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GolfClubAtlas.com => Golf Course Architecture Discussion Group => Topic started by: Ian Andrew on March 11, 2018, 11:00:45 AM

Title: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Ian Andrew on March 11, 2018, 11:00:45 AM


The problem with evaluating golf course architecture is it's half science and half art. I find there is a lot of threads that talk about specific details and are trying to determine hard and fast rules. I assume they would like to make the evaluation of golf course architecture more scientific.

In my opinion, you can't define how to create exceptional golf architecture.


Assuming that is the end goal.

The problem lies in half of golf course architecture is “art.” So for perspective, I thought I would share some ideas on how to evaluate “art” to point out the complexities of trying to evaluate golf course architecture (when the artistic side is so important).

Is it beautiful? The main problem with this is we all have our own opinions on what is beautiful for us. See Justice Potter Stewart for best explanation on this. I may like Prairie Dunes, whereas another golfer may like the TPC at Sawgrass. Others prefer Winged Foot. We all have a setting that stirs us more than other landscapes, although most golfers like more than a single setting. But this is still completely personal to us. Yes, you can talk everything from composition to symmetry to framing to flow to movement, but beauty is still “in the eye of the beholder”. And we all like different things from each other.

As a quick aside, I will say, that is why site selection seems to be far more important than architecture to many.

It’s unusual to find anyone who doesn’t respond to being at the ocean.  It’s a small segment of the golfing world who could be more impressed with an exceptional design in an average setting over an average design in a great setting. For example, anyone who thinks the renovation to Pinehurst turned it from average to spectacular is judging solely on the presentation. The basic concepts of play barely change other than smaller details. It was a great golfing experience already before the changes.

So what’s next … art is evaluated on skill and technique. I think most golfers do clearly get the aesthetic side of this one and do enjoy brilliant detailed work. I do think this is why the current leading architects are popular, their detail work is often brilliant and most players can see the difference. The more overt details and techniques are front and centre in their compositions and “we do like what we see”. Still, as I said before what you appreciate does fall into that personal taste, although many are capable of “appreciating both early Pete Dye and late Pete Dye at the same time.

While we struggle to define how we get rhythm and flow, I do believe about half of golfers can feel this when they play and respond to it as part of the experience. The majority of golf architecture junkies can breakdown the mixture of experiences along with the variety of challenges. So these aspects or technique are understandable. 

In a recent podcast I spent a great deal of time talking about the importance of tie-ins. Tie-ins are one of the most obvious ways some architects measure the skill and technique of other architects. It’s the last 25% of what makes a great course possible. I find this is the most over-looked “important” aspect of design, whether by golfers, builders or by architects building courses. 

The most important part of technique is the selection of holes and the formation of a journey. It is the single most important part of creating the composition. I will say with blunt honesty that everyone thinks they are capable and that only a handful of architects truly are. There’s a difference between something that works and something that is sublime. I once tried to explain the complexity by saying – it’s not what you can find, but it’s what you can let go of that defines your ability to find the best possible journey. If you want a quicker example, take Doonbeg, proof that the “entire journey matters more than the individual holes. 

Are you with me so far?

So this is where things get a little more out on the edge … I believe all great work comes from either having a philosophy or at least an intention. Designing holes is not enough to ever achieve anything great (my opinion).

There must be a goal, for example ample utilizing width for playability and the ability to move freely through the design through choice. Or another option can be the philosophy of “you must earn every advantage” (essentially this was Bob Cupp’s argument against Pacific Dunes when we played it together). Max Behr’s concept of “playing freedoms” is my greatest personal influence on how I want you to feel when playing my own work. There needs to be some underlying belief in how you want players to feel, or as either Bill Coore or Ben Crenshaw once said its how you want to treat them.

I think I’ve talked about my delving into rollercoaster design to understand heart rates and emotional response to understand how to influence rhythm in the round. Again, like beauty, we don’t all experience rhythms the same way.  What I’m getting at is art at its best is not just “pretty”. It has some deeper underlying message. Whether architects want you to: “earn it” or “enjoy it” or something in between, personal connections to the work matter.


But it doesn’t end there … 

The artistic side of the game can represent a “tip of the hat” to past ideas or a past style, which is pretty common. Or it can be provocative, when someone like Pete Dye takes a “do the opposite of what’s popular” approach and offers up ideas that contrast the current movement. That’s a statement and engaging for many. Think Mike Strantz at Tobacco Road and the love/hate reaction that it creates with so many.

And that brings us to the word unique. 

We can all admire something that borrows well from past examples. We can appreciate when a course is consistently clever and well-conceived from beginning to conclusion, but for some, nothing moves the needle more than the experience of playing something that has no comparison point. That moment of pure surprise where an architect has made a most unusual choice and provided a surprising new riddle (or at least great twist on a known riddle) leave us gobsmacked. “Wow, that was different ...” It’s why as much as I like Bill, Tom and Gil, I’m need the emergence of a divergence.

So I’ve left you with lots to think about (and only cost you two minutes of your day). What I’m trying to say is golf architecture is not created through a checklist or a series of basic principles. It is far more nuanced and is far more dependent on an emotional reaction to what you see and what you experience.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: John Kirk on March 11, 2018, 12:59:21 PM
A beautiful summary.

You say that golf architecture is half science and half art.  Which half is which?  The two are closely related, if not the same thing:

"Artists and scientists tend to approach problems with a similar open-mindedness and inquisitiveness — they both do not fear the unknown, preferring leaps to incremental steps. They make natural partners."

--  John Maeda, Rhode Island School of Design

https://blogs.scientificamerican.com/guest-blog/artists-and-scientists-more-alike-than-different/ (https://blogs.scientificamerican.com/guest-blog/artists-and-scientists-more-alike-than-different/)

In addition to the sense of awe and wonder one experiences at the ocean, there is evidence that people physically benefit by walking in a forest.  Lower heart rate and blood pressure, reduced psychological stress, etc.

https://link.springer.com/article/10.1007%2Fs12199-009-0086-9#Sec9 (https://link.springer.com/article/10.1007%2Fs12199-009-0086-9#Sec9)

Many of us believe that any pristine natural environment is superior to the alternative.

Few if any of our experienced architecture enthusiasts believe there are hard and fast rules.  There have been numerous (playful) attempts to establish a method for formulaic analysis, a noteworthy example being Bob Crosby's great essay about Joshua Crane.  Rather than prove the value of formulaic analysis, these threads disprove it.

The routing of the first few holes is important to establish pace of play and satisfactory spacing between playing groups.  There are a few simple concepts like these that constrain or govern design.

That's all I've got.  I took 5-6 minutes to enjoy your post; there's no hurry on a Sunday morning.




Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Thomas Dai on March 11, 2018, 02:31:14 PM
Perhaps not being easy to define is no bad thing, leading to variety and quirk and unusualness rather than towards defined standardisation, which can be pretty boring?
Atb
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Kalen Braley on March 11, 2018, 02:44:33 PM
Ian,


Very interesting post, it has my gears grinding, but I do think there are some common principles to a winning formula...


I need to read your post again to take it all in!  ;)



Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on March 11, 2018, 02:56:13 PM

Ian,


Nice post.  However, with a premise of not being able to define how to come up with great design, you then go about trying to sort of define it, even if "as different for everyone."  The inherent problem in defining greatness is the task itself, and the written words necessary.


Saw this clip of Disney design guru Bob Gurr.  Highlight is someone asking about design process, and he shuts the idea down as process being counterproductive to creativity.  Sort of what John Kirk's quote gets at.  Think a bit, shut it down, think some more, work out some ideas, let others come to you, etc.  Great design probably does stem from a random bunch of processes, which come to the designer at precisely the right times. 


(For an analogy, take a sports team.  If they miss on too many draft picks, they have a lousy team, etc.  But, add in trades and free agents and some teams become great in other ways)


https://www.bing.com/videos/search?


As another example of how hard the design method to get to the best design is in Thomas Dai's post, where he presumes the goal is to create quirk.  If designing with something truly specific in mind, it is not likely to achieve a great design.  In fact, quirk consciously created is probably not quirk at all, its just another design feature. 


And, in fact, designing to a process loosely regarded as "form follows function" probably does lead to standardization.  Wouldn't the form of all mid priced public golf courses have approximately the same function, and thus approximately the same design?And, if your view of good design was only function, or the bottom line, perhaps a great one.


Kalen is actually still seeking a formula on  thread whose premise is there is no formula!  Such is the human mind, which has a need to organize everything for personal understanding. 


And, even I am doing that right now! 
Both of us have used a lot of words to not describe the indescribable......
Stop the madness! :o


Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: V. Kmetz on March 11, 2018, 04:25:59 PM
I agree with JB and KBs first take...a thoughtful, interesting post, which itself contains "principles" with which I generally agree...


But it leaves me (us) with more of a voicing/articulation problem, than a push to discovery...I mean defining the emotional connectivity that exists in valuable (fill in your word here) is a task that by its nature defies consensus...


I liken the GCArchitect's job very much like the film director's in that they corral a range of technical, engineering and artistic elements... and film's public rating very much like golf courses' rating...Citizen Kane, The Godfather and Star Wars are very different films, but perennially ranked high, the way ANGC, PV, and Cypress are very different golf courses, and forever ranked high.


cheers  vk
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Mike Sweeney on March 11, 2018, 07:07:09 PM



Ian, while much of your thesis makes sense, in my world travels I have yet to play an unwalkable course that's worth bothering to play more than once, there's just no magic in cartball, the spirit of golf doesn't reside in those dumbed down bastardizations of the game.  So yeah, a walkable routing should be part of every architect's checklist.


melvyn is not a dumb azz#


And if you can build that non-cart ball course on sand with few environmental restrictions and a decent budget, you are off to a pretty good start.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Bill Raffo on March 11, 2018, 08:10:00 PM
I often think about the benefits of the template designers of the Golden Era.  They had tried and true strategic hole designs in their back pocket and then would look at the property and figure out the best locations to integrate those designs, tweaking and individualizing them depending on what made the most sense.



Those courses rarely disappoint and the philosophy seems a more sure way to ensure you'll come up with something that challenges and pleases the majority of golfers. I suppose there is a lot of pressure on GCA's to do something unique on almost every hole, on every course. But it's harder and more hit and miss.



Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Sean_A on March 11, 2018, 09:00:04 PM
I spose my intial thought is that I am not terribly focused on exceptional architecture....so I am not overly concerned with how exceptional golf is created.  Yes, its wonderful to play great courses and even great holes, but that is not what leads me to the 1st tee.  Good golf with a sensible routing that offers roughly equal measures of pleasure, excitement and challenge is all I need to keep me coming back....anything more is icing on the cake and to some degree wasted on me if it means golf has to be expensive...which sadly is all too often the case.  I often say greatness is over-rated and I mean it.  However, that sentiment should in no way communicate to archies that they shouldn't strive for exceptional design....otherwise there would be far fewer exceptional courses because they generally don't get built by accident.

Ciao
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Mike_Young on March 11, 2018, 10:24:46 PM
Ian mentions the land often being the key and the Jeff B comes along and relates how greatness is acquired by a sports team. 
While good land is definitely a big part of exceptional architecture, I m more convinced now that the owner is even more important.  It is obviously the key to Jeff's sports analogy and I think it goes back to The land also....
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 12, 2018, 09:10:27 AM
I often think about the benefits of the template designers of the Golden Era.  They had tried and true strategic hole designs in their back pocket and then would look at the property and figure out the best locations to integrate those designs, tweaking and individualizing them depending on what made the most sense.

Those courses rarely disappoint and the philosophy seems a more sure way to ensure you'll come up with something that challenges and pleases the majority of golfers. I suppose there is a lot of pressure on GCA's to do something unique on almost every hole, on every course. But it's harder and more hit and miss.


Do you understand the difference between "rarely disappoint" and exceptional ??
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 12, 2018, 09:25:53 AM
Ian:


When I worked for Mr. Dye, I was stationed briefly in Clarksburg, WV, where Pete's client James LaRosa had become obsessed with building "the greatest golf course in the world".  Pete told him that I was in charge of that list, so Mr. LaRosa spent those two weeks asking me a million questions about what it would take to reach that goal.  [I think Pete set me up on purpose  :D  ]


For an exercise I did a thorough analysis of the top ten courses in the world, and what they had in common, to see how many real "rules" of golf architecture I could find.


Nearly all of the rules suggested by others were clearly violated by at least one course:


Par-3's to four compass directions?  MUIRFIELD has three playing to the east.
Par?  Everything from 70 [PINE VALLEY AND MERION] to 72.  BALLYBUNION has five par-3's.
Balance?  BALLYBUNION has a lot of doglegs, almost all of them to the left.  Another course I can't think of now goes predominantly right.
Length?  NONE of the top ten courses were 7000 yards long back in 1985 when I did this exercise.  Cypress Point and Merion were under 6500.
Beauty?  OAKMONT is not really beautiful, and ST. ANDREWS is an acquired taste in that regard [ask Sam Snead!].
Green size?  PEBBLE BEACH has some of the smallest greens in golf.  ST. ANDREWS some of the biggest.
Green contour?  They range from fairly flat [MUIRFIELD] to extreme [AUGUSTA, OAKMONT, PINE VALLEY], leaning to the extreme.


About the only thing they did have in common was that all of them were walkable.  Since then I have paid close attention to the rankings to see whether this rule will fall by the wayside ... there are a few now in the top 100 that aren't really walkable, but it doesn't seem that any of them will push into the top 25.


The other thing they had in common was Character.  Sometimes it comes from Intention, as at OAKMONT or PINE VALLEY; sometimes it comes from the site.  But each of the great courses has a distinct character that isn't borrowed from somewhere else, and isn't easily replicated.

Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tim Martin on March 12, 2018, 09:54:15 AM
Ian:


When I worked for Mr. Dye, I was stationed briefly in Clarksburg, WV, where Pete's client James LaRosa had become obsessed with building "the greatest golf course in the world".  Pete told him that I was in charge of that list, so Mr. LaRosa spent those two weeks asking me a million questions about what it would take to reach that goal.  [I think Pete set me up on purpose  :D  ]


For an exercise I did a thorough analysis of the top ten courses in the world, and what they had in common, to see how many real "rules" of golf architecture I could find.


Nearly all of the rules suggested by others were clearly violated by at least one course:


Par-3's to four compass directions?  MUIRFIELD has three playing to the east.
Par?  Everything from 70 [PINE VALLEY AND MERION] to 72.  BALLYBUNION has five par-3's.
Balance?  BALLYBUNION has a lot of doglegs, almost all of them to the left.  Another course I can't think of now goes predominantly right.
Length?  NONE of the top ten courses were 7000 yards long back in 1985 when I did this exercise.  Cypress Point and Merion were under 6500.
Beauty?  OAKMONT is not really beautiful, and ST. ANDREWS is an acquired taste in that regard [ask Sam Snead!].
Green size?  PEBBLE BEACH has some of the smallest greens in golf.  ST. ANDREWS some of the biggest.
Green contour?  They range from fairly flat [MUIRFIELD] to extreme [AUGUSTA, OAKMONT, PINE VALLEY], leaning to the extreme.


About the only thing they did have in common was that all of them were walkable.  Since then I have paid close attention to the rankings to see whether this rule will fall by the wayside ... there are a few now in the top 100 that aren't really walkable, but it doesn't seem that any of them will push into the top 25.


The other thing they had in common was Character.  Sometimes it comes from Intention, as at OAKMONT or PINE VALLEY; sometimes it comes from the site.  But each of the great courses has a distinct character that isn't borrowed from somewhere else, and isn't easily replicated.


Tom-To play devil’s advocate NGLA certainly follows the template model and is almost universally accepted as great.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on March 12, 2018, 10:07:02 AM


......... I m more convinced now that the owner is even more important.  It is obviously the key to Jeff's sports analogy and I think it goes back to The land also....



Mike,


Its no coincidence that on all of my best projects, I have had a very synergistic relationship with the Owner or (in the case of the big, faceless state of Minnesota and other public clients) the Owner's primary rep.


Agree with the land.  At one point, Fazio thought maybe he could just import an ocean, river or forest to improve the design, but never managed to do so convincingly.


Agree with Tom's point about character, which like Ian notes, is hard to define, and much of it relates to the art.  In both cases, we may be best to just say "we know it when we see it."  Back in landscape architecture classes, the professors used to call what TD described as "
distinct character that isn't borrowed from somewhere else, and isn't easily replicated" as creating a "sense of place." 


And, back in the day, southern courses were different than northern courses, Ross courses were distinct from Mac courses, etc.  Then, RTJ started building his brand everywhere, and Fazio perfected building similar courses nearly everywhere (although he produced more variety than given credit for here) and builders started working for many different architects, while it was easier (airline travel) to see what others were doing, etc.  A lot of factors may have combined to reduce "sense of place" as a prime design component.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jim Nugent on March 12, 2018, 10:12:25 AM

Tom-To play devil’s advocate NGLA certainly follows the template model and is almost universally accepted as great.

Tim, along with NGLA add Fishers Island, Camargo, Lido, St. Louis CC, Chicago Golf, Mid-Ocean, Old White, Yale, Piping Rock, Sleepy Hollow, parts of Merion and ANGC...

... and Tom's own Old Mac. 

i.e. the list of exceptional golf courses based on templates is long and outstanding. 
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Ian Andrew on March 12, 2018, 11:19:37 AM

Tom-To play devil’s advocate NGLA certainly follows the template model and is almost universally accepted as great.

Tim, along with NGLA add Fishers Island, Camargo, Lido, St. Louis CC, Chicago Golf, Mid-Ocean, Old White, Yale, Piping Rock, Sleepy Hollow, parts of Merion and ANGC...

... and Tom's own Old Mac. 

i.e. the list of exceptional golf courses based on templates is long and outstanding.




A few comments on this answer:


1. Seth Raynor was far better at routing a course than he gets credit for. You also need to look at courses like Shoreacres where the templates are not the key to what makes that course standout.


2. A template is not a cut and paste exercise. It's requires finding a suitable location, then adapting it and in Raynor's case often providing a different spin on the concept by combining templates or creating a new twist. I find his skill gets diminished because of a template approach, but you never look hard enough to see if modern architects use their own templates.





Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: AStaples on March 12, 2018, 11:28:05 AM
Speaking from experience, you really understand how good guys like Raynor were at routing when you try to impose a template on a site, and it just doesn't quite get there.  I find that almost every time, it comes down to making the drainage work.  This is what I see as the most impressive parts to Raynor and Langford.  Look at the approaches, then look from behind the greens, and you can tell just how intimate their understanding of their site was.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 12, 2018, 01:58:10 PM

Tom-To play devil’s advocate NGLA certainly follows the template model and is almost universally accepted as great.

Tim, along with NGLA add Fishers Island, Camargo, Lido, St. Louis CC, Chicago Golf, Mid-Ocean, Old White, Yale, Piping Rock, Sleepy Hollow, parts of Merion and ANGC...

... and Tom's own Old Mac. 

i.e. the list of exceptional golf courses based on templates is long and outstanding.


My own comments:


1)  NGLA was not a "template course".  It INVENTED the idea of templates, so Macdonald could design them however he wanted to fit the land.  It's also an exceptional piece of ground, as are several of the others listed, to Ian's first point.


2)  At Old Macdonald we held out to REINVENT the templates instead of doing the cookie-cutter version of them.  If we'd gone with the cookies I don't think the course would be nearly as successful.


3)  There is a difference between "great" and "exceptional".  All of the courses listed may be considered great, but not many of them are really exceptional.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Edward Glidewell on March 12, 2018, 03:36:07 PM

All we have to do is look at the rankings lists to see how subjective exceptional/great (if we are defining those as the same thing, and I see some are not) can be when it comes to golf architecture.


I think of Settindown Creek here in Atlanta -- it's routinely listed in the top 10 of best of state lists, but a friend of mine (I haven't seen it personally) played in a charity scramble there a few months ago with some older high handicappers as partners. He said the course was unplayable for them. There were multiple times throughout the round where forced carries required them to simply pick up and go to wherever he was, because their best effort would have resulted in a lost ball due to an inability to make the carry. I don't think most people here would consider that great architecture (and neither would I), but there are golfers who desire that type of experience in a golf course.

I guess the fundamental question is exceptional/great to who? To professionals? To low handicappers? To high handicappers? I suppose the ideal exceptional golf course would be exceptional to the majority of all groups, but I'm not sure that's even possible.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: George Pazin on March 12, 2018, 04:11:45 PM
Do you understand the difference between "rarely disappoint" and exceptional ??


I don't think I do, and I would love to read your thoughts on this difference.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: George Pazin on March 12, 2018, 04:22:19 PM
About the only thing they did have in common was that all of them were walkable.  Since then I have paid close attention to the rankings to see whether this rule will fall by the wayside ... there are a few now in the top 100 that aren't really walkable, but it doesn't seem that any of them will push into the top 25.


Apologies for deleting the rest of your thoughts, I just found this ironic. I doubt many would consider the course in Clarksburg to be comfortably walkable. Most of our gca group didn't seem to think so, based on the choice of carts. It sure did break some rules, though.


And Oakmont isn't beautiful? Surely you jest! :) Seriously, though, I kinda feel sorry for someone who tees it up at Oakmont and doesn't see the beauty. It is flat out gorgeous.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 12, 2018, 05:18:03 PM
Do you understand the difference between "rarely disappoint" and exceptional ??


I don't think I do, and I would love to read your thoughts on this difference.


George:


If the architect's [or client's] aim is to not disappoint the golfer, he won't want to take chances with original or unusual ideas.  That would be aiming for a 6 on the Doak Scale ... a course that is going to do reasonable business, but that you could already find in most golf markets worldwide, so it isn't going to draw much interest from far away.


If the architect's aim is to build something "exceptional", he should be trying to do something different than he's done before, and that may entail taking chances with original or unusual ideas.


The thing that's hard for some to grasp is that there is a continual learning curve here.  What was exceptional when C.B. Macdonald built The National in the early 1900's, was no longer exceptional by the time Seth Raynor died in 1926.  For that matter, what was exceptional when we built Pacific Dunes is no longer as exceptional today.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 12, 2018, 05:22:00 PM
About the only thing they did have in common was that all of them were walkable.  Since then I have paid close attention to the rankings to see whether this rule will fall by the wayside ... there are a few now in the top 100 that aren't really walkable, but it doesn't seem that any of them will push into the top 25.

Apologies for deleting the rest of your thoughts, I just found this ironic. I doubt many would consider the course in Clarksburg to be comfortably walkable. Most of our gca group didn't seem to think so, based on the choice of carts. It sure did break some rules, though.



Yes, I noticed that, and tried to make the point to him, and get him to move the tees closer to the greens on the back nine [which was yet to be finished].


Ultimately, though, the study helped my understanding of design and my comfort level in breaking other people's "rules" much more than it helped the Pete Dye Golf Club.  That was pretty much the end of me analyzing designs on paper, and going with what felt like it was working ... and all before I'd ever designed a course on my own! 
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Kalen Braley on March 12, 2018, 05:38:24 PM
"That was pretty much the end of me analyzing designs on paper, and going with what felt like it was working ..."

Tom half tongue in cheek and half serious....is this to suggest that the ArmChair Architecture routing exercises/contests we have here are pretty much an exercise in futility? ;)

Because if so, that would at least be one explaination why I'm not very good at them.  I actually worked on two topo activities and never bothered submitting because they didn't seem very good....and the results/winners seemed to confirm this.

P.S.  If being a GCA member all these years has taught me anything, if I ever hit the Lotto and buy some land, I sure as hell won't be trying to design the course.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jim Nugent on March 12, 2018, 06:28:05 PM

Tom-To play devil’s advocate NGLA certainly follows the template model and is almost universally accepted as great.

Tim, along with NGLA add Fishers Island, Camargo, Lido, St. Louis CC, Chicago Golf, Mid-Ocean, Old White, Yale, Piping Rock, Sleepy Hollow, parts of Merion and ANGC...

... and Tom's own Old Mac. 

i.e. the list of exceptional golf courses based on templates is long and outstanding.


My own comments:

1)  NGLA was not a "template course".  It INVENTED the idea of templates, so Macdonald could design them however he wanted to fit the land.  It's also an exceptional piece of ground, as are several of the others listed, to Ian's first point.

2)  At Old Macdonald we held out to REINVENT the templates instead of doing the cookie-cutter version of them.  If we'd gone with the cookies I don't think the course would be nearly as successful.

3)  There is a difference between "great" and "exceptional".  All of the courses listed may be considered great, but not many of them are really exceptional.

Taking your points one at a time...

1) I disagree.  NGLA is almost entirely templates.  Yes it was the the first template course, but a template course nonetheless: the Grandmother of Templates, designed by the Grandfather of US golf architecture.

2)  Agree totally about Old Mac, but don't see how that changes the fact that the designer based it on templates.  If anything, Old Mac shows the flexibility in the template concept.   

3) This seems like semantics to me, but accepting some undefined distinction, do you not consider Yale and Fishers exceptional?  Many who wrote about Lido thought it was exceptional: one of the revered golf critics of the time called it the best course in the world.  Merion is a ten on the Doak scale, and just about every other scale as well.  Most rate ANGC a ten, and IIRC you gave it a 9, which surely is exceptional.  Most consider Old Mac exceptional. 

Overall, anything in the world top 100 seems exceptional to me.  With 30,000 courses globally, that's the upper one third of one percent.  That isn't exceptional?     

I get the feeling you, Tom, don't like the constraints a template course puts on you.  Yet Old Mac, Merion and ANGC show how broad-ranging the concept can be.  I used to wish, in vain I'm sure, that you would be the one to recreate Lido, if that project ever got off the ground.  I thought and think no one could do it better than you, even if you were slightly gagging at the prospect.   

For years I've wondered what CPC would have looked like had Raynor lived to complete its design.  Where would the templates have gone?  Would the course get the sky-high rankings it does now, almost always counted among the top few in the world?   
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tim Martin on March 12, 2018, 07:34:30 PM

Tom-To play devil’s advocate NGLA certainly follows the template model and is almost universally accepted as great.

Tim, along with NGLA add Fishers Island, Camargo, Lido, St. Louis CC, Chicago Golf, Mid-Ocean, Old White, Yale, Piping Rock, Sleepy Hollow, parts of Merion and ANGC...

... and Tom's own Old Mac. 

i.e. the list of exceptional golf courses based on templates is long and outstanding.


My own comments:

1)  NGLA was not a "template course".  It INVENTED the idea of templates, so Macdonald could design them however he wanted to fit the land.  It's also an exceptional piece of ground, as are several of the others listed, to Ian's first point.

2)  At Old Macdonald we held out to REINVENT the templates instead of doing the cookie-cutter version of them.  If we'd gone with the cookies I don't think the course would be nearly as successful.

3)  There is a difference between "great" and "exceptional".  All of the courses listed may be considered great, but not many of them are really exceptional.

Taking your points one at a time...

1) I disagree.  NGLA is almost entirely templates.  Yes it was the the first template course, but a template course nonetheless: the Grandmother of Templates, designed by the Grandfather of US golf architecture.

2)  Agree totally about Old Mac, but don't see how that changes the fact that the designer based it on templates.  If anything, Old Mac shows the flexibility in the template concept.   

3) This seems like semantics to me, but accepting some undefined distinction, do you not consider Yale and Fishers exceptional?  Many who wrote about Lido thought it was exceptional: one of the revered golf critics of the time called it the best course in the world.  Merion is a ten on the Doak scale, and just about every other scale as well.  Most rate ANGC a ten, and IIRC you gave it a 9, which surely is exceptional.  Most consider Old Mac exceptional. 

Overall, anything in the world top 100 seems exceptional to me.  With 30,000 courses globally, that's the upper one third of one percent.  That isn't exceptional?     

I get the feeling you, Tom, don't like the constraints a template course puts on you.  Yet Old Mac, Merion and ANGC show how broad-ranging the concept can be.  I used to wish, in vain I'm sure, that you would be the one to recreate Lido, if that project ever got off the ground.  I thought and think no one could do it better than you, even if you were slightly gagging at the prospect.   

For years I've wondered what CPC would have looked like had Raynor lived to complete its design.  Where would the templates have gone?  Would the course get the sky-high rankings it does now, almost always counted among the top few in the world?


Jim-I don’t know what the distinction between great and exceptional is but the current Golf Magazine U.S. Top 100 list includes twelve Mac/Raynor courses based on a sample population north of 15,000. I don’t care what adjective is used but I would say that is rarified air.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Edward Glidewell on March 12, 2018, 07:41:49 PM
I don't want to put words in Mr. Doak's mouth, and he can correct me if I'm wrong -- but I believe he was differentiating between the two by saying a course can be great without being exceptional. And, if I'm understanding him correctly, he may even venture as far as to say a course could be exceptional without necessarily being great (but that may be a leap he did not intend).


I think he intended exceptional to mean a course that does something new and different; some wholly original idea or feature unseen before.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tim Martin on March 12, 2018, 07:49:45 PM
I don't want to put words in Mr. Doak's mouth, and he can correct me if I'm wrong -- but I believe he was differentiating between the two by saying a course can be great without being exceptional. And, if I'm understanding him correctly, he may even venture as far as to say a course could be exceptional without necessarily being great (but that may be a leap he did not intend).


I think he intended exceptional to mean a course that does something new and different; some wholly original idea or feature unseen before.


Ed-I’m pretty sure he will clarify. ;)

Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 12, 2018, 09:05:32 PM
I don't want to put words in Mr. Doak's mouth, and he can correct me if I'm wrong -- but I believe he was differentiating between the two by saying a course can be great without being exceptional. And, if I'm understanding him correctly, he may even venture as far as to say a course could be exceptional without necessarily being great (but that may be a leap he did not intend).


I think he intended exceptional to mean a course that does something new and different; some wholly original idea or feature unseen before.


I should just let Edward continue the conversation on my behalf.  He got it spot on.


We are using different definitions of "exceptional" than Jim N or Tim.  They are thinking it's just a synonym of "great" -- if they think any course in the top 100 is exceptional.  We are using "exceptional" as "an exception to the rule", or really different ... something that does more than just tick the boxes of what is conventionally considered great.


For example, I think Tobacco Road is exceptional, but I don't think it's great.  It's got flaws and it wears them on its sleeve.  It's still worth seeing, more than whatever is the next Raynor course on your list.


Also, NGLA may be mostly templates - or pieces of templates - as you know them now.  But they didn't really exist beforehand, other than the Eden and the Redan and the Road greens, and Macdonald would have had license to redefine even those if he couldn't figure out how to fit them to that site.  Just look how different the Alps is from what's at Prestwick!


I'm just amazed that so many people celebrate the paint-by-numbers approach to design.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: V. Kmetz on March 12, 2018, 10:30:31 PM

I think he intended exceptional to mean a course that does something new and different; some wholly original idea or feature unseen before.

For example, I think Tobacco Road is exceptional, but I don't think it's great.  It's got flaws and it wears them on its sleeve.  It's still worth seeing, more than whatever is the next Raynor course on your list.

Also, NGLA may be mostly templates - or pieces of templates - as you know them now.  But they didn't really exist beforehand, other than the Eden and the Redan and the Road greens, and Macdonald would have had license to redefine even those if he couldn't figure out how to fit them to that site.  Just look how different the Alps is from what's at Prestwick!




Tom says Tobacco Road...and though I've only observed from afar, I understand precisely...this pendulum needle swings back and forth all the time for me locally...


Exceptional, not great = Apawamis, Hudson National, Blind Brook


Great, not (consistently/always)exceptional = Siwanoy, WFW, CC of Fairfield


Great AND exceptional = WFE, Yale, Fishers


cheers   vk







Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jim Nugent on March 12, 2018, 11:34:04 PM

We are using different definitions of "exceptional" than Jim N or Tim.  They are thinking it's just a synonym of "great" -- if they think any course in the top 100 is exceptional.  We are using "exceptional" as "an exception to the rule", or really different ... something that does more than just tick the boxes of what is conventionally considered great.


Here are the three definitions Webster's online gives for exceptional:
 
1. :
forming an exception (https://www.merriam-webster.com/dictionary/exception) : rare (https://www.merriam-webster.com/dictionary/rare)                                           2  : better than average : superior (https://www.merriam-webster.com/dictionary/superior)                                            3  : deviating from the norm: such as                a  : having above or below average intelligence                   b  : physically disabled                 
To me all the template-based or related courses I listed earlier satisfy any part of that definition: they are superior, better than average; they form an exception by being among the top fraction of 1% of all courses in the world; and they deviate from the norm for the same reason as well.   

Even using your definition of exceptional, which seems to me more like 'unique,' which of the courses I noted in my last post do you not consider exceptional? 

Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff Schley on March 13, 2018, 12:37:26 AM

We are using different definitions of "exceptional" than Jim N or Tim.  They are thinking it's just a synonym of "great" -- if they think any course in the top 100 is exceptional.  We are using "exceptional" as "an exception to the rule", or really different ... something that does more than just tick the boxes of what is conventionally considered great.


Here are the three definitions Webster's online gives for exceptional:
 
1. :
forming an exception (https://www.merriam-webster.com/dictionary/exception) : rare (https://www.merriam-webster.com/dictionary/rare)                     
  • an exceptional number of rainy days
                     2  : better than average : superior (https://www.merriam-webster.com/dictionary/superior)                     
  • exceptional skill
                      3  : deviating from the norm: such as                a  : having above or below average intelligence                   b  : physically disabled                 
To me all the template-based or related courses I listed earlier satisfy any part of that definition: they are superior, better than average; they form an exception by being among the top fraction of 1% of all courses in the world; and they deviate from the norm for the same reason as well.   

Even using your definition of exceptional, which seems to me more like 'unique,' which of the courses I noted in my last post do you not consider exceptional?

I was just going to type UNIQUE as perhaps the best word to take the place of exceptional or first of its kind. My golf swing is UNIQUE, but sure as heck not exceptional.  :)  Just semantics and agreeing to call something so as to best describe it.

I would say NGLA is the great and the first of its kind.  It has first movers advantage as you can say well NGLA did that first.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Sean_A on March 13, 2018, 05:06:38 AM
Can a course truly be unique?  Taking Tobacco Road for instance, I suggest the course is unique in terms of the modern design in North Carolina context, not because the holes are unique.  All the holes exist in some form or another somewhere else....just as is the case with practically every hole on the planet.

BTW...I agree with Tom, Tobacco Road isn't a great course, but that hardly matters in the big scheme of things.  The Road is one of the most fun courses created in my lifetime and that is saying something.

Ironically, I think if archies set out to build a great course there is a higher likelyhood of design by numbers being the result.  Greatness is over-rated.

Ciao
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on March 13, 2018, 08:44:42 AM

Sean,


Perhaps that would be because GD and others have lists and criteria for the 100 Greatest Courses, but none for the 100 most exceptional courses.  And, each lists criteria has a guidebook for getting to "great."


I can't place it right now, but I suspect at most, there have been a few 10 or so course lists for exceptional or unique courses, not the full 100.  In fact, if there were 100 that fit the criteria, they might not be all that exceptional anyway. The dirty dozen would be a better list for that.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 13, 2018, 10:12:28 AM

I can't place it right now, but I suspect at most, there have been a few 10 or so course lists for exceptional or unique courses, not the full 100.  In fact, if there were 100 that fit the criteria, they might not be all that exceptional anyway. The dirty dozen would be a better list for that.


I have no interest in trying to invent another top-100 list, but there are WAY more than a dozen courses that would qualify as "exceptional" by my definition.  [I don't like to use the word "unique" because of semantic arguments about whether anything is truly original ... the first definition of exceptional as "rare" is good enough for me, in that it disqualifies instances of an architect using the same concept 100 times.]


Just out of the world top twenty, I think you'd have to include as exceptional:


1  St. Andrews as the mother ship
2  Pine Valley for its target golf concept
3  Cypress Point for its integration of natural dunes
4  Oakmont for its exploration of "tilt"
5  Royal County Down for its embrace of blind shots and shaggy bunkering
6  Sand Hills for its lack of artifice
7  Augusta National for its width and the severity of its greens
8  Pinehurst No. 2 for its green complexes
9  Merion for its genius routing plan


And that's just a start - I'm not looking at the list.  Suffice to say there will be plenty of room for Askernish, Prestwick, Dornoch, Royal Worlington & Newmarket, and maybe Kingsbarns or Castle Stuart; also Garden City, Shinnecock Hills, Harbour Town, the TPC at Sawgrass, Shadow Creek, The Sheep Ranch and The Loop, and a few holes of Black Diamond; and then the way-out-there places like Himalayan Golf Club.


But as Ian's original post emphasizes, I'm not trying to define it, nor to suggest that doing something truly exceptional should be everyone's goal.  It's only for the people who think differently enough to get there without trying too hard.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on March 13, 2018, 10:22:01 AM

Tom,


I'll agree there are probably more than a dozen, but probably less than 100, but that is not an exact science.


The problem with being exceptional "for" something, a la County Downs shaggy bunkers is that so many immediately try to copy the exceptional feature, making it much less rare. 


Maybe there is something to being first.  For example, while all the other Sand Hill courses are just fine, I really am only interested in a return trip to the original, Sand Hills, myself.  TOC is of course the Mother of all mother ships and would qualify. Or the first in America, since CP can't be the first to incorporate dunes.


On the other hand, since Templates have been brought up, there may be something to being better, a la NGLA's Redan being thought to be better than the N Berwick original (by many).


Again, so very hard to define, and yet, by typing these posts, we continue to try......
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Edward Glidewell on March 13, 2018, 10:26:23 AM
And that's just a start - I'm not looking at the list.  Suffice to say there will be plenty of room for Askernish, Prestwick, Dornoch, Royal Worlington & Newmarket, and maybe Kingsbarns or Castle Stuart; also Garden City, Shinnecock Hills, Harbour Town, the TPC at Sawgrass, Shadow Creek, The Sheep Ranch and The Loop, and a few holes of Black Diamond; and then the way-out-there places like Himalayan Golf Club.


What about a course like the original Stone Harbor?


Is there any sort of requirement of a baseline level of quality?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 13, 2018, 10:30:22 AM


What about a course like the original Stone Harbor?


Is there any sort of requirement of a baseline level of quality?


Edward:


Sure, there is such a thing as "exceptionally bad".  That's why I don't want to make a list!
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on March 13, 2018, 10:31:36 AM
Just got an email from my old landscape architecture program, regarding their new website.  Among other things, one of the home page quotes was "Design is "felt"."  That may sum it up as far as it needs to be summed up and analyzed.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Edward Glidewell on March 13, 2018, 10:45:53 AM
Edward:


Sure, there is such a thing as "exceptionally bad".  That's why I don't want to make a list!


Hah! I thought so. Uniquely terrible.


I asked because I think I could easily design a course with holes no one had ever seen before, but it would almost certainly be a terrible course that no one would want to play.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: George Pazin on March 13, 2018, 02:59:19 PM
I don't want to put words in Mr. Doak's mouth, and he can correct me if I'm wrong -- but I believe he was differentiating between the two by saying a course can be great without being exceptional. And, if I'm understanding him correctly, he may even venture as far as to say a course could be exceptional without necessarily being great (but that may be a leap he did not intend).


I think he intended exceptional to mean a course that does something new and different; some wholly original idea or feature unseen before.


I should just let Edward continue the conversation on my behalf.  He got it spot on.


We are using different definitions of "exceptional" than Jim N or Tim.  They are thinking it's just a synonym of "great" -- if they think any course in the top 100 is exceptional.  We are using "exceptional" as "an exception to the rule", or really different ... something that does more than just tick the boxes of what is conventionally considered great.


For example, I think Tobacco Road is exceptional, but I don't think it's great.  It's got flaws and it wears them on its sleeve.  It's still worth seeing, more than whatever is the next Raynor course on your list.


Also, NGLA may be mostly templates - or pieces of templates - as you know them now.  But they didn't really exist beforehand, other than the Eden and the Redan and the Road greens, and Macdonald would have had license to redefine even those if he couldn't figure out how to fit them to that site.  Just look how different the Alps is from what's at Prestwick!


I'm just amazed that so many people celebrate the paint-by-numbers approach to design.


All makes sense to me, as well as the other answers, thanks for sharing your thoughts.


I will say, as much as my limited experiences handicaps my ability to rank or rate courses, it is even worse when identifying exceptional. The few courses I've seen that are "exceptional" - Wolf Creek in NV springs to mind - are courses I have no desire to ever play again.


By contrast, I wouldn't call Mountain Ridge in NJ exceptional (under your definition), but I'd be happy to tee it up there any day of the week.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Bill Raffo on March 14, 2018, 01:23:23 PM
I often think about the benefits of the template designers of the Golden Era.  They had tried and true strategic hole designs in their back pocket and then would look at the property and figure out the best locations to integrate those designs, tweaking and individualizing them depending on what made the most sense.

Those courses rarely disappoint and the philosophy seems a more sure way to ensure you'll come up with something that challenges and pleases the majority of golfers. I suppose there is a lot of pressure on GCA's to do something unique on almost every hole, on every course. But it's harder and more hit and miss.


Do you understand the difference between "rarely disappoint" and exceptional ??


It wasn't my thought walking off the 18th at Ballyneal. That was exceptional. But on the 18th, after winding through almost any Florida golf community? Absolutely.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Forrest Richardson on March 20, 2018, 04:17:46 PM
Very interesting thread! Ian, please continue.


What makes golf design so different from virtually ever other form of art or the built environment is that it is, all in one, a game (playing board) and also a landscape...open space. I suppose if I were to try and disagree with Ian, only for the sake of seeing IF I could come up with a way to define exceptional golf architecture, I would say this:


It is defined by those who play. If they come back to the course, talk it up, recommend it, enjoy it or cherish it in their golf memory bank...then the design — at least to that golfer — is exceptional. And, when you collect the similar minded recommendations, feelings and positive memories of a bunch of golfers, then you can say a particular course has "exceptional golf architecture".

While I violate the following rule, I would say that the worst place to be trying to define it is by seeking the opinions of the golf architects themselves...unless we are using the feelings of golfers as our guide. It is very complex, for which Ian deserves a gold star.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Ian Andrew on March 20, 2018, 10:13:48 PM

Forrest,


Tobacco Road divides player's opinions from exception to awful.
The difference come down to personal taste.


But regardless of what others think of it - time (imho) says it "is" an important piece of work.
Just look at the influence it has had and the people devoted to the course.


Exceptional is more complex than just the golfer's choice.
Some of the greatest works of art take time to be understood and fully appreciated.


TPC at Sawgrass was hated upon opening and is now revered - largely by the same people ...
 
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Forrest Richardson on March 20, 2018, 11:10:25 PM
Yes. Good points. Tobacco Road is "exceptional" for some. For others, not so. Just like any piece of art.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Kalen Braley on March 21, 2018, 11:47:02 AM
Speaking of TR....


And this is just a total shot in the dark, but how interesting and/or feasible would it be to have a top notch pro tourney there?  Would the confines allow for spectating, or too impractical?  Perhaps a smaller event like a Walker Cup where galleries are small?


Just wondering....
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Adam Lawrence on March 21, 2018, 12:27:20 PM
Speaking of TR....


And this is just a total shot in the dark, but how interesting and/or feasible would it be to have a top notch pro tourney there?  Would the confines allow for spectating, or too impractical?  Perhaps a smaller event like a Walker Cup where galleries are small?


Just wondering....


It's only 6,500 yards. They'd just blast it straight over all the quirk
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Kalen Braley on March 21, 2018, 12:48:43 PM
Speaking of TR....


And this is just a total shot in the dark, but how interesting and/or feasible would it be to have a top notch pro tourney there?  Would the confines allow for spectating, or too impractical?  Perhaps a smaller event like a Walker Cup where galleries are small?


Just wondering....


It's only 6,500 yards. They'd just blast it straight over all the quirk


I'm sure an extra 500 yards could be found!  ;D


Thanks for the info Adam..
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tim Gallant on March 21, 2018, 06:21:42 PM
Ian,


A great OP - certainly lots to think about.


My thoughts:

'I find there is a lot of threads that talk about specific details and are trying to determine hard and fast rules. I assume they would like to make the evaluation of golf course architecture more scientific. [/size]In my opinion, you can't define how to create exceptional golf architecture.'

[/color][/size]I would agree with this, but I would add that IMHO, you can't create exceptional golf course design without knowing the rules that you say can't lead to exceptional design. If I don't know what the non-exceptional is, how can I create the exceptional? For me, that's why I love to discuss, and try to come to some general consensus for what constitutes good or even great course design. Will that lead to exceptional design? As you say, probably not. It might not even lead to good design, depending on your execution. But if I don't know what to break, how can I break it?[/size]Even the most famous painters in the world generally had some schooling, or mentor. Picasso didn't start cubism without first understanding what wasn't cubism. Macdonald didn't create National without first knowing what courses there were in America at the time. I think this goes to your point about intention. Pete Dye had an intention, and so did C&C at Sand Hills. It may not be 'unique' as Tom says, but it was rare, at least at the time they created these masterpieces.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tim Martin on March 21, 2018, 06:54:10 PM
Ian,


A great OP - certainly lots to think about.


My thoughts:


'I find there is a lot of threads that talk about specific details and are trying to determine hard and fast rules. I assume they would like to make the evaluation of golf course architecture more scientific.In my opinion, you can't define how to create exceptional golf architecture.'


I would agree with this, but I would add that IMHO, you can't create exceptional golf course design without knowing the rules that you say can't lead to exceptional design. If I don't know what the non-exceptional is, how can I create the exceptional? For me, that's why I love to discuss, and try to come to some general consensus for what constitutes good or even great course design. Will that lead to exceptional design? As you say, probably not. It might not even lead to good design, depending on your execution. But if I don't know what to break, how can I break it?Even the most famous painters in the world generally had some schooling, or mentor. Picasso didn't start cubism without first understanding what wasn't cubism. Macdonald didn't create National without first knowing what courses there were in America at the time. I think this goes to your point about intention. Pete Dye had an intention, and so did C&C at Sand Hills. It may not be 'unique' as Tom says, but it was rare, at least at the time they created these masterpieces.


Tim-I enjoyed your thoughts but am focused on the last sentence. I think unique is overrated as it relates to golf course architecture. I’ll take compelling and fun regardless of the the moniker attached as in unique, original, formulaic, or even recycled. If the masses are enjoying the product and it is functional from a design and maintenance perspective then it doesn’t matter to me what adjective is attached. I never tire of the template holes from the ODG’s.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Sean_A on March 22, 2018, 03:30:25 AM

Sean,

Perhaps that would be because GD and others have lists and criteria for the 100 Greatest Courses, but none for the 100 most exceptional courses.  And, each lists criteria has a guidebook for getting to "great."

I can't place it right now, but I suspect at most, there have been a few 10 or so course lists for exceptional or unique courses, not the full 100.  In fact, if there were 100 that fit the criteria, they might not be all that exceptional anyway. The dirty dozen would be a better list for that.

Jeff

For sure there is criteria for determining what is great.  I admit that it is very hard not see courses as I would want them instead of what is actually in the ground, but I do try.  I also try to see courses from the perspective of what the archie was trying to achieve...this can be harder still to figure out.  The more I ignore criteria the easier it is to forget about greatness and simply enjoy what is.  That doesn't mean I don't cast a critical eye over the product, but it helps shape what I want to get from a game of golf.  Not surpisingly, what I really like most is surprises, unusual architectural choices and simple ground features which "direct" play in the sense of there being a good lane and a lane which is not good, but still tempting.  The joy of the game is not in seeking great design, but design which makes me laugh, think and cuss. Greatness is over-rated and somewhat like chasing unicorns.

Ciao
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Ian Andrew on March 26, 2018, 07:34:32 PM

Tim,

I agree with your comments about understanding where to start. Picasso was taught by his father who was an artist. Many architects work under others for decades before attempting their own solo work. But the problem is rules and principals will only produce a good or perhaps great result.


Exceptional requires the artist to take flight and begin to use their intuition rather than some form of a process. And herein lies the rub at what I'm trying to get at. The design process uses both the intuitive side of your brain and the the logical side. It bounces back and forth between the two states depending on the task is. Design is not a single side of the brain operation for a creative person.

You may choose to use the logical side and your list on concepts and ideas to begin the process. I personally don't. But the flashes of inspiration are where the flight into something intuitive and more eccentric happens. The greater the designer's ability to "play" in that space, the greater chance of expanding their ideas beyond conventional. Exceptional lies "way out there."  Not everyone can go there because deep down inside "you have to believe in something or be looking for something" to have any possibility of extending out beyond where you're comfortable. Then you have to have the conviction to see it through...

Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on March 26, 2018, 08:50:59 PM


Ian,


You probably saw my earlier comment about
Disney design guru Bob Gurr.  Highlight of his Google interview is someone asking about design process, and he shuts the idea down as process being counterproductive to creativity.  I agree with you there is a lot of bounce back between logic and creative.  I can't say I ever had my most innovative ideas come in the middle of some process.
They just sort of appear, unannounced, although I will say, after reflection, most of the time I can see where it came from.  Creativity is usually the result of recalling a feature somewhere, and another problem from somewhere else, and sort of realizing that feature X could work to solve problem Y in some manner, after customization. 
To be honest, I don't think you can think in terms of "way out there."  You just have to keep free thinking until something that is great comes to you.  Maybe its brainstorming, but not quite.
Crenshaw likened design creativity to songs and music.  I relate it to comedy, where the key is substitution of a new, completely different idea when everyone else would insert the tried and true.  Think of the best jokes from say, Steve Martin:
-I sort of blame myself for my girlfriends death.....
-She wanted to drive home while drunk, I didn't want her to, we argued, she insisted on driving.......so I shot her.
Classic substitution, the key to creativity, IMHO.
May we now ask what you consider to be your most exceptional individual design feature?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 27, 2018, 05:10:53 AM
Some of the more memorable holes I've built which fall into the "flash of inspiration" category (where I wasn't sure at first how they would turn out, but then made a key decision later) include a lot of my best holes


High Pointe 13
Stonewall Old 18
Ballyneal 7
Barnbougle 4
Pacific Dunes 8
Old Mac 7 & 8


These are not all "original" ideas - for example the 7th at Ballyneal is loosely based on the 7th at Crystal Downs.  But it wasn't planned that way; I had to stare at the green site for several days before I realized that would be the perfect solution for it.

Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Rich Goodale on March 27, 2018, 06:29:44 AM
Great initial post, Ian, and some great responses from some of the greatest contributors to this site.  I'm a bad boy to not have seen these until today.


As far as I can see, nobody on this site (including me) can adequately define "great" or explain the differences between good, great and exceptional, or whatever.  As Ian said, it's a Justice Potter thing (i.e. I know it when I see it) and we all see things very differently.


Vive la difference!
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tim Gallant on March 27, 2018, 08:32:52 AM

Tim,

I agree with your comments about understanding where to start. Picasso was taught by his father who was an artist. Many architects work under others for decades before attempting their own solo work. But the problem is rules and principals will only produce a good or perhaps great result.


Exceptional requires the artist to take flight and begin to use their intuition rather than some form of a process. And herein lies the rub at what I'm trying to get at. The design process uses both the intuitive side of your brain and the the logical side. It bounces back and forth between the two states depending on the task is. Design is not a single side of the brain operation for a creative person.

You may choose to use the logical side and your list on concepts and ideas to begin the process. I personally don't. But the flashes of inspiration are where the flight into something intuitive and more eccentric happens. The greater the designer's ability to "play" in that space, the greater chance of expanding their ideas beyond conventional. Exceptional lies "way out there."  Not everyone can go there because deep down inside "you have to believe in something or be looking for something" to have any possibility of extending out beyond where you're comfortable. Then you have to have the conviction to see it through...



Ian,


Great write-up and I 100% agree with this.


Only thing to add, and I almost put this into my initial post: I was in a conference where one of the speakers said that roughly only 1 in 10 are capable of having an original thought to a problem. Even if you take that with a grain of salt, I do think that what separates the masters from the amateurs is HOW they play in that more intuitive and eccentric space that you talk about. Tom's post illustrates this nicely - it's not that the 7th at Ballyneal was a truly original hole, but that how he approached the space was largely thanks to inspirational thinking that takes it from the analytical to the intuitive. What it SHOULD be vs. what it COULD be!
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Ira Fishman on March 27, 2018, 09:39:33 AM
Ian et al,


As a non-architect, non-artist, non-visually creative person, I greatly admire and respect those who have both the vision of something exceptional and the guts to pursue it knowing that he or she risks ridicule.  Of all the "art" forms, I find golf architecture the most intriguing and probably most difficult because it must perform/enable a specific function within a precisely defined set of rules as established by the R&A and USGA.  So while a building architect must enable a function, they are not also working within set rules.  Wright could do the Guggenheim (which I love) and Gehry the Bilboa (which I do not); both enable the function of viewing art, but they were not constrained by rules defining how to keep score or how far balls could go.


Ira
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 27, 2018, 12:08:47 PM
We work with the same rules as regular architects ... gravity being the most important of the bunch. 


Gravity makes building architecture way more complicated than golf architecture IMO.


You mentioned the "vision" thing, which for me anyway, is half myth.  It took me so long to have those flashes of inspiration because it's hard to visualize a finished design from scratch ... a lot of times you have to get started on something before it gels.  As most novelists will tell you, they don't have the whole plot sorted before they write; they develop the characters and then see what happens.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Ira Fishman on March 27, 2018, 12:33:34 PM
Tom,


Whenever in the process the vision comes, it comes.  And if and when it comes, the challenge is to pursue one that pushes the conventional. 


Re rules, yes gravity is a ineluctable force that affects both kinds of architects, but building architects do not have to accommodate the rules of a sport.  It gives them more freedom.


Ira
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Ian Andrew on March 27, 2018, 12:59:35 PM
Jeff_Brauer said, "I relate it to comedy, where the key is substitution of a new, completely different idea when everyone else would insert the tried and true."

IMHO Substitution will not get the job done...

Exceptional comes from removing yourself from the comfort of a framework you trust.

Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Garland Bayley on March 27, 2018, 01:33:06 PM
Speaking of TR....


And this is just a total shot in the dark, but how interesting and/or feasible would it be to have a top notch pro tourney there?  Would the confines allow for spectating, or too impractical?  Perhaps a smaller event like a Walker Cup where galleries are small?


Just wondering....


It's only 6,500 yards. They'd just blast it straight over all the quirk

If it stops at e.g. 280 from the tee, then is it quirk?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Garland Bayley on March 27, 2018, 01:44:55 PM
Some of the more memorable holes I've built which fall into the "flash of inspiration" category (where I wasn't sure at first how they would turn out, but then made a key decision later) include a lot of my best holes


High Pointe 13
Stonewall Old 18
Ballyneal 7
Barnbougle 4
Pacific Dunes 8
Old Mac 7 & 8


These are not all "original" ideas - for example the 7th at Ballyneal is loosely based on the 7th at Crystal Downs.  But it wasn't planned that way; I had to stare at the green site for several days before I realized that would be the perfect solution for it.

Pac Dunes 8? Wow! I adore 7 and 9, and find 8 to be a suitable transition. What am I missing?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Garland Bayley on March 27, 2018, 02:04:28 PM
... If I don't know what the non-exceptional is, how can I create the exceptional? ...

The non-exceptional is so common. Can it be used to motivate the exceptional?
If you strive for the very best within you, I believe you have a chance for creating something exceptional.
Did Mozart understand the non-exceptional before he began to create the exceptional?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tim Gallant on March 27, 2018, 02:41:07 PM
... If I don't know what the non-exceptional is, how can I create the exceptional? ...

The non-exceptional is so common. Can it be used to motivate the exceptional?
If you strive for the very best within you, I believe you have a chance for creating something exceptional.
Did Mozart understand the non-exceptional before he began to create the exceptional?


Garland, I see what you're getting at, and would refer back to my earlier example with my brother. He probably has more capacity to build something exceptional than me, even though I know more on the subject, because he likely isn't bogged down in the rules / logical side of things that Ian refers to. He is only limited by his imagination as you say. But I would argue the chances of him creating something exceptionally bad far outweigh the chances of creating something exceptionally good. I guess I feel that if you are truly capable of creating something exceptional, you still need to have a basis before you can create that exceptionality.


Regarding Mozart, I can't say I know his life/work intimately, but I am led to believe he did most of his best known work later in his life. Although he was a prodigy from an early age, he didn't start creating exceptional music until he knew how he could be exceptional (ie - the intuitive & logical side worked together to create what we have today).
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Pete Lavallee on March 27, 2018, 06:22:05 PM

Pac Dunes 8? Wow! I adore 7 and 9, and find 8 to be a suitable transition. What am I missing?


I believe the 8th at PD is based on the 3rd at Woking; you can work your ball off the right green side slope to get close to holes cut behind the bunker to the right.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Garland Bayley on March 27, 2018, 08:28:50 PM
Tim,

Mozart composed his first pieces at age 4 or 5. Exceptional for that age. He had an inherent feel for the great it would seem that did not depend on exposure to the mundane. That is not to say he didn't recognize the mundane, as he could immediately take the mundane and transform it to the great.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Garland Bayley on March 27, 2018, 08:36:23 PM

Pac Dunes 8? Wow! I adore 7 and 9, and find 8 to be a suitable transition. What am I missing?


I believe the 8th at PD is based on the 3rd at Woking; you can work your ball off the right green side slope to get close to holes cut behind the bunker to the right.

I guess my surprise is that he chose the 8th on a course that has 2, 4, 6, 7, 9, 10, 11, 13, 16, 17. I would put 8 on the level of 1, 3, 14, 15, 18 with 5, and 12 the weakest.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Tom_Doak on March 27, 2018, 08:42:50 PM
Garland:  I chose the 8th because I had no idea what to create there at the start of construction and then the idea for it came in a flash later on.  I know most people wouldn't single out that as one of the best holes, though I am personally quite fond of it.


By contrast, #7 was pretty obvious once we found the mounded features in front of the green, and #9 was more of a necessity, the only reasonable way I saw to get to #10 tee.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Garland Bayley on March 28, 2018, 01:07:02 PM
...

If the architect's aim is to build something "exceptional", he should be trying to do something different than he's done before, and that may entail taking chances with original or unusual ideas.


...  For that matter, what was exceptional when we built Pacific Dunes is no longer as exceptional today.

So when can we expect the next exceptional course from you? Or, was it The Loop? Or did Silvies Valley Ranch get that exceptional one?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Peter Pallotta on April 01, 2018, 09:39:36 PM
Stravinsky was asked where great music came from. He said: I don't know if it emerges from the unconscious or from the supra-conscious, but I'm quite sure it doesn't emerge from the *self* conscious.
We've all played golf courses that were too obviously 'planned', too 'self conscious'. You can feel it/sense it -- an overall polish and refinement, including on/with the  notionally *unrefined* areas.
2 + 2 always equals 4. It all makes sense. Fault cannot be found. The results were calculated, double-checked (with colleagues and client both) and essentially predetermined. All of which is good for math and science, but not so good for magic, transcendence and art.
I suppose it's the double-edged nature of deep study and firm commitment and noble intention: without them, you can't hope to produce anything exceptional; but with them you risk the self-conscious striving for specialness that is the very death-knell of such specialness.
I have to admit that this is one of the reasons I'm skeptical about the actual/long lasting greatness of all these highly-ranked and instantly praised new courses of the last 5 years or so, ie with the consensus opinion about what characterizes great golf courses so firmly entrenched, how can any of the top architects *not* become 'self conscious'? How can courses not be 'too planned', right down to the 'random' details and perfectly manicured and maintained 'rough edges'?
Good work? Of course.
Very good work? I'm almost sure the answer is yes.
Great and exceptional work? I suppose so, once or twice -- but how can it *all* be exceptional?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Sean_A on April 02, 2018, 03:29:15 AM
Pietro

Only time can determine true greatness so I do agree with you in the main.  To be honest, I think we will see some lists expand to a proper 200.  It sounds cumbersome, but its probably better than trying to squeeze a 100 list down. 

Ciao   
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on April 02, 2018, 09:13:13 AM

Jeff_Brauer said, "I relate it to comedy, where the key is substitution of a new, completely different idea when everyone else would insert the tried and true."

IMHO Substitution will not get the job done...

Exceptional comes from removing yourself from the comfort of a framework you trust.


Ian,


Well, substituting anything but the tried and true could be uncomfortable, but I don't think being uncomfortable is at all related to creativity.  I agree on removing oneself from the "framework", i.e., the reference to Bob Gurr and that many great design ideas evolve outside the design process, and perhaps by purposely avoiding design process.


I am still of the opinion that creativity is basically having a brain that will continually consider alternative after alternative.  Most people are straight line thinkers.  Support for this concept comes somewhat from TD, who notes the flash of inspiration came after much time.  I can't know, but I bet he just kept thinking about ideas subconsciously until the best one came along.  Every so often, those come early since pondering various combinations is random, sometimes they come after a while.  The saddest ones are those that come after the hole has been grassed and it is too late to change.


Yes, I am using the logic side of the brain, but when discussing creativity, using the word intuition doesn't flesh out the idea as deeply as I think it should. 


And yes, the idea that someone could be supplanted by computer aided artificial intelligence because they can process a million times faster than we can comes into play.  Scary, but I love it.  Siri, what type of green fits a left to right sloping site?"  Siri: Have you considered copying 3 of the 5 basic features of 16 at ANGC?" LOL, but it could happen someday.
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Lou_Duran on April 02, 2018, 11:11:58 AM
And yes, the idea that someone could be supplanted by computer aided artificial intelligence because they can process a million times faster than we can comes into play.  Scary, but I love it.  Siri, what type of green fits a left to right sloping site?"  Siri: Have you considered copying 3 of the 5 basic features of 16 at ANGC?" LOL, but it could happen someday.

I think it is safe to say that for most golfers, the game is one of tradition, expectations, the familiar- 18 holes, tees and greens, a variety of hazards, a mix of 3, 4, and 5 pars, a notional standard of the number of strokes required by an advanced player to negotiate each hole and in total.  It has been a source of amusement and some irony over the years that not a small number of DG participants who appear to have no qualms with blowing up societal norms, conservative institutions, and classical economics react with rabid indignation at news of a revered course going under the knife for even the smallest nip or tuck.

Macdonald went to the U.K. (Hugh Wilson as well) to be informed, maybe inspired.  The narrative is that Macdonald came back with some 21 hole designs that he and his construction foreman and future template designer Seth Raynor employed in building their courses.  I suspect that most of you who design courses and the unwashed masses who play them are, at a minimum, directed subconsciously by similar concepts of holes and the many variations due to site, climate, and weather conditions.  I also think that clinging to this familiarity has a lot to do with architecture staying somewhat within the box (outside of this DG, the thought of building or producing something without much consideration of the consumer does not linger for long).

So, Jeff, yes, I can see AI helping the architect achieve workable solutions to problems much faster.  Of course, it will still be up to you to establish the objectives and perhaps adding the signature touches to differentiate the design.  I suppose that the old concern of being replaced (by a computer instead of a monkey) might crop up.

Perhaps the practice of gca might change in the direction of construction management.  I would still like to hear what really happened on #5 at The Bridges.  #18 as well.  Much to be said for the design/build model, I think, which AI might facilitate.   Even with Moore's Law hitting constraints, is it hard to picture a small all-terrain vehicle, air-conditioned, of course, equipped with enough computing power to make immediate real-time adjustments in the field?
Title: Re: Sorry, But You Can't Define How To Create Exceptional Golf Architecture
Post by: Jeff_Brauer on April 02, 2018, 02:42:30 PM

Lou,


As to Bridges, on 18, they actually brought in a land planner to tweak my routing for better home lots, and that hole came as part of the deal.  Obviously, great to use the lake, but two forced carries is something I would never do.  The green had to be elevated to where it is for flood protection....so that hole definitely falls outside the bounds of creative genius.  On the fifth, the weeds were so high the contractor actually built the green at the second LZ point, but we were able to add a back tee to keep it somewhat the length intended.  The now dry creek was an attempt to mimic the first hole at TOC, but the developer was never on board with it and grassed it or cobbled it, it never had recirculating water.


The second example sure shows how, in my opinion, creative genius really is limited by practical matters in most facilities, where contrary to the old say....it really is the money that matters!  And, you can't fight mother nature, he who has the gold rules, if you can't maintain it, it will be gone in five years, and about a half dozen oft used clichés.....


Back on the happier topic, my example of AI is somewhat the musings of a wandering mind, but I have little doubt as to computers generally taking an increasing role in design, even if on the CM side.  I can't imagine your self contained vehicle working for a while, and agree I would have to program my key field design keys to change in for it to work.  For example, on most holes seeing the target from the hitting area is desired, and you could program a vehicle to stop at certain key points, and check for visibility, or traverse the fairways to see if there are any spots with surface grades less than 3%, since that is often a criteria.  I am sure I would want to see the finished product myself, though.  Just like that self driving car that hit a woman in the street, I would be wary of total automation.


We do use photo imaging to supplant site visits every once in a while.


Back to the main topic, I got to thinking again about Ian's comment about being uncomfortable to be creative.  My take would be that the truly creative personality would never feel uncomfortable, never know a box was there to break out of.........


However, as it is always a mix of practical and intuitive/artistic, we could both be right.  As Clint Eastwood might say, "A man has got to know his limitations" and I think I know where my tendencies lie and what I might need to do to overcome them in the design phase.  Ian is probably expressing the same.  And, I think we see it in golf course design, and know it when we see it when the basic approach is one of all out, out of the box thinking (think Mike Strantz) vs. some other very practical designer where everything is in the right place but it has no soul, etc.


The next debate would be whether the all out style of Mike Strantz is really better design than some other blend?  And, it would matter what our perspectives were more than the actual work.  The supers might hate it, some golfers might hate it, and some would love it for what it is, etc.  Which leads us to "horses for courses" where Mike's starting point was being different, and he met that goal.  But, design is always a blend and compromise, often giving up something to achieve something else.


Or, to bring it back to the OP, you absolutely can't define how to create exceptional architecture, but you can probably come up with several definitions, depending on your perspective as one of the end users.  Each architect varies in their blend or elements, and each end user varies in what is important to them.