Tom Doak
Thanks for your thoughtful post. Now that I think I understand better what you are getting at, I like it better! It sounds to me like some sort of "Good Housekeeping" sort of seal, with no explicit or implicit restrictions on the owners to do what they want to do with their course, just a fairly large dose of moral suasion. I could live with that, as could, I would guess, the members/owners of the clubs we are talking about. I must say, however, that I don't see this as anything significantly different from today when places like Myopia, NGLA and GCGC are (or would) be under the microscope of places like this site should they decide to do something significant to their courses.
I still wonder, however, at the practicality and even need to "preserve" these courses. I concede that it would be desirable, if only in the selfish sense of allowing outsiders like ourselves a chance to move back in time, from time to time, much as we are able to do when we play the Musselburgh old links inside the confiens of the racecourse, or hundreds of other courses, on both sides of the pond, with lesser architectural pedigrees that have not changed over the last century because, well just because the owners/members saw and see no need to do so.
It must be hard for the owners of a course like NGLA, whose raison d'etre was to push the envelope in terms of both course construction and course difficulty to find themselves now relegated into a "used to be great" category by those who believe that "resistance to scoring" is a primary criterion for course "greatness." I suspect that CB himself is probably not too happy in his grave seeing the attention (and higher ratings) that NGLA's neighbor, Shinnecock, is getting vis a vis his baby. From my little and third-hand knoweldge of his personality, I suspect he might be one of the last people in the world to want his masterpiece to be "preserved" if this was at the expense of its reputation in the golfing world.
Finally, as a highly accomplied practicing architect, what additional value would you get from having Myopia, for example, kept as it is now, vs. being able to see what it is now from photographs and descriptions of talented writers. Do aspiring aritsts have to visit the Louvre to understand and learn from the qualities of the Mona Lisa, or more properly, what additional vlaue do they get from standing in the queue and then getting a minute of so to view her smile under glass?
Just wondering, really.
Cheers
Rich