Hello,
Did Nature and Man's Usage Whiff at The Old Course?
I mean c'mon, while the very lifeblood of the board is to exchange about sub-sub-nuances of GCA, we sometimes all operate from some indefinite baseline of perfection; and whether it be "original intents" "tech bastardizations" "service to elite tournaments" there's always some hammer to throw at the statue of David. There must come a cyclical point in the minds of some who critique courses, that such speculations has become more heat than light.
Is Merion or WFW or Oakmont or Pebble or Pinehurst or Riviera or AGNC or wherever "diminshed" by their course biographies in taking their place among the historic courses? From what state is the decay...how can you prove it was "better then?"
And this thread has made me further distrust the term "natural" as an objective compass point in contemporary GCA. I understand what it means in terms of golfing ground, economics and sustainability, yet it seems we've lost or are shutting our minds to the recognition that to re-imagine and alter portions of a landscape to create golfing properties and visual aesthetics that weren't there on the "Fourth Day" of Genesis can be, and often is, just as valid as finding entirely natural shelves and rumpled contours near some fortuitous bit that Moses owned.
As to some of the ANGC specifics of what I've heard here (and in like threads):
The 7th hole WAS similar in character to the 18th TOC...a 350 yard bunkerless hole over rumpled ground to a green with a pronounced depression eating into the front left corner of the green...No, there wasn't OB, a historic in-town finish nor heavy environmental winds, but the character of the ground has/had many parallels. To recognize or assess that such an conceptual iteration didn't distinguish the hole in relation to its 17 brethren is not a defeat, nor a "whiff," nor a "bastardization" of the McKenzie "intellectual heritage" - it's the organic biography of the very act of making a golf course.
The 16th is also a substantial place that, because so altered, doesn't make me rue the "loss" of some value, nor does it highlight how much Jones/Mac were right or wrong or misguided in their first imagining of the hole. The quiet beauty of that sunken glen, the thrill of a short iron shot over water, using the banked curvature of the green to navigate the various hole locations...all are still present in RTJ's 1947-48 redux. Imo, it's OK to want something else for the hole, when basic character and setting are maintained. It doesn't mean anybody was wrong originally and it doesn't mean the want of change signals a loss of spirit or authenticity or a renege on "more perfect" values.
There's other elements I would address but its late and I want to leave on this note for now.
cheers
vk