Pat & Forrest,
I hate to see old wounds opened up again, because it is certainly long past all of it. But, I will say this:
The purpose of redoing the Merion bunkers in the first place was because the bunkers themselves were falling apart, or in one speicific circumstance, fell apart on a certain hole. The club felt that the opinion of who the bunker fell apart on was a viable one, and WISELY took his advice to repair them. You see, Bill Kittleman (Forrest, a person that I greatly admire and respect in the same vein as you do A.J. Snyder.) wasn't around anymore to repair the bunkers as in the past. So they essentially went out and got him.....by hiring one of the best RESTORATION experts in the business; the one who probably knew the course better then any architect--Gil Hanse.
Gil and Bill K. worked on several bunkers, and I have to say, from my viewpoint from seeing them, as close as possible to the wonderful looking and EVOLVED bunkers that all had come to know and respect. In the restoration of art, yes, I will give you that it is impossible to paint EXACTLY what was there, especially on an ever-evolving canvas. It is more of an interpretation to get it as close as possible as what was orignally built and then how it evolved, thus maybe an interpretation of imitating nature over a period of some 80 years.
To do this interpretation, requires time, and that time frame wasn't acceptable for a group of members, which is their right. So, they dismissed Hanse & Kittleman, and hire what was essentially a Tom Fazio associate, the golf course construction company of MacDonald & Sons, and to oversee it all, former amateur champion and member Buddy Marucci.
They're work on the bunkers would not be an interpretation, but more of a remodel with the intent of making the course look like it did in 1930, which they had seen and been inspired from the book "The Golden Age of Golf" by Geoff Shackelford. This team, got the work done in a year, erasing the evolved, but somewhat crumbling masterpieces known originally as the "White Faces" and creating the bunkers Pat so much enjoys today.
Don't get me wrong, that is O.K. because we all have so many opinions here. But never think for one moment that these bunkers were going to be constructed in the same verve as the much storied and beautifully evolved originals--by the restoration artist that knew them best--Bill Kittleman. They are not.
Those bunkers are a far distant memory that can only now be appreciated for what they once were, and unfortunately cannot be studied and admired by students of the art and fans of Classic American Golf Course Design and Heritage.
Painting a mustache on the Mona Lisa? No, more like giving her Double D breast implants. Ultimately, they look exactly like Morgana the Kissing Bandit's appendege--over-wrought with excess, and just plain tasteless, and when she got them the intent was to do away with the rack that God gave her, and live with the one she thought would serve her ego well.
If I may be so bold to judge similarties in taste, I'm sure Buddy Marucci likes them a lot.