Though I am a lifelong Hoosier, it was not until this past weekend that I made a trip to Attica to play Harrison Hills, and I was not disappointed. With apologies, I must admit that I did not take any pictures.
The usual criticism levied against the course is the disparity between the old and the new, particularly the visual discrepancy between the extreme topography of the original holes and the rather banal flatness of the new holes. The new holes are pretty good, but if I were to offer an opinion about them, it would be:
A) Holes 5-11 all seem to have greens that are angled right to left with bunkers or depressions at the front left and the back right (with minor exceptions, this is confirmed by the aerial view), which became somewhat repetitive, and
B) There is nearly an embarrassment of width in these fairways. Interestingly, they are not that much wider than the corridors of the old holes, but rather than the width compelling players think about where to place their shot, it came across to me as width for the sake of width. Perhaps this is just a function of the vagaries of playing golf in an old cornfield in Indiana. But again, just my opinion.
So, now to the old holes: They are filled with character and an intensity of form that I have not seen on but a handful of other courses. Langford certainly used the natural landforms, but, as he was an engineer, sculpted them with extreme cuts and fills in such a way as to draw out the topography even more. Moreover, the up and down nature of the routing makes it so that each hole (except for the Par-4 14th) has a blind shot, but the visual experience and the demands of the shots, whether from the tee or to the green, are so varied that I am hard pressed to find this trait disagreeable.
A favorite hole is probably the 16th, with a tee shot that must first rise to the ridge line, then fight the left-to-right tilt of land and stay close to, or short of, the left-side fairway bunker in order to have a clear shot to the green, or otherwise contend with the strategically angled chocolate drops that obscure the false-front (and indeed the entire green) from one's view.