A fascinating article.
To me, golf courses are living breathing works of art and at the heart of it, [size=78%]all art is subjective. As someone who is well read, like Mr. Jones, he must also appreciate that art evolves with the times. [/size]
There are things that ring true in his comments- the Jones family, does in fact, get pigeonholed - I think Peachtree is an absolute wonder and (though I may be in the minority here) I think RTJS’ changes to ANGC worked and that the 16th is a better hole for those changes (especially for a televised event like the Masters). I also enjoy RTJJ’s Chambers Bay.
I think what gets lost in his argument for recognition, are the changes the Jones Institution made to courses for the sake of being hard- for seeking severe penalty- for all but eliminating the chance to save par (again my take).
I found the article entertaining and a bit sad. I disagree with his assessment that he and the golf course architects he named, lived in the Platinum Age of Golf Design, which to me, it seems had a lot more to do with name recognition than actual design principles (harsh take). I might argue that if such era exists that we live in it now- an era of restoration, of wild ideas and an era that seems to be open to embracing new names and new ideas. For the record, I am not claiming this era is better than the Golden Age, as a historian that wouid be silly, but it certainly could be on par with it.
In the end we have a tendency to judge our forefathers by the standards of today, just as it seems, they judge us by the standards of their day.