I'm not so sure about that premise. I may not know much about building architecture or interior design, but I enjoy a meal at a nice restaurant that gets the traffic flow, the lighting, and sound proofing just right. I like seeing other people, but hearing every fork hit the plate or every chair scratch across the floor is not what I enjoy. I like to see the menu and the person I'm dining with, but I don't like glare, needing a pen light to read the menu, or feeling like I'm being interrogated. Well designed lighting sets a nice mood. Throw in great food and good service and it adds up to a very enjoyable night out. I don't know what they did to manage the noise, what kind of lighting they used,or how the design of the structure facilitated getting the smaller details right, but I appreciate it.
In your example, I think your description still demonstrates a deeper contemplation of the architecture. You are thinking about how the lighting and sound management adds to your dining experience. While you may not know exactly how it was accomplished, you know it is beyond more than just how the food tastes. With golf architecture, I like to think about all the elements of strategy and design features, but I can't contemplate all the earth-moving and drainage complexities involved (that seems more similar to your dining example).
Now, as Pat said, there are some people who would experience the discomfort of a loud or poorly lit restaurant, without being able to explain why. They may say something like "the food's good, but there's just something I don't like about going there." These may be the people you were thinking about, and you'd be correct that there is some unconscious appreciation. Before I learned more about the "art" of routing through this forum, I knew I liked the feel of certain courses, without being able to articulate why.
But, then you still have those situations like Jeb & Adam describe, where there is a complete missing of the point on certain features. These aren't the people who subconsciously appreciate the architecture. Rather, these are the ones who seem to boil down the many complexities of architecture to one or two non-strategic characteristics.
- "It's a great course, so lush & green"
- "It's a great course, water comes into play on 16 holes"
- "I hate that course, there are uneven lies in the fairway"
- "I hate that hole. It's ridiculous that they put a bunker in the middle of the fairway. If you hit it straight, you shouldn't be punished" (unfortunate verbatim quote last month)
- "The back nine is great - but it needs more trees"
- Perhaps In anticipation of the 2014 US Open "the course was in horrible shape, looked brown and didn't have any rough"
When people on this board refer to the "don't get it" crowd, I think they're referring to the Jeb & Adam's group, not Peter's group.
I play with a number of friends, all with varying degrees of GCA appreciation. Some fall in Peter's group, while others are the latter (e.g. my anti-centerline hazard friend). I'll talk with them about the strategies and why I like (or don't like) certain holes / courses, if they're interested (I usually warn them ahead of time). Perhaps some will then articulate why they like certain courses, or perhaps the center-line hazard hater will remember that there may be a strategy / options involved (beyond the architect just being a jerk).