"I don't think of comparing and contrasting as two separate and distinct mental operations. They are really inseparable. One entails the other. No?"
I would say so, Bobzee, but it seems I haven't been able to get that concept across to Tom MacWood very well. His technique seems to be to attempt to broaden the influence of the A/C movement to such a ridiculous extent that it can be compared to almost anything and then consequently proven that it was a powerful influence on almost anything. His direction seems to be to stretch the "compare" side to inappropriate lengths. I'd like to see a lot more of the "contrast" side of the analysis.
Perhaps it's even true to say that William Morris' dream of basically somehow integrating all art forms was doomed to eventual failure---eg perhaps Morris worked the compare side too dilligently too, at the expense of the contrast side of the equation.
It is necessary to draw some balance or equilibrium for accurate historical analysis, I think.