"Tom,
Could the move to flat, inland sites with lots of trees be the reason for that?"
MikeC:
That's one of the most interesting questions I've ever seen and one I certainly never thought of.
But perhaps that is true somehow. There's no question that a lot of trees around flattish greens or even original topography contours on a flattish piece of property will make the greens look a whole lot flatter and featureless than they would if there were no trees on the site like most of the linksland courses. It's obviously very much a visual juxtaposition kind of thing.
This is why I think, even if in retrospect, Bill Coore is so good visually and aesthetically. Years ago when I asked him what the hell he was looking at or for when we walked around one whole day without him saying more than a word or two, he started explaining what he called "top-lines" of everything that was visible on-site, off-site, everywhere, as those "top-lines" right next to us and then farther out and then farther out still and then even into the top of the first treeline and then the top of the last visbile treeline before it merged with the skyline and the sky.
He said, "I'm looking at how all those top-lines twist and turn with or against one another, particularly the landform "top-lines"."
And if that didn't blow my mind enough (since this was on the first day I ever met him), he then said: "And after I look at what we're looking at right now that way, I'll look for that same kind of thing from every single angle and vantage point on this property."
He's such a nice guy it was probably just his way of not only explaining what he was looking at and for but that there was so much to look at and for it was his way of saying "pardon me for not talking more."