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GolfClubAtlas.com => Golf Course Architecture Discussion Group => Topic started by: Tom_Doak on April 11, 2011, 05:28:35 PM

Title: The Genius of The Masters, By Design
Post by: Tom_Doak on April 11, 2011, 05:28:35 PM
Certainly, it was not Jones and MacKenzie's original design of Augusta National which makes The Masters so exciting.  After all, they got the nines backwards.  But Jones eventually figured it out.

Every time there is a great tournament such as this year's, we hear how it's the greatest Masters ever, and we don't really think much about why it seemed that way.  It seems that way because of the pacing of the course.  Here's how it works:

Holes 7, 8 and 9 offer the potential for birdie or even eagle, as Tiger Woods demonstrated yesterday.  These are the holes which allow contenders to jump up the leader board while the leaders are playing some of the most difficult holes on the course [4, 5 and 6].

Holes 10, 11 and 12 are the toughest stretch of holes at Augusta.  Here, the guys who are trying to mount a challenge may struggle, especially in comparison to leaders who are playing 7, 8 and 9.  But here again, the leaders have to navigate this stretch of holes while the contenders are eliciting roars up ahead on holes 13-16, and it's tough to keep your focus under those circumstances, as Rory McIlroy proved again this year.

Holes 13, 14 and 15 (and 16 when the flag is back left in the now-traditional Sunday spot) are, like 7 through 9, holes where birdie and eagle are again a factor, and contenders playing ahead can put pressure on the leaders, which makes the leader board look like it's changing more than it really is.  [In fact, if you just look at the big Masters scoreboard on a hole-by-hole basis and compare where every player was at the same point in their rounds, you'll usually see that the lead was not changing nearly as much as it seemed to be.  I am going to go look at this right now and report back.]

Holes 17 and 18 are tough finishing holes where someone can make a birdie, but a player trying to hold on can easily make a bogey, too.  That's what you need from finishing holes.  If they are all just par-or-bogey holes, the finishes will be much less exciting, and the course will get a reputation for producing leaders who choke down the stretch.

None of that would really matter for anything but tournament play, but in a tournament, it is by far the most exciting recipe for drama.
Title: Re: The Genius of The Masters, By Design
Post by: Matthew Petersen on April 11, 2011, 05:34:03 PM
This is very well noted. Even the same holes in a different order would be much less dramatic as watching someone go birdie-bogey-par-birdie-bogey is much less dramatic than, say, par-bogey-bogey-birdie-birdie. It's the way the holes clump together that provides much of the drama.
Title: Re: The Genius of The Masters, By Design
Post by: Tom_Doak on April 11, 2011, 05:36:03 PM
Here are the leaders after every three holes.  Apologies for not including McIlroy, who was not on the final leaderboard so I don't have his hole by hole status; I guess he was still right there through #9.

After 3 holes:  Schwartzel -11
After 6 holes:  Schwartzel -10
After 9 holes:  Schwartzel, Woods, Cabrera and Choi all -10
After 12 holes:  Schwartzel, Scott -10
After 15 holes:  Schwartzel, Scott -11, but five others at -10

Schwartzel and Scott were still tied at -12 through 16 holes, then Schwartzel birdied the last two.  But much of the rest was just noise, amplified by the pacing of the course.
Title: Re: The Genius of The Masters, By Design
Post by: JR Potts on April 11, 2011, 05:38:47 PM
This is very interesting.  I never really thought of this.

Tom, if you were to design/redesign a course that was known/built/dedesigned to host major championships, would this pacing be a consideration in your design?

Should it be?
Title: Re: The Genius of The Masters, By Design
Post by: Tom_Doak on April 11, 2011, 05:41:36 PM
Note:

I should credit Tom Weiskopf with clueing me in to this years ago.  I was working on an article about the course for GOLF Magazine, and Tom was the first to remark on how hard it was to play 10-11-12 while other guys were making birdies up ahead.

In the same interview, he explained how several on several holes you have to land your approach shot within 2-5 feet of where you want in order to set up an uphill birdie putt ... someone else remarked on that in the main Masters thread, and it's dead on.  But, I should note that the interview was done in the late 1980's, when the original T.W. had the benefit of hindsight.
Title: Re: The Genius of The Masters, By Design
Post by: Tom_Doak on April 11, 2011, 05:43:05 PM

Tom, if you were to design/redesign a course that was known/built/dedesigned to host major championships, would this pacing be a consideration in your design?

Should it be?

If somebody wanted an exciting tournament course, it is the first thing I would think of.
Title: Re: The Genius of The Masters, By Design
Post by: Adrian_Stiff on April 11, 2011, 05:45:49 PM
I dont know if it is by design really. Grouping the leaders together is quite a modern thing.
Title: Re: The Genius of The Masters, By Design
Post by: Patrick Hodgdon on April 11, 2011, 05:45:57 PM
I don't have much to add to this in terms of discussion but just wanted to +1 that this is extremely interesting idea to me and want to thank Tom for sharing the insight passed on from Weiskopf.

My initial thought is to wonder if there are any other courses that have/could have the same effect in a major tournament?

Tom, which of your courses (assuming none of them had this intent in the design) would best emulate this pacing effect for a major tournament?
Title: Re: The Genius of The Masters, By Design
Post by: Matthew Petersen on April 11, 2011, 05:48:35 PM
Note:

I should credit Tom Weiskopf with clueing me in to this years ago.  I was working on an article about the course for GOLF Magazine, and Tom was the first to remark on how hard it was to play 10-11-12 while other guys were making birdies up ahead.

In the same interview, he explained how several on several holes you have to land your approach shot within 2-5 feet of where you want in order to set up an uphill birdie putt ... someone else remarked on that in the main Masters thread, and it's dead on.  But, I should note that the interview was done in the late 1980's, when the original T.W. had the benefit of hindsight.

This kind of seemed to be McIlroy's real undoing yesterday.

Even after his disaster at 10 he was potentially in it, but he started pressing far too early. He took a foolish line on his second shot at 11 and yet it turned out perfect--but then he got over-aggressive with his birdie putt and ended up with another bogey. After that, by the time he got to 12 he was pretty clearly brain dead. Two pars at 11 and 12 might have put him in a position where he could have made some birdies coming in, but he was definitely rattled by the noise others were making in front of him. Even his decision to hit driver off the tee on 10 might have been a part of that.
Title: Re: The Genius of The Masters, By Design
Post by: Wade Whitehead on April 11, 2011, 05:50:29 PM
This thread illustrates: Great courses aren't made of great holes.  They're made of great stretches of holes.

Such stretches best occur in threes.

WW
Title: Re: The Genius of The Masters, By Design
Post by: Tom_Doak on April 11, 2011, 05:52:14 PM
I dont know if it is by design really. Grouping the leaders together is quite a modern thing.


Adrian:

That's an excellent point.  In Bob Jones' years, a young final-round leader like McIlroy would have been paired with a veteran and former champion who would have been something of a steadying influence ... most likely Fred Couples.  I wonder how he would have fared with that pairing?

However, I did note that the phenomenon I noted is not really Jones' or MacKenzie's design, because they had the nines reversed to begin with.  But it is certainly worth noting if you were going to design a tournament venue.
Title: Re: The Genius of The Masters, By Design
Post by: Matthew Petersen on April 11, 2011, 05:55:19 PM
Tom,

It's interesting you say that because I though Rory was hurt by his pairing with Angel yesterday. He seemed so comfortable playing with the younger guys in his first three rounds and had Jason day made birdie on 18 on Saturday, and the two been paired together for the final round ... I strongly suspect one of the two of them would have come out on top. Day ultimately benefited from his pairing in the first three rounds, but also by being with his countryman on Sunday.
Title: Re: The Genius of The Masters, By Design
Post by: Jerry Kluger on April 11, 2011, 05:59:19 PM
I would agree with you except for perhaps 18 - I believe that a number of players did not hit driver and they had an uphill shot where they knew that right of the pin would roll toward the hole and it was possible to spin the ball back if it went beyond the hole. 

Am I incorrect in my recollection that they used to put the hole in the back right on 18 on Sunday?

This certainly leaves no doubt that the USGA is wrong in their course setups.
Title: Re: The Genius of The Masters, By Design
Post by: Padraig Dooley on April 11, 2011, 06:06:31 PM
One interesting aspect is even with the potential for the chasers to put pressure on the final group by posting birdies very few of the recent winners have come from outside the final group. Is it 2 in the last 20?

Title: Re: The Genius of The Masters, By Design
Post by: Chris Buie on April 11, 2011, 06:21:16 PM
It certainly is always a privilege to have Mr. Doak's perspective. 
I always thought one of the main keys why the tournament is so exciting is because you have two half-par holes (13 and 15, of course) in the closing stretch.  I suppose 15 is more a 3/4 par hole - but I think you know what I mean. Half-par holes are inherently dramatic and exciting - particularly so when you've got several super gifted guys seriously battling it out.
I love the drama of the tournament and think the course is essentially fine for that.  I would not be too keen on it as a day to day course for myself.  It's too hard - even from the members tees - especially with the addition of Hootie's trees and rough.  As we have all seen many times over, you can miss a shot by just a bit and end up with extremely difficult situations.  That IMHO is not a recipe for a great members course.  Challenging is good - but extreme difficulty - for a slight miss - all day long?
Title: Re: The Genius of The Masters, By Design
Post by: V. Kmetz on April 11, 2011, 07:15:40 PM
TD,

I think you're spot on with the descriptions of the the "testing" "difficult" stretches of 4,5,6 and 10,11,12.  To the latter and your Weiskopf note, I would add that the effect of those holes (10-12) lingers in the pressure a players puts on himself to take advantage of 13-15, especially if he's tainted his score with poor play in that stretch.

I do, however, think that the other 12 holes at Augusta beyond those two trios are really a product of tournament pin as much as design and/or routing effect.  Were not 7, 14, 15 and 16 pinned the way they have been (15 used to get some center pins on Sunday - Jack 86 notoriously) these dynamics would change enormously.

Additionally, if 8 and 13 were pinned differently, (8 on center crown, 13 left on tier) the eagles would evaporate and less birdies would be made in conjunction.

And in the current and VERY permanent Sunday pin position on #9, I would not call that a birdie hole.  I've seen more fretful pars and lost tournaments on that Sunday pin as I have attacking birdies.  I couldn't include it with the properties of 7 and 8 (as currently pinned)

I hope this isn't taken as a diminishment of TD's analysis, because a four round experience on such a great routing/design will encompass an average  tournament pressure almost exactly as he describes; I'm really just talking about the Sunday-Excitement-Leader Board effect which is as much owing to the pins as the fantastic routing pace.

I would have everyone consider that the only hole stretch TD or anyone did not mention is 1,2, 3.  While #1 is sterner than #14 (as pinned on Sundays) I still consider the opening trio to be just as fine a chance to go 3 under in three holes as is 13, 14 and 15. And with equally generous pins as 13-15 (currently, 1,2 and 3 are not pinned "easy" on Sunday) it might be even superior.

Lastly, just an aesthetic point:  I somehow like a routing that presents opportunity immediately off the bat, in the first stretchwith notorious difficulties ahead, where you had better get skins in your pelt right off the bat.  I'm not thinking "easy" so much as "attainable rewards for being poised in the opening act."

cheers

vk
Title: Re: The Genius of The Masters, By Design
Post by: Michael Whitaker on April 11, 2011, 07:35:47 PM
One of the beauties of playing this major on the same course every year is the wealth of information available to the tournament committee. They have very detailed stats on pin locations and the average score yielded from that position. The Masters committee can just about dial in the score the want by choosing the pin locations that will potentially deliver the desired result. This year it really paid off!
Title: Re: The Genius of The Masters, By Design
Post by: Tom_Doak on April 11, 2011, 08:14:46 PM
V. Kmetz:

I agree with most of what you said.  The now-traditional set-up of 14, 15, and 16 [and even 17] provides more scoring opportunities than these holes do with other hole locations.  Nicklaus' birdie on #16 in 1975 is in another class from all of the stuff we've seen recently.

I am not so sure about your analysis of holes 1-3.  I used to disrespect the second hole [because it's ugly], but it is a terrific green which allows chances for eagle, birdie, and bogey.  However, the first hole was NEVER easy, even before the changes to the tee shot, and the third hole seems to give modern players fits much more than its length would suggest.
io
As for #9, it can certainly go either way, and I used to think it was the key to the tournament.  When Crenshaw birdied it in '84, I thought he was going to finally win.  When Nicklaus birdied it in '86, I thought, holy crap, he has a chance.  [Same with Tiger this year.]  You can certainly blow the tournament there, as Greg Norman knows, but players who can put a birdie in their pocket seem much more likely to survive the pressure of 10-11-12 and then step on the gas.  In fact, if you looked at 9-12 as a longer stretch, I would say that going even par from 9-12 is essential to winning The Masters.

Incidentally, the original routing for the course had those three tough holes [10-11-12] right at the start ... although neither 10 or 11 was anywhere near as hard as it is now.  That is one thing that people talking about the restoration of the course conveniently forget.
Title: Re: The Genius of The Masters, By Design
Post by: Carl Rogers on April 11, 2011, 08:17:15 PM
The course set-up was, on some previous threads, not warmly embraced.  I think that with this thread, the design and the set-up meshed well.

Off line shots penalized but not severely.  The front bank on 15 would be my example.  I do not think that all shots that come up short should get wet.
Title: Re: The Genius of The Masters, By Design
Post by: Rick Shefchik on April 11, 2011, 08:29:15 PM
I would agree with you except for perhaps 18 - I believe that a number of players did not hit driver and they had an uphill shot where they knew that right of the pin would roll toward the hole and it was possible to spin the ball back if it went beyond the hole. 

Am I incorrect in my recollection that they used to put the hole in the back right on 18 on Sunday?

This certainly leaves no doubt that the USGA is wrong in their course setups.

Jerry, that depends on what the USGA wants. My guess is they really don't care much about whether the crowd is roaring on the back nine on Sunday. They're an organization with a different set of marching orders, which they appear to take very seriously: test the world's best golfers to the limit of their ability. I love the Masters, but I'm glad the Open is different.
Title: Re: The Genius of The Masters, By Design
Post by: Bill_McBride on April 11, 2011, 08:59:55 PM
I would agree with you except for perhaps 18 - I believe that a number of players did not hit driver and they had an uphill shot where they knew that right of the pin would roll toward the hole and it was possible to spin the ball back if it went beyond the hole. 

Am I incorrect in my recollection that they used to put the hole in the back right on 18 on Sunday?

This certainly leaves no doubt that the USGA is wrong in their course setups.

Jerry, that depends on what the USGA wants. My guess is they really don't care much about whether the crowd is roaring on the back nine on Sunday. They're an organization with a different set of marching orders, which they appear to take very seriously: test the world's best golfers to the limit of their ability. I love the Masters, but I'm glad the Open is different.

I thought Billy Payne was quoted as saying the club wanted the roars back!

It certainly worked this year.
Title: Re: The Genius of The Masters, By Design
Post by: Bill_McBride on April 11, 2011, 09:03:50 PM
Certainly, it was not Jones and MacKenzie's original design of Augusta National which makes The Masters so exciting.  After all, they got the nines backwards.  But Jones eventually figured it out.

I think I've read that the reason for switching the nine was pretty much the topo where the 10th green through the first holes of the then front nine were much lower than the other nine and there was a frost delay problem.

In the case the switching of the nine was for frost rather than strategic considerations.
Title: Re: The Genius of The Masters, By Design
Post by: V. Kmetz on April 11, 2011, 10:00:36 PM
TD (and all)

Thank you for those follow ups.

Just to brush in my par putts regarding #s 1 - 3. 

1. I fully agree that #1 (whether it was 10 or not) was something of a beast, I merely want to suggest that in comparison of the scoring stretches, an easier Sunday pin on #1 (right center perhaps?), would bring it into balance with #14 if it contained a difficult pin (left center perhaps?).

#2 - I never thought it was so much ugly as it was that the tee shot seems disconnected from the best character of the hole - that is, everything from the top of the hill down to the green which I like both in pictures of the original iteration or now. Especially, with the tee pushed back and the bunker fuller and more pinching there's something inadequate to the "bowling alley" start of that hole.  Certainly the pros are up to it, but in an everygolfer's sense.

#3 - It's my favorite hole to behold on the course for the reasons you describe and more.  Like #1, I only mean that if the pin were placed in the gentle flats of the back right and you toughened up #15 (with a front left center) the birdie thing would increase on #3 and decrease the excitement at #15 - in fair proportion.

Yet I love it as is.  Isn't that in the end one of the summary virtues of this course and its development?  You can shake it around, play the nines differently, imagine old iterations, wish things were as they were or not, and still the character of the course is largely the same.

These are some great holes on well-chosen land for their application, expertly balanced, thoughtfully routed, in vistas, demands and strategy.

Last thing, open to anyone...Is there any decisive - even shared, decisive - provenance on the early reversal of the nines?  I have heard that it was frequent frost in the part of the course now known as Amen Corner at the hour of the day when it was the second and third and fourth hole.  A warming sun does not get down there until roughly 9-9:30.  Yet I have also heard it attributed to just a recognition of tournament values that we experience today.  Is there one that is more true, and if it is the latter - just realizing its better - how much did Sarazen's heroics cement the current routing of the nines?

cheers

vk
Title: Re: The Genius of The Masters, By Design
Post by: Tom_Doak on April 11, 2011, 10:14:11 PM
Isn't that in the end one of the summary virtues of this course and its development?  You can shake it around, play the nines differently, imagine old iterations, wish things were as they were or not, and still the character of the course is largely the same.

These are some great holes on well-chosen land for their application, expertly balanced, thoughtfully routed, in vistas, demands and strategy.

Last thing, open to anyone...Is there any decisive - even shared, decisive - provenance on the early reversal of the nines?  I have heard that it was frequent frost in the part of the course now known as Amen Corner at the hour of the day when it was the second and third and fourth hole.  A warming sun does not get down there until roughly 9-9:30.  Yet I have also heard it attributed to just a recognition of tournament values that we experience today.  Is there one that is more true, and if it is the latter - just realizing its better - how much did Sarazen's heroics cement the current routing of the nines?

cheers

vk

Amen to the first part.

As to the second, you've got to ask someone more qualified on the history than me.  Perhaps David Owen?

Certainly, Sarazen's double eagle CEMENTED the routing.  You are not going to change hole numbers after something like that.  Really, there is only one chance to switch the nines on a course, and that's right near the beginning.  After a few years, it doesn't make any sense, and my experience with courses that have done it after more than a few years is that they wind up switching back eventually.
Title: Re: The Genius of The Masters, By Design
Post by: Patrick_Mucci on April 11, 2011, 10:28:13 PM
Tom Doak,

ANGC was created with a purpose, that of hosting an Invitational for the best golfers.
At one point, they solicited the USGA for an Open.

One of the old pairing formats had the third round leader paired with Bryon Nelson.
Remember when Venturi was leading after the third round, they changed his pairing to Sam Snead because some felt that Bryon was Ken's mentor and they didn't want to have Ken's potential victory tarnished in any way by Bryon's potential influence on him during the round.  Bryon Nelson was aware of the rules regarding advice and pleaded his case to be allowed to play with Venturi with both Jones and Roberts, but, to no avail.  Sam Snead was chosen as Venturi's playing partner.  Nelson indicated that he felt that he would have been a calming influence on Venturi, sans any advice regarding play, and as such, Venturi would have won that Masters.

While Venturi never indicated that Sam was unpleasant in any way, I can't imagine that Sam or any Tour player would have a calming or encouraging influence on a fellow competitor, especially an amateur

The course does have a unique ebb and flow to it.
And, the water on the back nine certainly increases the chances of high scores.
Many golfer's dreams have ended on 11 or 12 or 13 or 15 or 16.

7 and 17 used to be much shorter/easier holes.

I wonder, if Rory had gotten past #'s 10 and 11, would his mindset have been such that he could have eased his way home?

As to Weiskopf giving you that idea, he got it from me in 1966 when we played together and again in 1967 at the US Open at Baltusrol;D
Title: Re: The Genius of The Masters, By Design
Post by: Alex Miller on April 11, 2011, 10:32:03 PM
It's nearly impossible to imagine the 9's reversed, but I do think hole 9 would play very differently as the final hole to a championship. If the pin is in a similar spot to where it was sunday, the nerves make a putt from behind the hole very dangerous. I don't mean to take away anything from 18, and obviously it serves its purpose VERY well.

The water on the back nine is also an essential element to the course that really might be what separates it from the front nine in terms of score volatility. I hated how the banks were set up this year because a ball hung up on the bank wouldn't have cause a roar anyway. Keeping the balls out of the water doesn't do anything for the roars that are wanted from The Masters.
Title: Re: The Genius of The Masters, By Design
Post by: V. Kmetz on April 11, 2011, 10:43:51 PM
Alex,

For what its worth, I agree with the balance of your remarks, especially regarding the turf preparation on the banks this year.

I was not so much disappointed by the absence of groans/cheers, but that I think it was a little bit of cheat  to history and previous competitors who have been gobbled by the unabated gravity of the shaved appearance.  Plus, it was spoken that previous weather had left the turf healthy and lush this season, with dampening in the weeks before the tournament.

If there was ever a time not to have those startling "guard rails"  of first-cut, in front of 12 and 15, it was this season, as I understand it. 

cheers

vk
Title: Re: The Genius of The Masters, By Design
Post by: mike_beene on April 11, 2011, 10:57:56 PM
if 13 and 15 were par 4s would that affect the feel of the lead changes and the roars? I know the course would play the same although in the back of my mind I want to think there might be a few less layups.But my question is more with the feel to a TV viewer.
Title: Re: The Genius of The Masters, By Design
Post by: Malcolm Mckinnon on April 11, 2011, 11:07:37 PM
Tom,

I agree, exactly, and was explaining the tournament to my wife in these terms after the third round on Saturday.

I must be pretty smart like you.

QED

Title: Re: The Genius of The Masters, By Design
Post by: Chris Flamion on April 11, 2011, 11:46:21 PM
Tom,

Thank you for sharing this information, I have never thought of the course like this, even though it makes perfect sense.

My wife caught the momentum(however perceived) this year.  She even called out how Scott was well in front of Tiger after 13 despite he had another "easy" birdie ahead at 15. 

I would like to see more championship courses set up with such a punishing/rewarding stretch.  The excitement is worth the lower numbers.

Chris
Title: Re: The Genius of The Masters, By Design
Post by: David_Elvins on April 11, 2011, 11:54:38 PM
Tom Doak,

Interesting post.

How would you rate the flow of the routing, with regard to hole type and dificulty, without consideration for the tournament drama.

I always thought as a course, that the flow of the course seemed to work really well.  That 4-6 was a good place to have a stretch of long tough holes.  That 12-16 was a good place to have a stretch of risk reward holes (and 14 worked brilliantly in between 12 and 15).  17 and 18 were the perfect type of holes to end a round, 1 and 2 the perfect type to start a round.  

I always thought that routing was similar in pacing to the original RM Composite routing which also seemed to work well (1W 2W 1E 2E 5W 6W 7W 10W 11W 12W 17W 18W 3W 4W 3E 4E 17E 18E).  

How close is the pacing of the routing at Augusta to what you would consider ideal, tournements aside?  Or do you think that courses find their own rythym and they only look great by back analysing them?
Title: Re: The Genius of The Masters, By Design
Post by: William_G on April 12, 2011, 12:51:38 AM
This year they also had 99 players start the tournament which is the most they've had in 45 years or so.

With that many players who all just can just smash the ball, combined with relatively soft greens, the men in green jackets at Augusta created a perfect drama at at well layed out theater.

The combination of the best players out of 99 bubbling to the top, after a cut of under par, under the pressure of Sunday at the Masters this year, was the best show they've had in years. Trying to hold a lead while the cheers of everyone playiing in front of you is hitting 6 or 7 irons into par 5's on their 2nd shots, including someone whose won 14 majors... :P

It was a practical decision of morning sunlight to originally reverse the nines, but now, who could imagine it any other way.

Well said Mr. Doak, and let's keep about 99 players each year....should be great. ;D

Thanks
Title: Re: The Genius of The Masters, By Design
Post by: Tom_Doak on April 12, 2011, 12:57:30 AM
Tom Doak,

Interesting post.

How would you rate the flow of the routing, with regard to hole type and dificulty, without consideration for the tournament drama.

I always thought as a course, that the flow of the course seemed to work really well.  That 4-6 was a good place to have a stretch of long tough holes.  That 12-16 was a good place to have a stretch of risk reward holes (and 14 worked brilliantly in between 12 and 15).  17 and 18 were the perfect type of holes to end a round, 1 and 2 the perfect type to start a round.  

I always thought that routing was similar in pacing to the original RM Composite routing which also seemed to work well (1W 2W 1E 2E 5W 6W 7W 10W 11W 12W 17W 18W 3W 4W 3E 4E 17E 18E).  

How close is the pacing of the routing at Augusta to what you would consider ideal, tournements aside?  Or do you think that courses find their own rythym and they only look great by back analysing them?


David:

I think that most courses find their own rhythm.  I had never thought about it for Royal Melbourne -- and maybe I should, though they keep changing the order for the Composite course.

I detest the U.S. Open venues which strive to be 18 hard pars in a row.  Merion is interestingly different in that regard.  The first five holes are really tough, the middle stretch offers many birdie chances, and then the last five holes are as tough as can be.  That's enough to give the members a thrill ride, but it's not enough change of pace to create the drama in a big tournament that Augusta does, and Merion has never really done so ... most of its epic encounters have been head to head.
Title: Re: The Genius of The Masters, By Design
Post by: Tim_Cronin on April 12, 2011, 01:57:40 AM
Frost was indeed the reason for the switch. It was made in 1935, for the second Masters. Curiously, this was a switch back to what MacKenzie wanted originally.

And the first few Masters were in late March, not the second week of April, when frost is much less likely. If the tournament was played in April from the start, maybe there's no switch, Sarazen's double-eagle 2 comes on the par-5 sixth, and everybody wonders why the back nine on Sunday isn't all that interesting compared to the front nine!
Title: Re: The Genius of The Masters, By Design
Post by: Ben Sims on April 12, 2011, 03:37:26 AM
Tom,

Stepping away from the pacing of the golf holes; you stated somewhere in the past few days that there are two ways to promote scoring and "roars" and that "...this wasn't it."  

I am in the camp that believes that Augusta can control its setup with more intention of precision than any other course on the planet.  Unless the wind howls or it rains an inch a day for a week, I think they have the means to get whatever setup they want.  Which is why I think the setup was no fluke, especially on the weekend after the course had 5 days to dry.  

What setup do you think would have promoted the excitement we saw without being so soft?

My personal opinion is that they nailed it.  I forgot who said it, but at The Masters, "the golf course refuses to be ignored."   I agree wholly with that premise.  I can't think of a major venue that plays as unforgiving as Augusta, yet yields so many birdies.  14 under wins the tourney but the cut was +2.  Pretty compelling stuff.  It was my favorite Masters in years, and I hope they continue to walk the fine line between too soft and too hard.  But hopefully members at clubs around the nation can ignore everything they see at ANGC.
Title: Re: The Genius of The Masters, By Design
Post by: Don_Mahaffey on April 12, 2011, 07:56:29 AM
The water on the back nine is also an essential element to the course that really might be what separates it from the front nine in terms of score volatility. I hated how the banks were set up this year because a ball hung up on the bank wouldn't have cause a roar anyway. Keeping the balls out of the water doesn't do anything for the roars that are wanted from The Masters.

Obviously they wanted more roars and fewer groans and that is what they got with more receptive greens and thicker collars that held the balls in place. I like the idea of players hearing the roars while they are struggling to get through 10-11-12. But, I also think hearing a few groans and seeing a few balls trundle into a watery death tests the mental toughness of the players. Its the roars and the groans that make it special. Take either out and its just not as good. 
Title: Re: The Genius of The Masters, By Design
Post by: Rick Shefchik on April 12, 2011, 09:52:37 AM
I agree. My biggest complaint this year was the fuzzy bank on 15; I also saw shots that came up short on 9 and 10 that did not roll back 30 yards, but essential stayed just off the green. Even Luke Donald's bad bounce off the flagstick on 18 Sunday didn't roll back as far as it might have in other years.

It appeared to be a deliberate set-up decision, and while I don't think the slower aprons on 9, 10 and 18 had that much effect, growing the grass longer on the bank in front of 15 significantly altered that hole. It played more like a par 4 than ever - plenty of reward for going for the green in two, very little risk.
Title: Re: The Genius of The Masters, By Design
Post by: John Shimony on April 12, 2011, 09:59:04 AM
Frost was indeed the reason for the switch. It was made in 1935, for the second Masters. Curiously, this was a switch back to what MacKenzie wanted originally.

I just read Bob Jones' Golf is My Game and some where in his chapters on the Masters and Augusta National he mentions the frost issue.  I do not recall any mention of what routing MacKenzie wanted originally. 
Title: Re: The Genius of The Masters, By Design
Post by: Richard Choi on April 12, 2011, 11:23:24 AM
Oh boy, Rick, you are so ignorant. Don't you know that this year's setup was PERFECT!!??? Perfect, I tell you! Did you even walk the course??? :)
Title: Re: The Genius of The Masters, By Design
Post by: Peter Pallotta on April 12, 2011, 11:31:59 AM
Tom-

on one of the other threads, I wrote that when I turned off the set after the Masters, my first thought was "I guess 14 under is the new minus 9" -- as this tournament sunday felt much like it did 25 years ago.  No one seemed to agree with that view, and I guess I'd be hard pressed to defend it other than saying again that this it how if felt to me -- and now I think that what you've raised is the real explanation, ie. that this 'design' overrides all other changes in technology and maintenance, at least in a tournament setting.

Peter
Title: Re: The Genius of The Masters, By Design
Post by: Dan Kelly on April 12, 2011, 11:47:05 AM
I agree. My biggest complaint this year was the fuzzy bank on 15; I also saw shots that came up short on 9 and 10 that did not roll back 30 yards, but essential stayed just off the green. Even Luke Donald's bad bounce off the flagstick on 18 Sunday didn't roll back as far as it might have in other years.

It appeared to be a deliberate set-up decision, and while I don't think the slower aprons on 9, 10 and 18 had that much effect, growing the grass longer on the bank in front of 15 significantly altered that hole. It played more like a par 4 than ever - plenty of reward for going for the green in two, very little risk.

Once again: Right on, brother!

The long-enough-to-stop-slowly-rolling-balls grass in front of 15 took (it seemed to me) the terror out of going EITHER slightly long or slightly short with a long second -- AND took the terror out of the wedge-shot thirds.

If I had my way (fat chance of that), I'd let the grass grow long enough behind 15 to stop balls from rolling all the way to the hazard on 16 -- but I'd bikini-wax the front.

I also saw balls fail to roll back into Rae's Creek on 12 -- like Couples's shot in 1992, where the greenkeeper failed to shave that morning.
Title: Re: The Genius of The Masters, By Design
Post by: Jason Topp on April 12, 2011, 01:18:16 PM
Pebble Beach has a different flow with a similar effect with the opportunity for birdies front loaded into the first 7 holes allowing a rally to make the tournament more exciting.

I like stretches that provide scoring opportunities for every day play as well.  It allows the drama of a round to increase and decrease like a good book, a good movie or good music. 
Title: Re: The Genius of The Masters, By Design
Post by: Patrick_Mucci on April 12, 2011, 02:45:28 PM
I agree. My biggest complaint this year was the fuzzy bank on 15; I also saw shots that came up short on 9 and 10 that did not roll back 30 yards, but essential stayed just off the green. Even Luke Donald's bad bounce off the flagstick on 18 Sunday didn't roll back as far as it might have in other years.

Rick, I think the front of # 15 will be open to debate and change for some time.

Should a ball that would back up off the green be doomed to a watery grave ?
Should it be suspended on the bank, allowing for recovery ?

Perhaps a reasonable solution would be for the bank to be firm, with balls that don't reach the green hitting it and backing up into the water, while balls that hit the green that back up would have some sort of agronomic/feature safety net.

It's really a delicate balance.


It appeared to be a deliberate set-up decision, and while I don't think the slower aprons on 9, 10 and 18 had that much effect, growing the grass longer on the bank in front of 15 significantly altered that hole. It played more like a par 4 than ever - plenty of reward for going for the green in two, very little risk.

I don't know about that, I saw a lot of shots hit long and right.

Title: Re: The Genius of The Masters, By Design
Post by: jeffwarne on April 12, 2011, 10:52:54 PM
I agree. My biggest complaint this year was the fuzzy bank on 15; I also saw shots that came up short on 9 and 10 that did not roll back 30 yards, but essential stayed just off the green. Even Luke Donald's bad bounce off the flagstick on 18 Sunday didn't roll back as far as it might have in other years.

It appeared to be a deliberate set-up decision, and while I don't think the slower aprons on 9, 10 and 18 had that much effect, growing the grass longer on the bank in front of 15 significantly altered that hole. It played more like a par 4 than ever - plenty of reward for going for the green in two, very little risk.

This just in.

Augusta,GA.
The Augusta National Golf Club has installed a dome to contol winter  temperatures , but the rub is they will air condition it to insure winterlike conditions from Dec-February so that the underlying bermuda does not come out of dormancy prematurely(as it did this year with 75 degree temeratures in Jan-Feb) and provide too thick of a playing surface, thus slowing down balls retreating from greens.
additionally, the dome will keep the 5 inches of rain that fell in late march and the pesky 1/2 inch that fell masters week causing 39 pages of discussion on GCA about soft greens  and slow turf conditions.

members have been asked to don sweaters to support the cause.


I guess what amazes me is 3 ongoing threads criticizing the course following one of the best majors ever, and very few threads following last year's boring joke of a US Open on plinko greens that would get any super fired if he presented the course that way for a member-guest.
Title: Re: The Genius of The Masters, By Design
Post by: Rick Shefchik on April 12, 2011, 11:57:18 PM
Jeff, seriously -- the bank on 15 was mowed differently this year. If the club had wanted balls to roll into the water, they would have. For some reason, they didn't want that to happen.

Personally, I'd have preferred to see the front of 15 shaved the way it usually is. I also really enjoyed the tournament.
Title: Re: The Genius of The Masters, By Design
Post by: jeffwarne on April 13, 2011, 12:04:08 AM
Jeff, seriously -- the bank on 15 was mowed differently this year. If the club had wanted balls to roll into the water, they would have. For some reason, they didn't want that to happen.

Personally, I'd have preferred to see the front of 15 shaved the way it usually is. I also really enjoyed the tournament.

agreed
couldn't resist
Title: Re: The Genius of The Masters, By Design
Post by: Ben Sims on April 13, 2011, 02:01:31 AM
Jeff,

Is Augusta National a victim--on this site--of its own agronomic supremacy?  Seems like people expect them to be able to handle the issues you mention as if there were a dome overhead. 

Count me as one who thinks that they do have an ability to control their conditions--despite outside variables--on the orders of magnitude more than any other course in the world.  How many volunteers does the greens' staff get every March/April?  Sub-air, soil moisture sensors, vibratory rollers of differing diameters and weights, echelon formations of a dozen 50K John Deere fairway units.  The list goes on and on.  I think they carefully planned and executed a plan enacted at the top level of the club to garner renewed interest in their tournament.  It worked.  I'm pretty impressed with their ability to control each variable to a degree that they can produce exactly what they want for the patrons and viewers. 
Title: Re: The Genius of The Masters, By Design
Post by: Sean_A on April 13, 2011, 03:55:01 AM
It was disappointing to see that bank shaggy on 15.  It really took away from the risk reward aspect of the hole.   I saw at least three shots that should have been wet.  I am not buying the spin argument because pros should know how not to spin a 200+ yard approach.  Sure, you can say its a par 5 and some layup, but these guys should know how to keep the spin off a wee approach as well.  

The premise of this thread has me confused - well for the back nine anyway.  Its no secret that Amen Corner was the area to hang on, 13-16 the place to attack on Sunday and 17-18 the holes to hold your nerve if need be or take your chances with aggression if need be.  Same for the roars - this has long been part of Augusta's appeal - wondering what is going thru golfers' minds when they hear cheers from ahead or behind.  The front nine if you will recall was for ages not shown on tv so the 7-9 stretch will take more time to sink as to its importance in recovering a poor score so far or catapulting a player into the back 9.  

Ciao    
Title: Re: The Genius of The Masters, By Design
Post by: Adam Lawrence on April 13, 2011, 04:10:58 AM
It was disappointing to see that bank shaggy on 15.  It really took away from the risk reward aspect of the hole.   I saw at least three shots that should have been wet.  I am not buying the spin argument because pros should know how not to spin a 200+ yard approach.  Sure, you can say its a par 5 and some layup, but these guys should know how to keep the spin off a wee approach as well.  


I do agree with that. One of the (many) things that hacks me off about Peter Alliss is his constantly going 'Oh, that's so unlucky' or 'Oh, that's almost crazy golf' when a ball lands close to a hole and sucks back down a slope into trouble. No it isn't! If you are hitting with that much spin you need to land it somewhere else!
Title: Re: The Genius of The Masters, By Design
Post by: Matthew Mollica on April 13, 2011, 06:57:23 AM
Last thing, open to anyone...Is there any decisive - even shared, decisive - provenance on the early reversal of the nines?  I have heard that it was frequent frost in the part of the course now known as Amen Corner at the hour of the day when it was the second and third and fourth hole.  A warming sun does not get down there until roughly 9-9:30.  Yet I have also heard it attributed to just a recognition of tournament values that we experience today.  Is there one that is more true, and if it is the latter - just realizing its better - how much did Sarazen's heroics cement the current routing of the nines?

From p 88 of Clifford Roberts' book - "The Story of The Augusta National Golf Club" (1976).
For those who don't know, Roberts was the founding Chairman of Augusta National.

Quote
During the first three years the course was open, the nines were reversed from their present order, the original first tee beeing the tenth tee and vice versa. The change was made because we learned through experience that play could begin earlier after a frost on what is now the first nine, due to its being on higher ground. The first Masters Tournament, held in March 1934, was played uner the original arrangement. The switch was made in time for the fall season club opening of the same year.

MM
Title: Re: The Genius of The Masters, By Design
Post by: Adam Clayman on April 13, 2011, 10:18:23 AM

As for #9, it can certainly go either way, and I used to think it was the key to the tournament.  When Crenshaw birdied it in '84, I thought he was going to finally win.  When Nicklaus birdied it in '86, I thought, holy crap, he has a chance.  [Same with Tiger this year.]  Y

Small correction Tom. Tiger did not birdie 9 Sunday. He made a par that probably felt like a birdie.

Patrick, You stated the courses initial intent was to hold this tournament. Is that a known fact? I recall hearing, (I think it was a Jack Whitaker intro) that Jones scoured the eastern seaboard to find the best land to build the best course.

What year did they reverse the config?
Title: Re: The Genius of The Masters, By Design
Post by: Matthew Mollica on April 13, 2011, 10:20:04 AM
Adam - see post above re: date of swapping nines - 1934.

MM
Title: Re: The Genius of The Masters, By Design
Post by: Patrick_Mucci on April 13, 2011, 02:47:56 PM

As for #9, it can certainly go either way, and I used to think it was the key to the tournament.  When Crenshaw birdied it in '84, I thought he was going to finally win.  When Nicklaus birdied it in '86, I thought, holy crap, he has a chance.  [Same with Tiger this year.]  Y

Small correction Tom. Tiger did not birdie 9 Sunday. He made a par that probably felt like a birdie.

Patrick, You stated the courses initial intent was to hold this tournament. Is that a known fact?

YES, it's a known fact.


I recall hearing, (I think it was a Jack Whitaker intro) that Jones scoured the eastern seaboard to find the best land to build the best course.

Jones was from Atlanta.
I don't think his target site was the Eastern Seaboard


What year did they reverse the config?
Title: Re: The Genius of The Masters, By Design
Post by: Chris Buie on April 13, 2011, 03:12:12 PM
If I remember correctly, they originally wanted to host a U.S. Open but the June date would not be good with the sweltering Augusta summer and the USGA was not going to move it to April.  I don't think they had that sub-air thing going on then.  ;) When the U.S. Open didn't happen that is when they decided to hold their own tournament.  Cliff Roberts wanted to call it the Masters from the outset but Jones thought that was too presumptuous.  Cliff eventually got his way - as usual. Roberts insistence on getting his way led to an estrangement with Jones - to the point where Jones eventually focused more on Peachtree.  That is how I recall it.