Bradley:
I tend to agree with what you said there but I'm aware others often think of architecture as entailing a lot less than that.
While I am somewhat interested what some of the contributors on here think golf course architecture is I'm much more interested in determining what exactly C.B. Macdonald thought it is.
I've gone through his book again with that in mind and it seems he didn't exactly call himself the first architect per se (unless I missed it) but it seems he did call NGLA and what he did that led up to it and during the design and construction of it the first example of golfing architecture he was aware of.
"I was intensely interested, and it was from this discussion (the 1900 "Best Hole Discussion" in London's Golf Illustrated) I was urged to carry out the idea of building a classical golf course in America, one which would eventually compare favorably with the championship links abroad and serve as an incentive to the elevation of the game in America. I believe this was the first effort at establishing golfing architecture----at least there is no record I can find preceding it."
Undeniably he was aware that plenty of others had laid out and constructed golf courses before that, including him (Chicago GC) so what could he have been talking about and thinking about that made NGLA different to him than anything that came before it and why would that difference lead him to call it the first example of golf architecture?
I think that becomes very clear when one considers what Macdonald also said at the end of his book in one of the last chapters entitled "Architecture."
" I read a golf article not long since in which the writer called a "fetish" the copying of holes from the classical courses of Great Britain, holes which have the testimony of all the great golfers for more than a century or two past as being expressive of the best and noblest phases of the game.
Architecture is one of the five fine arts. If the critic's contention is true, then architecture must be a "fetish," as the basis of it is the copying of Greek and Roman architecture, Romanesque and Gothic, and in our own times among other forms, Georgian and Colonial architecture. One must have the gift of imagination to successfully apply the original to the new situations. Surely there is nothing "fetish" about this.
I believe in reverencing anything in the life of man which has the testimony of the ages as being unexcelled, whether it be literarture, paintings, poetry, tombs----even a golf hole.
Perhaps it may be apropos to close this chapter by quoting another great landscape architect, Prince Puckler:
"Time is not able to bring forth new truths but only an unfolding or timeless truths."
So there you have it. I think that unquestionably explains why Macdonald felt he was the first golf architect and NGLA was the first example of golf architecture.
Again, the key to why he felt the way he did, I think, is pretty much in this remark of his---'One must have the gift of imagination to successfully apply the original to new situations.' In that particular vein NGLA and Macdonald probably were the first to do that.