Tommy:
It might be better for me to go for your “don’t participate” option.
But, I’m very surprised that you would want to discuss the “art of bunkers” without using photographs which present the context, background and surroundings of the bunker in question.
A Clay Man:
When I play a golf course, I stand on each tee and look over what the architect has presented. Then, I walk forward and try to observe how the architect’s work unfolds.
I don’t hit shots and then walk with my head down or my eyes closed.
Amongst the reasons I do this is because I want to take in how artistically the architect has presented bunkers.
Thus, I’m at a complete loss to understand why you want me to look at one picture and visualize. What is the point of having me visualize and then critiquing what I have imagined? Wouldn’t it make far more sense to present several pictures of the bunker we are analyzing and asking people to comment on what we can all see?
Tommy, in my judgment, is too hung up on trying to appear neutral. The emphasis on concealing the identity of the golf course doesn’t really work, it doesn’t really help us assess the art of bunkers.