As the thread starter, it was my intent that it be a engaging topic. If anything I'm a little miffed that what I think are substantive are being lumped into a bucket of dregs.
For example, the signature hole concept. First, I didn't suggest it was the most important element of the course. Second, there is a huge difference between the "signature" hole on the umpteenth residential course in Scottsdale and the 17th at Sawgrass, the 12th at Augusta, or the 16th at Cypress Point. All 3 courses are highly regarded, and 2 are world-top-5. In these cases it isn't that the other 17 holes are there to support that signature hole, but rather, the signature hole comes to represent the distillation of all that is great about the course.
I read a something about the Masters, probably on here, about how Bobby Jones wanted his course to host the Open. However he wanted his tournament played when the azaleas were in bloom and the course would be at its finest. Knowing the USGA would not play the Open so early in the year, he created a tournament of his own. Maybe this is apocryphal. But to the extent it is true that Jones created a course to test the best, in April, then I take offense the idea that suggesting a top caliber course might deliberately have a signature hole that encapsulates the story the course has to tell is somehow either cynical, idiotic on its face, or inappropriate.
Tom, i appreciate your calmer words, but what I'd really be interested in re the signature hole is how Pete Dye saw TPC Sawgrass 17. It's such a dramatic golf hole, it's hard to imagine him thinking it wasn't going to be the hole everyone talked about, on one of the big deal commissions to come around.
The other thought I think was a positive one is the idea that there may be some intrinsically Rio treatment that would reflect the city, the country, the time, the vibe.
When the Olympics choose the first time developing countries, it is generally seen as that countries coming-out party to beat all coming-out parties. In, Brazil, there's a lot going on as they keep moving into the big time. If you had to dress up a course in Tango, Carnival, and Beaches, what would you get? Is that the old Brazil? Is there a new, muscular Brazil that would be different? And more generally, is there a story that ties the course to the time and event, that's reflected in the course, that would separate two equivalent design submissions?
Dave