Hi,
I'm bumping this because i feel like Garland was onto something here, and the thread got offtrack (perhaps we should even start a new one?). The inherently blurry definition of "pattern" is perhaps the culprit.
If you refer back to Garland's first post he cites Christopher Alexander's "A Pattern Language"... well, the inspiration for me bump this thread was that I recently found an abbreviated version of "A Pattern Language" online, for reference:
http://downlode.org/Etext/patterns/index.htmlThis is (arguably) key reading for designers, and placemakers. There's no question that there has to be some sort of crossover to gca - which i think is what Garland is after. The book is littered with diagrams, which make many of the patterns crystal clear - unfortunately unavailable in the online version.
The key here I believe is the definition of "pattern" - Garland quoted Alexander saying:
"Each pattern describes a problem which occurs over and over again in our environment, and then describes the core of the solution to that problem, in such a way that you can use this solution a million times over, without ever doing it the same way twice."
If i could BOLD, i'd highlight "...without ever doing it the same way twice." Keep that in mind.
You'll notice in Alexander's patterns (of which there are 253, but by definition, there could potentially be thousands...) work at different scales - starting with large, sweeping regional scales, and moving in slowly to detailed patterns, specifying materials and even dimensions.
Alexander states that his patterns may or may not work alone, but are most effective when used in conjunction with patterns at other scales... for example - Pattern 157: Home Workshop - may be also used in part of Patterns: House Cluster (37), Your Own Home (79), Scattered Work (9), Network of Learning (18), Men and Women (27).
A key to interpretting this is that like in all things design, there are no hard and fast rules and that these patterns were written purposely vague in some cases to encourage personal interpretation... the designer can pick and choose as he/she sees fit, using pattern(s) in whole, or in part...
So.... now the question is, how do we apply Alexander's placemaking theory to golf course architecture? Its easy to look at golf course design and apply some of Alexander's patterns.. for example, a new urbanist type of approach to a golf development might incorporate parts of Pattern 3 - City/Country Fingers, 30- Activity Nodes, 31- Promenade, 37- Cluster Houses, 67- Common Land etc.
To paraphrase Garland's question - are there any golf specific patterns that can be developed? I think Garland may have missed the mark with identying template holes as patterns, however, the theory of a "Cape"-style tee shot may work...
Perhaps if we look at different scales, much like Alexander does - start wide - ie/ patterns of site selection, routing... and then move in to detailing... I think something like "bunker edges" could qualify.
I'm not exactly sure where this is going.... and much of this post is a bit rambling... Maybe i'm wayyy off base, but I enjoy this kind of pseudo-intellectual theorizing.