Redtail!? I think you gents are very confused about the differences between being a good client and becoming a designer.Chris Goodwin was kind enough to share with me the detailed involvement of Donald Steel and particularly his top associate, Tom Mackenzie, in fact giving me a book full of Tom's notes and sketches and sketch revisions for the greens and bunkers. Chris had to rebuild the 14th hole after a tornado tore it up, but he would the first to say he didn't design the course.I am sure Chris had more input on the design than he would modestly admit, as all good clients should, but there is a huge difference between that and actually taking responsibility for the design, and Chris is also smart enough to know that.The reason there are so few "non-professionals" working today is the cost factor: few would be bold enough to risk millions of their money on their own inexperience. They're better off hiring an architect and confining their ideas to suggestions.The only good courses I know which would qualify under my definition of "non-professional design" are Tidewater, in Myrtle Beach, and Rich Harvest Links north of Chicago, which I haven't yet seen. Ken Tomlinson fired Rees Jones after his initial routings for Tidewater, and built the course by directing the shapers himself -- that's designing! [I think the course is somewhat overrated because it was excellent land for Myrtle Beach, and because it was "a good story," but it is better than a lot of professional architects would have done.]It's easy to have sound opinions on golf architecture, but as Pete Dye taught me a long time ago, the ability to get your ideas onto the ground is the true test of an architect.