Mark
MacKenzie was working on a camouflage book at the time of his death. Have you been able to track down any of his writing on camouflage in the 1930s? I wonder how effective his Boer concepts would have been against the impending Nazi blitzkreig.
Tom MacW
New stuff is popping up. Early this year Neil C and I found two articles from 1934. (I secured permission from the publication for Ran to host them on GCA.com, as well as the Christian Science Monitor excerpts of Mac's "Economy" lecture; with luck GMBF will find the time soon and the balky website technology will cooperate!)
Some of MacKenzie's 1930s ideas and writings on camouflage would have been about as useful against the Germans as the Poles found their horses to be, and his notion of camouflage almost as a sort of reverse doomsday device, and bringer of world peace, well, we know what came of ideas like that.
But MacKenzie like many other camoufleurs appreciated that some core principles of camouflage were eternal.
To explain this fully requires a fairly comprehensive explanation of the evolution of the doctrine of military camouflage...so instead let me just throw out a measly sentence or two!
MacKenzie wrote of both "defensive" and "offensive" camouflage. The key to understanding camouflage is to know that it evolved in WWI to become NOT a doctrine of hiding or concealment but of "disruptive patterning." The idea is to break up patterns the human mind uses to "see" something. "Concealment" thus factors in two ways:
1. As one of three methods of camouflage
2. In the broadest sense, i.e., the sense of "hiding" something, as the
outcome of all methods of camouflage
Camouflage is about wrong-footing the observer, about making him see or act in a way that protects or benefits the camouflaged.
It is very important to note that MacKenzie saw GCA and camouflage as sharing certain principles -- the only difference lay in the application. Both applied the concepts for purposes of disruptive patterning; however, the military application was one kind of concealment and the GCA application a different kind if you will. (Examples of the latter: to use the principles in reverse to make something
more visible, alternately to conceal the hand of man.)
Trying to educate the public and many military men as well on the
doctrine of military camouflage as being something more than fancy paint or a somehow magical "masking" was a neverending battle -- all the way down to today, when many mistakenly think of MacKenzie's camouflage expertise as being used to hide bunkers or make objects appear closer or farther way.
(Which is NOT to say he didn't do some of that; but the impact of camouflage on MacKenzie's design career was both broader and more fundamental. Broader in the sense it gave him an education in psychology and a fully-formed doctrine for how to manipulate not just the "observed" scene but how to manipulate the observer himself; fundamental in the sense it gave him a useful education on civil engineering as well as how to "educate" workers on the art of building something and making it not look built. And this is just for starters...)
So the core concept of camouflage as interpreted by MacKenzie and many other camouflage experts -- in many respects an unfortunate word choice, lots of confusion could have been avoided if somehow we took instead the Russian term "maskirovka," whose meaning at heart is "deception" -- was as valued and used in WWII and beyond as in WWI. cf Q-ships, tank dummies, etc.
Tom Paul
The Boer War is where Mac's inspirations -- as well as Baden-Powell's -- began, and you've captured a lot of what he learned, but WWI was where the doctrine "grew up" if you will and MacKenzie was there. He fought a two-front war of sorts that both reflected his past GCA experiences and reflected his future:
1. against military men / greenkeepers who insisted on demonstrating their "craftsmanship" via overly-finished (read: too-obviously manmade) earthworks
2. against camoufleurs who took a too-limited view of the possibilities and applications of the discipline (in camouflage, this would be artists and those who saw it being about "paint")
It's important to note as well the engineering lessons he took away from "military entrenchments" (the word "camouflage" did not enter the English language until 1917), lessons most notably (IMHO) on display in the sandy bunker lips of Royal Melbourne -- virtually all of which, of course, he did not construct!
Sorry for the ramble -- gotta go!
Mark