Cliff it does not surprise me that you found this. Kubrick is one of the most studied of directors. I could dispute some of this but I'm not going to watch the films again just to prove a point but e.g I don't recall any slow studied scenes in The Killing? And apart from the use of wide angled lenses
to the point of distortion those 5 points could equally be describing key elements of Orson Welles's style, so they wouldn't necessarily help you spot a film as being in the Kubrick style.
But while there will always be some things replicated in each Film or Golf Course, Kubrick like Fowler tried to come up with a fresh approach each time to suit the material he was working with. The differences in approach from film to film are much more marked than the similarities. This remains a rareity in approach. Steven Sondheim's career springs to mind.
Others like Hitchcock, Tim Burton, and e.g. Raynor have perhaps wisely chose a style that suits their personality and by limiting the way they express themselves have maintained a high quality throughout their career.
(ps I think I'm done with this analogy. Pat have you ever tried to listen all the way through Neil Young's album Trans?
Skip to about 12 minutes in
http://www.youtube.com/watch?v=QSNQhLm1V84 )