"TE
Simpson (and Wethered) explain their thoughts on this subject in The Architectural Side of Golf. They had an interesting, and slightly idiosyncratic, view of golf architecture. If you haven't read the book, I'd recommend it."
Tom MacW:
I read it cover to cover but that was a couple of years ago. I don't have the book but Gil Hanse has an unusually beautiful copy and he lives within a couple of miles of me so I borrowed his. Where can I get a copy now for my own?
"They definitely looked at golf architecture from an artstic perspective. Wethered was literary and art scholar. Simpson was artist and an art authority. Their opinion that the ideal (of any art form) must be imperfect was influenced by Ruskin, and relating it to golf design, by their experience on the ancient links (St. Andrews in particular)."
I think the fact that art and art in golf design should in some ways be imperfect or have imperfections is a wonderful thought---and one I also always associate with your articles on the Arts and Crafts Movement on this website.
Macdonald, in his own book, I believe, remarks on Repton's landscape ideas that imperfections of Nature should be eliminated from the eye in the art of landscape architecture. I don't think imperfections in the earth and in Nature should be eliminated from the eye in golf architecture but that's a long way from proposing a golf hole or one and a half golf holes on a golf course MUST be bad for the golf course to be "ideal"! That to me sounds like nothing much more than an excuse and not a very good one at that.