Tom MacW:
Good question! I never did any evaluating until about four years ago but now I do and I like to do a bit of everything you mentioned.
Interestingly, the course I've probably spent the most time analyzing is NGLA which very well might be the best course of all to analyze the architecture of. I didn't really think through the way it happened but about four years ago I played about six holes on it late one evening (hadn't been there in about three decades) and the look of the place, the look and feel of the course, basically everything about it got my attention right away. The next day I qualified for a good tournament there and then played the tournament that weekend.
A few days later after getting home, the course, architecture, particularly what I call the "maintenance meld" really started sinking in and left me totally fascinated by the experience I had. But I realized playing the course in the tournament I had not been able to notice and really take in the architectural detail. So I went back up there and played a quick round with a man who knew the course, its architecture and history extremely well and we discussed as much as possible the architecture as we played. This increased the fascination! Then I went back again with Kye Goalby, Brian Schneider and the same man. This time they played and I chose to walk and watch how they played it and just look and I was able to take in much more of the detail and essence of the design this way.
The following year or so I road around on the course (after playing one of the tournament rounds) with Gib Papazian and Neal Meagher and we looked at anything and everything to do with the architecture and discussed our various impressions of it--this too increased the fascination and education.
I've been back there a few more times, once recently with Kye Goalby to just walk and look at the architecture and the detail. It never gets tiring, matter of fact it really does get more interesting and more impressive everytime I go. It most definitely helps to have gotten to know Karl Olsen a little bit and to spend as much time with him as possible on these visits. Actually, on the courses I've looked at closely in the last few years it helps immensely to talk to the supers. Obviously it's even better to play a course with the architect like Gil Hanse at Inniscrone and Applebrook and maybe the best of all a really good tour at Friar's with Ken Bakst! If you're interested in architecture and how it all comes together in the creation it can't get any better than that!
So everyway I've done it has been interesting. Playing NGLA in the tournaments under what I consider an ideal set up (ideal "maintenance meld") was the payoff and proof though to see the little things great architecture does to the ball. How great architecture made me and my opponents act and react to it when out there competing on it was very important but to keep going back to analyze the whys of it all I just love to do.
So all those various ways of evaluating was great and I really do believe it has made me much better at being able now to just look at any golf course and evaluate it!