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Tom_Doak

  • Total Karma: 11
Re: Remote Working from M&E
« Reply #50 on: July 07, 2020, 06:07:53 PM »
Tom,

The question I was trying to pose is.  Are there very many, (if any at all), great courses out there, World top 200 where artistic principles aren't on full display?  I know this is subjective, but hopefully we can at least detect their presence even if we can't specifically define them very well...



Kalen:


I hope I am not quoted on it out of context, and I may be asking for a firestorm here, but in general, links courses in Scotland do NOT put artistic principles on full display.  They were built for golf, and not to look good.


Yes, you can find art in them if you try.  The bunkers at Muirfield and St. Andrews are beautifully shaped, up close, even though you often can't see them very well from the tee.  Prestwick has a grandeur to it, in places, though it comes largely from the natural formation of the dunes.  The routing of Cruden Bay wanders the property beautifully, although it would have been hard to build the more southerly holes in any other configuration.


Try as they might have to feel like they belong in Scotland, the Scots call Kingsbarns and Castle Stuart "American", precisely because they are consciously built to look pretty, and most courses in Scotland were not.

Ally Mcintosh

  • Total Karma: 6
Re: Remote Working from M&E
« Reply #51 on: July 07, 2020, 06:47:19 PM »
Tom,

The question I was trying to pose is.  Are there very many, (if any at all), great courses out there, World top 200 where artistic principles aren't on full display?  I know this is subjective, but hopefully we can at least detect their presence even if we can't specifically define them very well...



Kalen:


I hope I am not quoted on it out of context, and I may be asking for a firestorm here, but in general, links courses in Scotland do NOT put artistic principles on full display.  They were built for golf, and not to look good.


Yes, you can find art in them if you try.  The bunkers at Muirfield and St. Andrews are beautifully shaped, up close, even though you often can't see them very well from the tee.  Prestwick has a grandeur to it, in places, though it comes largely from the natural formation of the dunes.  The routing of Cruden Bay wanders the property beautifully, although it would have been hard to build the more southerly holes in any other configuration.


Try as they might have to feel like they belong in Scotland, the Scots call Kingsbarns and Castle Stuart "American", precisely because they are consciously built to look pretty, and most courses in Scotland were not.


I’m glad to hear Tom say this. It’s why I hold out so much hope for St.Pats.


Too much art, too much design, too many features usually make a links course seem modern. Often it’s about toning it down, no matter how tempting it is to dial it up.


Getting far off topic now.

Thomas Dai

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #52 on: July 08, 2020, 03:11:21 AM »
There certainly seems to have been a trend in recent years to make courses more photogenic, perhaps to the demise of playability and routing on occasions.
And some architects have been toning-up' links courses recently with their opening-up of nice looking sandy waste areas and the like. The leading lights amongst GB&I architects for this seems to have been the firm of .......?
atb



Ben Stephens

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #53 on: July 08, 2020, 05:19:06 AM »

There are number of examples in the construction industry that have used various new technologies sadly golf courses are miles behind IMO sometimes you have to be ahead of the game to have a more sustainable future.

What about Mackenzie's Sitwell Park green was that more than 9% slopes I have heard from a 3 time Masters champion in a recent webinar that some of Augusta green slopes were 9% which makes them very borderline unplayable and not for the faint hearted.


You want your computer to fix Augusta National?


Tom


No - Augusta is unique as the greens are their main line of defence against scoring and it is primarily designed for the Masters its probably the Mona Lisa of all golf courses. Whereas the majority of golf courses in the world are designed for the average golfer to enjoy their game. Most golf courses are a business and they don't want to lose customers because of borderline ridiculous greens.

It seems that you are resistant to advances to technology when it comes to golf course design and your business takes pride on hands on design thats ok - however do any of your 'disciples' in Renaissance Golf Design use CAD or even graphic design software?


I know a few other golf course architects that still draw courses by hand which also would be my starting point and they hand it over to that CAD draughtperson to translate their drawing onto CAD. I am fortunate to do both and exploring into BIM in terms of golf course design which will probably take a few years to come up to scratch level. 

There are more technophobes in the older generation however I can see the newer younger generation of golf course architects using computers and technology more often than the current crop. Also certain clients will be more demanding to see what they are getting for their money early on.

Cheers
Ben
« Last Edit: July 08, 2020, 05:31:09 AM by Ben Stephens »

Ben Stephens

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #54 on: July 08, 2020, 05:21:26 AM »
Design encompasses function and aesthetics
Golfers notice aesthetics first, but they are often among the last things architects consider. Steve Jobs said, “Design is not just what it looks like and feels like. Design is how it works.” Architect Louis Sullivan coined the phrase, “Form follows function,” but later added, “But the building’s identity resides in the ornament.”


Design is a collaborative effort between owner, users, and architect Frank Lloyd Wright said, “I never design a building before I’ve seen the site and met the people who will be using it.

Design balances between budget/business/practicality/logic/art/concept/engineering and detail. The best solution is one that solves most problems, without unduly sacrificing lesser concerns. Sometimes in politics and design, everyone being somewhat unhappy is a sign of a well-balanced solution!

l The architect has many masters - Architects have multiple constituents/obligations beyond the committee, to con- sider; including legally to regulatory bodies, morally to golfers, financially to banks, practically to superintendents, ethically to the community and the environment, and even golf course critics.



I
have posted these before, but short version, anyone who thinks golf course design is pure art is cuckoo for coco puffs......


Agree!  ;D  and nice to reference other areas of design

Ben Stephens

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #55 on: July 08, 2020, 05:27:47 AM »

There are generally two ways in to a golf design firm:

1. The work in the dirt Doak method.
2. The design office lackey.



Those are the only two?  Wouldn't know by your descriptions in which camp you fall.


I would bet the farm that Martin Ebert sees technology as a tool facilitating the design, construction and due diligence processes, and certainly not in lieu of work in the field.  As it pertains to staffing, a firm will likely hire based on needs.  If resources are lacking in one area, I suspect that it would direct its attention there.


As to using technology for marketing purposes, why would this be inappropriate?  If an architect has established a reputation of being eccentric and non-conforming while building highly successful courses, should he not be "marketing" on these strengths?  Should Stranz have hidden his artistic hand-drawing abilities?  It seems that differentiation is part and parcel of seeking work in a competitive environment.  Do we have so little faith in clients being able to choose who is best for them?   


Lou


M+E business plan seem to add the drone approach which they can afford to employ or train a employee to fly drones in a official capacity/qualification which helps them to reduce site visits which can add to overheads if you are a director by sending employees to 'record the site' for them or they can't be on every site as they have a large number of projects or trying to be carbon neutral or they are using it to enable them to see the course from height where you can't see at an eye level. There are a lot of possibilities why they are doing this. 


Designers have different skills and abilities some don't have the ability to draw like Mike Strantz and others have the skills to produce a high quality computer generated image to translate their ideas onto paper. Some designers are afraid to draw freehand and feel safer with computers so they are seen as more professional.


Cheers
Ben

Joe Zucker

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #56 on: July 08, 2020, 09:38:52 AM »
I think the dilemma relates to what I was trying to allude to in my prior post.

Is GCA more STEM or Artistic in nature?  There are certainly components of both, but to get a great product in the ground, what is/are the over-riding attributes?  I would guess its not what some guy sitting behind a keyboard can figure out...


I think it is artistic by a huge margin, something like 80-20.  This idea might be for another thread, but I was recently wondering what architects are better at today than those from 100+ years ago.  Most of the best courses in the world (especially for this crowd) are a century old or more.  There is no STEM field where our knowledge and practice today is not light years ahead of where we were decades ago.  Since this is not the case, it seems very obvious to me that GCA is mostly art.


I'm obviously not an architect, but perhaps our knowledge of soil and drainage is better today?  We seem to be much better at growing grass, which is partly related to design.  But what other pieces of a golf course are architects better at today than the golden age?  Since the answer is not obvious, at least to me, it seems like GCA has to be essentially taste.  I'm operating under the assumption that you can't get "better" at art in the same way science progresses.   I'd be curious to hear what what is better today that I'm not considering.


Joe,


You can tell from my previous answer, but it is not 80% art.  The neat part about the job is somedays you are artist, some days you are engineer, some days you are construction.


Are we better at drainage?  Water still goes downhill at the same rate, and for whatever reason, not all gca's seem to adhere to this little fact of nature, others do.  Soils, definitely, I think.


As to whether you can learn to be more artistic than you are, I would say only to a limited degree.  As Tom says, there are some artistic principles, which all are taught in landscape architecture school.  Every kid in my long ago class (so long ago the debate was about rock and chisel vs pen and paper, not pen and paper vs. mouse LOL,) by senior year could draw a passable rendering by copying the techniques of others.  But you could always tell the hotshot designer personalities with some level of creativity all the same by looking closely.


I would say today's courses are better built overall, even as some argue they are overbuilt.  But, Ross, et al, didn't always have the means to correct flat ground, etc., and sometimes seemed content to just leave them as was and hope they drained.  I believe nearly every Golden Age course has had 90+ years of drainage, irrigation, and turf improvments.

Thanks for the response, Jeff.  I am thinking about ‘art’ more broadly than just “looking appealing to the eye”.  Aesthetics are part of the art, but I think it stretches much further in golf course architecture.  I agree with Tom’s point that there is a base amount of science that has to exist for any course to play well. This level of science might be better than 100 years ago, but it is not what people really care about when they play a course.

[/size]I’m about to ask an extremely loaded and unfair question, but if courses are mostly science, why can’t modern architects build a better course than Alister McKenzie?  I know there are a million variables in a course, many outside of your control, but it still seems that if there were rules and formulas we could improve in a scientific fashion, courses today would be unequivocally better.  The fact that they are not, indicates that a lot of what we like in courses is artistic.  When I say artistic, I am also thinking about the undulation of greens and slopes of fairways, which may not be built solely to look good, but are a product of the architect's imagination.  The imagination and art (however broadly that word can be stretched) is what we like in great courses, not the science of good irrigation (though that is a necessary requirement).

[/size]

Tom_Doak

  • Total Karma: 11
Re: Remote Working from M&E
« Reply #57 on: July 08, 2020, 10:37:17 AM »

I’m about to ask an extremely loaded and unfair question, but if courses are mostly science, why can’t modern architects build a better course than Alister McKenzie?  I know there are a million variables in a course, many outside of your control, but it still seems that if there were rules and formulas we could improve in a scientific fashion, courses today would be unequivocally better.  The fact that they are not, indicates that a lot of what we like in courses is artistic.  When I say artistic, I am also thinking about the undulation of greens and slopes of fairways, which may not be built solely to look good, but are a product of the architect's imagination.  The imagination and art (however broadly that word can be stretched) is what we like in great courses, not the science of good irrigation (though that is a necessary requirement).

Joe:

You've touched on something really important there, which I have been fighting for years, but haven't quite put my finger on.

The problem with many of the advances in greenkeeping technology -- specifically, tighter fairways and faster greens -- is that they make the course less pleasing to the eye, because playing surfaces have to be flatter and more artificial looking in order to work appropriately.  And greens at 1% are just not as visually appealing as the stuff Alister MacKenzie built.

That's why I fight so hard to keep building contour in and around my greens -- it's not all just to "defend par".

Tom_Doak

  • Total Karma: 11
Re: Remote Working from M&E
« Reply #58 on: July 08, 2020, 10:50:03 AM »

There are number of examples in the construction industry that have used various new technologies sadly golf courses are miles behind IMO sometimes you have to be ahead of the game to have a more sustainable future.

What about Mackenzie's Sitwell Park green was that more than 9% slopes I have heard from a 3 time Masters champion in a recent webinar that some of Augusta green slopes were 9% which makes them very borderline unplayable and not for the faint hearted.


You want your computer to fix Augusta National?


Tom


No - Augusta is unique as the greens are their main line of defence against scoring and it is primarily designed for the Masters its probably the Mona Lisa of all golf courses. Whereas the majority of golf courses in the world are designed for the average golfer to enjoy their game. Most golf courses are a business and they don't want to lose customers because of borderline ridiculous greens.

It seems that you are resistant to advances to technology when it comes to golf course design and your business takes pride on hands on design thats ok - however do any of your 'disciples' in Renaissance Golf Design use CAD or even graphic design software?


I know a few other golf course architects that still draw courses by hand which also would be my starting point and they hand it over to that CAD draughtperson to translate their drawing onto CAD. I am fortunate to do both and exploring into BIM in terms of golf course design which will probably take a few years to come up to scratch level. 

There are more technophobes in the older generation however I can see the newer younger generation of golf course architects using computers and technology more often than the current crop. Also certain clients will be more demanding to see what they are getting for their money early on.



Ben:


Nobody in my office uses CAD.  We have someone we sub out that work to, if we need to present our drawings in CAD for permitting or for a contractor, but it's about 50-50 whether we need to for a new course.


Forty years ago, I thought Pete Dye was a technophobe, when he told me that the earliest golf course built with the aid of CAD software was 200,000 cubic yards off what they actually wound up moving, and the project went $200k over budget.  But once you have experience with what you are doing out there, it's not too hard to get the numbers pretty close without CAD.  Personally, I think the ease of CAD encourages guys to tear up more ground than they need to.


Anyway, I'm not a technophobe, or a Luddite.  But I am a skeptic about whether technology is really making things easier and better.  When I was 8, we put a man on the moon, and it wasn't going to be long before we went to Mars, had driverless cars or even flying cars, etc.  But fifty years later, we are further away from Mars than ever, and though the technology EXISTS to do those other things, actually implementing it safely in large numbers is way more complicated than just making it possible.  So, I will just keep going back to my question from last time:  when you show me a great golf course that's the result of computer aided design, I'll be happy to have the conversation.  In the meantime, my approach seems to be working fine.

Ira Fishman

  • Total Karma: 3
Re: Remote Working from M&E
« Reply #59 on: July 08, 2020, 11:13:34 AM »

I’m about to ask an extremely loaded and unfair question, but if courses are mostly science, why can’t modern architects build a better course than Alister McKenzie?  I know there are a million variables in a course, many outside of your control, but it still seems that if there were rules and formulas we could improve in a scientific fashion, courses today would be unequivocally better.  The fact that they are not, indicates that a lot of what we like in courses is artistic.  When I say artistic, I am also thinking about the undulation of greens and slopes of fairways, which may not be built solely to look good, but are a product of the architect's imagination.  The imagination and art (however broadly that word can be stretched) is what we like in great courses, not the science of good irrigation (though that is a necessary requirement).


Joe:


You've touched on something really important there, which I have been fighting for years, but haven't quite put my finger on.

The problem with many of the advances in greenkeeping technology -- specifically, tighter fairways and faster greens -- is that they make the course less pleasing to the eye, because playing surfaces have to be flatter and more artificial looking in order to work appropriately.  And greens at 1% are just not as visually appealing as the stuff Alister MacKenzie built.

That's why I fight so hard to keep building contour in and around my greens -- it's not all just to "defend par".


I am not sure I agree with the premise of Joe's question. Modern architects have designed better courses than many of Mackenzie's courses and perhaps even his best or at least pretty darn close. However, I do agree with the implied conclusion: technology only gets one so far. The best modern courses are by architects who like MacKenzie have vision and soul. AI programs can beat humans at Chess and Go, but it will be a long time and probably never that they could write Crime and Punishment or The Sound and the Fury ( to pick two).


Ira

Kalen Braley

  • Total Karma: -3
Re: Remote Working from M&E
« Reply #60 on: July 08, 2020, 11:31:10 AM »
I'm curious, which architects primarily use CAD and other technologies, that can stack up to the bodies of work by Stranz, Doak, C&C, etc.

P.S.  Joe's comments on Dr. MacK reminds me of Ansel Adams and his body of work. I'm not a photo aficionado, but haven't seen anything in his league all these years later. 

Joe Zucker

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #61 on: July 08, 2020, 11:36:56 AM »
Fair point, Ira.  There is a ton of selection and survivor bias when we look at courses from 100 years ago.  The constraints and land availability were far different so it really isn't a fair comparison.  Said another way, is the average course of 1920 better than the average course of 2000?  It's really hard to compare, but I think it is.  For whatever reason, we like the "art" of 1920 better than the more recent stuff.  I'll have to think a bit more about Tom's points on the conditions creating slopes that are less aesthetically pleasing.

Thomas Dai

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #62 on: July 08, 2020, 11:42:30 AM »
Re comparison to Dr MacK and the like - imagine building now with the permitting and permissions (not) needed back in Dr Mack’s time or alternatively Dr MacK attempting to build with today’s permitting and permission scenario!
Atb

Ally Mcintosh

  • Total Karma: 6
Re: Remote Working from M&E
« Reply #63 on: July 08, 2020, 11:44:26 AM »
Look, bottom line is that CAD, drones, BIM are all tools, same way as a tilting bucket or sand pro is.


It’s not really a discussion about that. They can all help. That’s what tools are.


It’s more a discussion about time on site tweaking the detail during construction versus substituting that with remote fly throughs. The latter is better than nothing but anyone who works in construction knows that there are multiple decisions every day to make there and then (someone on site needs to make that decision); and anyone who designs knows that it is easier to visualise a small change when you are standing right beside it.


That doesn’t take away from the tools if they are used to assist. However, tools can also promote excess, especially when they are virtual.
« Last Edit: July 08, 2020, 11:48:25 AM by Ally Mcintosh »

Ben Stephens

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #64 on: July 08, 2020, 11:51:07 AM »

There are number of examples in the construction industry that have used various new technologies sadly golf courses are miles behind IMO sometimes you have to be ahead of the game to have a more sustainable future.

What about Mackenzie's Sitwell Park green was that more than 9% slopes I have heard from a 3 time Masters champion in a recent webinar that some of Augusta green slopes were 9% which makes them very borderline unplayable and not for the faint hearted.


You want your computer to fix Augusta National?


Tom


No - Augusta is unique as the greens are their main line of defence against scoring and it is primarily designed for the Masters its probably the Mona Lisa of all golf courses. Whereas the majority of golf courses in the world are designed for the average golfer to enjoy their game. Most golf courses are a business and they don't want to lose customers because of borderline ridiculous greens.

It seems that you are resistant to advances to technology when it comes to golf course design and your business takes pride on hands on design thats ok - however do any of your 'disciples' in Renaissance Golf Design use CAD or even graphic design software?


I know a few other golf course architects that still draw courses by hand which also would be my starting point and they hand it over to that CAD draughtperson to translate their drawing onto CAD. I am fortunate to do both and exploring into BIM in terms of golf course design which will probably take a few years to come up to scratch level. 

There are more technophobes in the older generation however I can see the newer younger generation of golf course architects using computers and technology more often than the current crop. Also certain clients will be more demanding to see what they are getting for their money early on.



Ben:


Nobody in my office uses CAD.  We have someone we sub out that work to, if we need to present our drawings in CAD for permitting or for a contractor, but it's about 50-50 whether we need to for a new course.


Forty years ago, I thought Pete Dye was a technophobe, when he told me that the earliest golf course built with the aid of CAD software was 200,000 cubic yards off what they actually wound up moving, and the project went $200k over budget.  But once you have experience with what you are doing out there, it's not too hard to get the numbers pretty close without CAD.  Personally, I think the ease of CAD encourages guys to tear up more ground than they need to.


Anyway, I'm not a technophobe, or a Luddite.  But I am a skeptic about whether technology is really making things easier and better.  When I was 8, we put a man on the moon, and it wasn't going to be long before we went to Mars, had driverless cars or even flying cars, etc.  But fifty years later, we are further away from Mars than ever, and though the technology EXISTS to do those other things, actually implementing it safely in large numbers is way more complicated than just making it possible.  So, I will just keep going back to my question from last time:  when you show me a great golf course that's the result of computer aided design, I'll be happy to have the conversation.  In the meantime, my approach seems to be working fine.


Hi Tom,




You have a fair point - there may be a huge difference between architecture and golf course design for some. Its a surprise that not one of your colleagues actually use CAD. From experience CAD/BIM/3D has really evolved a lot over the last decade or so. Using BIM I am more likely to work out nowadays how much inert fill or materials I need to use for a particular project let alone a practice ground, part of the golf course or the whole golf course. The CAD software Pete mentioned is probably a million years ago in terms of what they can produce nowadays.


Different types of technology has evolved quicker than others look at computer and mobile phones themselves more recently their advancement has been huge which has made communications globally more beneficial maybe Renaissance Golf Design would have not had much exposure or amount of new work had it not been for computers and the world wide web as opposed to commercial airplanes (where speed has gone backwards since concorde stopped flying) and space travel however it looks like they will be catching up sooner as companies like boom are developing supersonic commercial airplanes and the space race is beginning to come alive now that it is becoming more commercially viable thanks to technology.


It's ok to use old fashioned or traditional approaches to golf course design and long it may continue. I am sure the the Building Information Model in terms of golf courses is only just around the corner like space travel.




Cheers
Ben



Ben Stephens

  • Total Karma: 0
Re: Remote Working from M&E
« Reply #65 on: July 08, 2020, 11:53:51 AM »
Look, bottom line is that CAD, drones, BIM are all tools, same way as a tilting bucket or sand pro is.


It’s not really a discussion about that. They can all help. That’s what tools are.


It’s more a discussion about time on site tweaking the detail during construction versus substituting that with remote fly throughs. The latter is better than nothing but anyone who works in construction knows that there are multiple decisions every day to make there and then (someone on site needs to make that decision); and anyone who designs knows that it is easier to visualise a small change when you are standing right beside it.


That doesn’t take away from the tools if they are used to assist. However, tools can also promote excess, especially when they are virtual.


Drones for surveying also have a scanning facility to workout the contours and height like LIDAR which is satellite tool that can produce contours for CAD purposes. 

Kalen Braley

  • Total Karma: -3
Re: Remote Working from M&E
« Reply #66 on: July 08, 2020, 12:35:16 PM »
Its interesting to see the parallels to my line of work, which as an industry has moved in the opposite direction.

Software projects used to be follow the Waterfall methodology where the details were determined and all planned out up front, architecture, diagrams, functionality, features, etc with clear lines of delineation of passing off work from one group to another, all set to a fairly rigid schedule.

And now almost all software development follows Agile Principles, with the Scrum or Kanban methodologies, which only determines project goals and desired functionality up front, but plans nothing specific, and pushes the decisions as much as possible to those actually doing the work. The details and what works best is all figured out when actually building/testing the software with small deliverables in time boxed work iterations, until the work is complete.

The results have been nothing short of fantastic and led to much quicker project completion times, saving time and money, as well as a happier and loyal work force, that is empowered with decision making.  By pushing all the details from the top to the bottom and letting the domain experts figure it out as they build it. everyone wins in the end.

Jeff_Brauer

  • Total Karma: 3
Re: Remote Working from M&E
« Reply #67 on: July 08, 2020, 12:36:52 PM »
Ben and Ally,


I laugh at BIM, which is really just providing quantity estimates for accuracy, which I have done forever, whether manually or now, by CAD.  And, IFC is really just a complicated classification system for landscape elements that ignores golf, and I ignore IFC.


Basically agree that CAD is just a tool.  Can be good, can be bad. It designs nothing.  It's output depends on the operator and the input.  It helps a lot of people to visualize in 3D, both architects and clients. 


Funny story (I think) but when we first started to use it, one of my guys told me the software was no good.  He said everything looked too "pimply."   I mean, he was literally offsetting circles to draw mounds at the side slope of a 3 to 1.   I made him redraw some mounds using broader slopes.  A good looking mound "skyline" top edge as it faces the golfer is generally at least 6 to 1. When redrawn, they looked fine on computer and better when built.  It was an example of a visualization helping the design.  (That guy never learned and changed his drawing style, and eventually was let go.) 


I will say, we have found, like golf game designers, that to show up on a screen, you often have to double the height and slope to show up well, so there are still problems in presenting the kind of subtle green slopes TD prefers.


As to Tom's example, I used to joke about developing my quantities in CAD - Either on target to the millionths of a unit, or off by millions.  That said, CAD has gotten better (I wouldn't use it until it allowed me to work like I was thinking) using one old example of bad quantities isn't exactly drawing a logical conclusion, it is just supporting his long held opinion.  I can feel his pain.  It took a long time to transition over, and yes, part of that was being seen as a modern firm.  A few have just gone completely the other way, selling the benefits of not drawing plans, IMHO (but I can't really know) because changing work flows is a long, hard process. 


I had to let go a very good designer to make my point, because he always said, "Do you want it done now, or do you want it done in CAD later?"  Hmm, I will accept some learning curve, but yeah, I want it done in CAD now, of course.


The problem with subbing it out is that the designer is no longer designing.  I get a few calls a year from engineers and CAD guys to do my drainage and grading plans, some from India, who presumably have never played golf.  What?  To me, grading (and also drainage) is so integral to the design (it really is the design) that I have to do it myself,  sometimes by old fashioned hand grading (when there is a lot).  I do subcontract CAD, but use the many out of work gca's available who at least understand what I am trying to do.  Even then, when it is them tweaking something on the fly, to "make it fit" the results don't always please me.  In the end, as I hinted before, the final design always gets tweaked by others -


- The draftsman who puts his own style on it.
- The field guy, whether employed by gca or contractor.   
- the owner/owners rep/project supervisor, sometimes a corporate agronomist who wants to fit it to their practices and equipment.
- The shapers who think they know better because they worked for Fazio or Nicklaus on some project.
- The finish graders (who have been taught to smooth everything, when gca's often want subtle bumps.


One old gca once told me, you keep designing until the grass is seeded.  Sometimes, that is to keep improving, sometimes it is to get it back closer to what I wanted in the first place, dammit! :D
Jeff Brauer, ASGCA Director of Outreach

Jeff_Brauer

  • Total Karma: 3
Re: Remote Working from M&E
« Reply #68 on: July 08, 2020, 12:45:26 PM »
Its interesting to see the parallels to my line of work, which as an industry has moved in the opposite direction.

Software projects used to be follow the Waterfall methodology where the details were determined and all planned out up front, architecture, diagrams, functionality, features, etc with clear lines of delineation of passing off work from one group to another, all set to a fairly rigid schedule.

And now almost all software development follows Agile Principles, with the Scrum or Kanban methodologies, which only determines project goals and desired functionality up front, but plans nothing specific, and pushes the decisions as much as possible to those actually doing the work. The details and what works best is all figured out when actually building/testing the software with small deliverables in time boxed work iterations, until the work is complete.

The results have been nothing short of fantastic and led to much quicker project completion times, saving time and money, as well as a happier and loyal work force, that is empowered with decision making.  By pushing all the details from the top to the bottom and letting the domain experts figure it out as they build it. everyone wins in the end.


I think the same is true in golf.  First, for those who say you can't plan a course on paper, and it limits creativity, say what?  The worlds greatest buildings have for a thousand years or more all been designed in plans.  Why not golf?


Years ago there was an architect who maintained you couldn't estimate cut and fill.  He interviewed before me and the owner asked me if that was true.  Well, maybe he can't but I can!"  I happen to believe in the value of thinking about it ahead of construction (plan the work and then work the plan) and whether you figure out drain pipe, earthwork, whatever ahead of time, or on the fly, it seems like at least starting ahead of time makes a lot of sense.  Field decisions made in haste aren't always right, either.  And of course, building a construction model based on being able to continue to make changes isn't desired by a lot of owners, who realize that design delays are construction delays, and construction delays are often 1-2 year revenue intake delays.  At some point, you have to drop the damn seed! 


It's not that working almost solely in the field cannot be done, obviously there are many examples of it.  it's just that it may not work for every, or even most, of the projects out there.  Luckily, TD and CC generally have clients for who the finished product is paramount, and willing to accept some of those delays if they occur.  Personally, I am convinced that some of the big names continuous changes (Fazio is a culprit) is part of their sales pitch.


So, different strokes for different folks, but no one should think CAD holds any designer back, or is a substitute for design talent, field visits, etc.
Jeff Brauer, ASGCA Director of Outreach

Ben Stephens

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Re: Remote Working from M&E
« Reply #69 on: July 08, 2020, 02:04:17 PM »
Ben and Ally,


I laugh at BIM, which is really just providing quantity estimates for accuracy, which I have done forever, whether manually or now, by CAD.  And, IFC is really just a complicated classification system for landscape elements that ignores golf, and I ignore IFC.


Basically agree that CAD is just a tool.  Can be good, can be bad. It designs nothing.  It's output depends on the operator and the input.  It helps a lot of people to visualize in 3D, both architects and clients. 


Funny story (I think) but when we first started to use it, one of my guys told me the software was no good.  He said everything looked too "pimply."   I mean, he was literally offsetting circles to draw mounds at the side slope of a 3 to 1.   I made him redraw some mounds using broader slopes.  A good looking mound "skyline" top edge as it faces the golfer is generally at least 6 to 1. When redrawn, they looked fine on computer and better when built.  It was an example of a visualization helping the design.  (That guy never learned and changed his drawing style, and eventually was let go.) 


I will say, we have found, like golf game designers, that to show up on a screen, you often have to double the height and slope to show up well, so there are still problems in presenting the kind of subtle green slopes TD prefers.


As to Tom's example, I used to joke about developing my quantities in CAD - Either on target to the millionths of a unit, or off by millions.  That said, CAD has gotten better (I wouldn't use it until it allowed me to work like I was thinking) using one old example of bad quantities isn't exactly drawing a logical conclusion, it is just supporting his long held opinion.  I can feel his pain.  It took a long time to transition over, and yes, part of that was being seen as a modern firm.  A few have just gone completely the other way, selling the benefits of not drawing plans, IMHO (but I can't really know) because changing work flows is a long, hard process. 


I had to let go a very good designer to make my point, because he always said, "Do you want it done now, or do you want it done in CAD later?"  Hmm, I will accept some learning curve, but yeah, I want it done in CAD now, of course.


The problem with subbing it out is that the designer is no longer designing.  I get a few calls a year from engineers and CAD guys to do my drainage and grading plans, some from India, who presumably have never played golf.  What?  To me, grading (and also drainage) is so integral to the design (it really is the design) that I have to do it myself,  sometimes by old fashioned hand grading (when there is a lot).  I do subcontract CAD, but use the many out of work gca's available who at least understand what I am trying to do.  Even then, when it is them tweaking something on the fly, to "make it fit" the results don't always please me.  In the end, as I hinted before, the final design always gets tweaked by others -


- The draftsman who puts his own style on it.
- The field guy, whether employed by gca or contractor.   
- the owner/owners rep/project supervisor, sometimes a corporate agronomist who wants to fit it to their practices and equipment.
- The shapers who think they know better because they worked for Fazio or Nicklaus on some project.
- The finish graders (who have been taught to smooth everything, when gca's often want subtle bumps.


One old gca once told me, you keep designing until the grass is seeded.  Sometimes, that is to keep improving, sometimes it is to get it back closer to what I wanted in the first place, dammit! :D


Hi Jeff


You have valid points. However BIM is moving on a fast rate the software I use has a large update annually with minor updates every 3 or 4 months or so to improve the software. Plus the technical team from the company provides very good support however it is not perfect and I have put in a request in future for ideas how to do them or if they can create another tool to do certain things.


Also BIM takes a lot of training to do. I do most of my modelling in BIM for my architecture work over the last few years and have recently been ramping it up for golf course design this year that I can see the potential for it in the future.


With my current BIM software - I am able to click on the contour lines and set the heights of each line and set it to smooth this doesn't take me long to create a 3D model of the existing site so I can then explore wherever I can go to which helps to reduce design time in theory.


Cheers
Ben 


Don Mahaffey

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Re: Remote Working from M&E
« Reply #70 on: July 08, 2020, 06:33:44 PM »
Ben,
MLB Baseball pitchers throw harder than NFL Quarterbacks.  Should NFL QBs start using MLB pitcher mechanics and training? Tom Brady is pretty good, maybe he'd be better if he threw like Max Scherzer?

Tom_Doak

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Re: Remote Working from M&E
« Reply #71 on: July 08, 2020, 09:25:31 PM »
Ben,
MLB Baseball pitchers throw harder than NFL Quarterbacks.  Should NFL QBs start using MLB pitcher mechanics and training? Tom Brady is pretty good, maybe he'd be better if he threw like Max Scherzer?


Ben's from the UK, so those names probably just whizzed over his head, much like all of my points.

Tom_Doak

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Re: Remote Working from M&E
« Reply #72 on: July 08, 2020, 09:34:29 PM »


And of course, building a construction model based on being able to continue to make changes isn't desired by a lot of owners, who realize that design delays are construction delays, and construction delays are often 1-2 year revenue intake delays.  At some point, you have to drop the damn seed! 


It's not that working almost solely in the field cannot be done, obviously there are many examples of it.  it's just that it may not work for every, or even most, of the projects out there.  Luckily, TD and CC generally have clients for who the finished product is paramount, and willing to accept some of those delays if they occur


Jeff:


I won't speak for Coore & Crenshaw, but there are no design delays on my projects -- we operate the way some tech bro would call "real time decision-making" in the field.  If I'm there to get four holes finished on a visit, I'm there until I get four or five holes finished, and while they're being finished I'm looking hard at the next four holes to give them instructions before I leave.


Everyone who works for me is pretty darn fast, partly because they love the work, and partly because they are motivated to jam out some good work and then get home for a break.  Just ask Don M., or Blake, or Jaeger, or any of the others here who have been around one of our construction projects.  There is time to play around with a green and try to find something cool, but there is also a time to finish and we always have that in the forefront of our minds.


The one caveat to that is, if I don't like how a hole is turning out, I'll switch gears and finish a different hole, and give myself more time on the troublesome one.  Occasionally, contractors complain about that, but it's not like we are giving them something they can't do -- we understand pretty well how the sequence has to work, having built a lot of courses on our own.

Mike_Young

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Re: Remote Working from M&E
« Reply #73 on: July 08, 2020, 11:07:48 PM »
I have some of the computerized drawing programs such as CAD and Vectorworks and we even hired a guy who designed a golf specific program on Microstation back in the 90's....he did it from our office with the intent to sell to other architects but JN wanted it exclusively and bought it and the guy still runs his CAD department today...HOWEVER:  I like to route it, stke tees, turns and center of greens and try to work from there whenever possible.  Might do a set of drawings to justify existence to some owners or bankers but rarely use them.  BUT the best thing to come along in a long time is the drone.  Amazing what one can see before clearing or surveying when routing a course....with the right drone and software you can measure, gps irrigation and other items and if working out of the country one can see what went on that day.  Been watching projects from out of country for several years with a drone.  If I had to choose between the drone and CAD, Drone wins hands down....
"just standing on a corner in Winslow Arizona"

Sean_A

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Re: Remote Working from M&E
« Reply #74 on: July 09, 2020, 03:39:51 AM »
Fair point, Ira.  There is a ton of selection and survivor bias when we look at courses from 100 years ago.  The constraints and land availability were far different so it really isn't a fair comparison.  Said another way, is the average course of 1920 better than the average course of 2000?  It's really hard to compare, but I think it is.  For whatever reason, we like the "art" of 1920 better than the more recent stuff.  I'll have to think a bit more about Tom's points on the conditions creating slopes that are less aesthetically pleasing.

Joe

I am not convinced the average course of 1920 is better than today, but I have no way knowing. I think sometimes we fall victim to cherry picking the classic courses as a representation of the era. In any case, in many cases its not a comparison of now VS then. Its a comparison of now VS then plus 100 years of whatever was done by man and natural aging.

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