Sean, I guess I'm not thoroughly reading into what your getting at, because what I'm trying to say in my post that maybe indeed that it is the directive of the architect on how this work should come out, in the form of remodeling, not restoring. After all, he is specing to the builder what he wants, correct? I hate to go into Forrest-hating building analogies, but in construction (my business) you have a set of plans and specs you have to follow. Any material has to follow the architect's specs what to use. Any generic comparitable materials have to be approved by the architect by submitting him a list of materials going to be used.
Take an office area that is going to get 200-2 x 4 Lithonia brand florescent fixtures with the really expensive parabolic diffusers; expensive but cost effective energy saving transformer and T-8 tubes, then, try replacing it with something that is half the cost that is obtainble from Home Depot's cheapest Korean made brand. That is something that is just not going t happen unless the client and the architect are sound asleep or just plain inexperienced.
You have to submit to the architect why you are doing this, so he can compare it to the Lithonia brand, (which btw, he gets a nice stipend from Lithonia for each large order sold.) and then see if he ok's or disapproves it, only after he has consulted with the client.
Then I have to install it correctly to his specs. Say if I find a much better and cost-effective way (for me) of installing it, but it doesn't conspire with the architects original Muccivision of making sure the building will have minimal earthquake improvements that might be coming into law in a few years. Am I going to try to get away with it, knowing that he can come back and make me rip 200-2 x 4 florescent lighting fixtures out? (If I did, and it came back to haunt me, I can assure you the contractor I'm working for would fire me for doing so.) So, I'll make out a "Request for Information" (aka Change Order) which allows the architect to say yea or nea to my ideas of installation, as well as seek additional savings for the client who we are building it for, by asking me to revise a cost it will take to put it in MY way.
So, what I'm getting at, if I'm some wild buckaroo that thinks I can get away with doing somewhat shoddy work, and get away without the legal ways and means of the construction trade, then I got away with it, and ina few years, they can cal in another contractor to replace it all because the lights are falling out of the ceiling. But I'm not that buckaroo, I take pride in my work. so hopefully it will all come out right, and if it doesn't, I can say, "I did it as specified--LOOK!"
But lets say all of a sudden, the client, starts to oversee and change the work that I'm doing to the letter of the Specifications, from the architect? Once again, the Change Order, and I'm going to demand that he sign it right then and there, because it is here I can charge him and do it anyway I want because he said so, and as long as I feel that the installation is technically safe and sound, and the architect agrees with the methods of installation. He's happy-The architect is happy, and my boss who is going to charge him a fortune for doing so is REALLY happy.
Now, I don't know if any of this is what happend at Merion, I would hate to think it was the client getting too involved and signing-off on ideas the consulting architect didn't really know about because he wasn't there or an associate OK'ing the destruction of the most famous bunkers in American Golf (lets not forget, they ripped the compacted foundations of the original bunkers completely out so they could dress them up in the Gold Package or Eddie Bauer add-on. Does that sound like a sympathetic restoration to what they saw in pictures from 1931? I for one don't think so.
but maybe I would be better off thinking that it was simply horrible guidance and decision making in regards to making the course play tougher so they could convince the USGA that the course could somehow hold the US Open