I know I'm in for a battle on this, but I think it is one worth waging. I think it is fascinating to consider why Raynor and Banks stuck with their tried and true and failed to be impacted on the naturalism movement. I think it is fascinating to chart the evolution of design practices by various golf course architects just like it is interesting to study the progression of a Michaelangelo or Eakins or Picasso. What progression is there in the artistry and presentation of Raynor and Banks? Why did they stay with overly manufactured looking golf courses? Were they cheaper to build? Were they cheaper to maintain? Did they like the contrast between the manufactured look of the course and the natural settings?
Then there are some fundamental failings. They didn't plan elasticity into their courses so quite a fair percentage were not able to keep pace with technology and better athletes. The Biarritz shot and the Redan shot have been compromised by increased carry distance combined with better stopping power due to ball construction. The Biarritz concept had to be altered to allow green space where it never was before. That is a significant change in design? Why? Because the design became outdated.
I don't fall into the category of highly regarding the courses of Raynor and Banks. Why you think it should be universal acclaim is really beyond my understanding. However, I am more partial to the courses of Macdonald and the ones Macdonald had a hand in. Yet, I see them of a certain kind that I am not entirely fond of. How this is a surprise to anyone is beyond me and beyond Tom Paul (who embraces the work of Raynor a lot more than I do).
I do knock Raynor and Banks for doing things that have been done before and doing them over and over again. If anyone comes on here and says that their template holes are always naturally situated and his routings found the perfect spot for these holes, I would say that is not fact. I've seen enough to know that more than a few were heavily manufactured, popped out of the ground with no connectivity to the routing progression and certainly not the surrounding land. The templates, symmetry and flat bunkers yield predictability and I think that is one of the worst features in golf course design. Where is the use of perspective, offset fairways and greens (except Redan and Road Hole)? The lines of play off the tee are rarely of interest because angles aren't in play as much on their courses as Colt, MacKenzie, Thomas, Flynn, Wilson, Crump, Fownes (on some holes) and others.
It is a fact, their courses, especially at the green end, are heavily manufactured looking. An overwhelming majority of golfers don't consider these factors, they just play. How many go out and really study the green sites and look where the fill came from and what is natural and what is man-made? How many look at a depression or a bunker and consider what its relationship to the hole is? If there is none, how many realize that the pit was dug precisely there merely to obtain fill? I'd say precious few. Those of us that do, find a facet of their work that didn't evolve but rather churned out what the client wanted; and that was a replicated experience. They delivered this quite well.
Of course most of the template holes were different in some ways. The sites themselves were very different so it would seem obvious that differences would exist.
This brings me to one of Bill's points. "Now I happen to think that the Redan is THE BEST par 3 ever created."
What exactly is the Redan that is THE BEST par 3 ever created? Which one are you talking about? The original at North Berwick, the one at NGLA, at Fox Chapel, at St. Louis CC, Westhampton, Yeaman's Hall, at CC Charleston? There isn't one Redan. Or are they all the BEST par 3s ever created? OK, you like the concept. You think it is the greatest par 3 concept in golf. But it was manifested in many different ways and some of them are downright lousy. Are there some Redans that you don't like? If so, why? My personal opinion, which you seem to have an inability to grant me is that it is an excellent concept but I can think of one hundred par 3s that I think are as good and many better.
Bill was going to ask Tom Doak if there are any constraints when building an homage course or building templates. Bill, what do you think? Do you think it allows freedom of routing or does it limit routing possibilities?
Jim,
Of course routings require constraint and often compromise, especially today with more land use restrictions. If an architect was expected to build 4 template par 3s and several other template holes, don't you think that impacts his decision making in many areas? If Flynn, Tillinghast or other architects demonstrated a repeated concept copy (Flynn had 3 or 4 Redan-like concepts and 10 or more short par 4s where the direct line from tee to green was filled with undulating sandy waste or bunkers. He didn't do them everywhere, he did them where they fit. He wasn't bound by a convention that was expected or demanded. The use of the concepts, how they were tied to their surrounds and fit into the routing progression is much more interesting. However, we look at routings after the fact. However, architects must do so without the benefit of hindsite unless they are involved in redesign. I don't give us enough credit to fully understand the routing process to say that a site is maximized. It helps to see different routing plans for the same ground. However, that's rare. I do think it should be easy to see that if 4-6 holes have been predetermined because of a template model, that is bound to impact or constrain the resulting routing. That's my opinion. You haven't proved it to be wrong. Frankly, it takes people with more understanding than you or I have to help us with this issue. Routings are difficult to comprehend.
You don't have to agree or disagree with me. I don't see why I must agree with you. A lot of this is subjective. Where it is objective is what I fail to grasp. I understand your points of view and recognize that it is shared by many. My own differs. So what? How can you possibly expect everyone to feel about Raynor as you do? I don't.