: ‘This is not what I want to build.’”

Not in the book:
ALICE: ...we went to Chicago and everything was…

PETE: …tree lined…

ALICE: …bowling alleys in trees…

In the interviews, Pete also talked to me about Robert Trent Jones and how he (Pete) envisioned doing things a bit differently than Jones...
 
Not in the book:
PETE: "Mr. Jones was a great friend of Alice and a friend of mine. He was a wonderful person. He had come in the business just before the war and after the war. And he did a great thing. He was really smart. There was starting to be a need for golf courses around the country. So he developed a plan and his plan was worked out where certain type of bulldozers could build a tee and green…stuff like that...he did a lot of great golf courses. And he built them all over... But he didn’t change that plan from Paducah, Kentucky to…anyplace. It was the same plan.

So…when I got into this thing, I wasn’t against Mr. Jones, but I figured you had to relate back to the way they were built by hand…beforehand. So, at that time…I didn’t know how to fill a bucket with sand. I never knew how to put dirt in a sand box. So we bought a bulldozer. I bought an end loader. And it finally dawned on me that a lot of these things would not do what I wanted to do. I couldn’t get them to work. So, I improvised out here at Crooked Stick all the time…with John Geupel’s (founding member and Caterpillar equipment dealer) equipment and what little I’d bought to find out how I could build things…

BCrosby asked...
Put differently, what was it about the Scottish courses that you thought most important to import into courses in the US?


"Answers" from Pete/Alice:

In the book:
PETE: “The rumpled fairways, the semi-blind shots – I saw things I’d never seen in the United States,” recalls Pete. “That’s where those ideas started for me.”

Not in the book:
PETE: Over there, all those rolls and contours they have over there…they’re not manmade. It’s just the recession of the sea.

ALICE: I think one thing we noticed in Scotland, too and felt was an openness.

PETE: ...I came back from Scotland and those courses we saw... this (Crooked Stick) is the first golf course that we tried to put fairway grass and then have fescue in the rough and get a real contrast, cause the different grass is what really frames the golf course (over there). And this is the first golf course in the Midwest that had bent, (or Merion blue) fairways and really totally fescue (in the rough).

NOTE: You can read a couple of chapters from my book, including the one about the Dye's trip to Scotland at http://www.crookedstickbook.com/bookexcerpt.html

BCrosby

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #34 on: December 16, 2009, 09:08:52 PM »
Chris -

Great stuff. Thanks. I've asked Santa Claus for your book. Bob

Chris Wirthwein

  • Total Karma: 0
Re: Pete Dye and his GCA family tree
« Reply #35 on: December 16, 2009, 10:30:55 PM »
Cheers, Bob. Glad you found that interesting. (For my money, Pete's overall a pretty fascinating guy.)

Hope Santa takes the hint!