Tom the Mac,
Yes, there is another reason and you know what it is. Just look at the nature of your comments on this thread. It is apparent that you are merely looking to have an argument rather than a discussion. THAT is why I see no reason to even attempt to have one with you.
Secondly, you are completely close-minded when it comes to Rees Jones and you also lack all understanding of how the Tillinghast Association works and helps ANYONE who asks it of us.
Thirdly, you HAVEN'T seen the work which Rees has done at Baltusrol yet you vilify it. A tad bit hypocritical I would say. I HAVE seen it and I also understand the complexity of the membership at that Club. You don't. You show this by your statement "And what does the home club of the founding members of the Association do? They hire Rees Jones. That sends a strong message to Tillinghast clubs all over the country, a disturbing and perverted message in my opinion." That is simply more than a bit bizarre. The only message the Club has "sent" is that they have chosen to work with Rees Jones and they LIKE his work!
Finally, how do YOU KNOW what Tulsa, Rees Jones or anyone else in the project did or didn't do in researching what to do with this project? You claim to by your statement "If Tulsa CC has no documentation and is interested in restoring a Tillinghast style to their course I would suggest they go digging for information in Dallas." You simply have no idea whatsoever of the facts behind the statements you've made, yet heaven forbid if someone should disagree with you for YOU will demand that THEY show the "facts" and when they post some you'll either vilify them or ignore what has been written.
Sorry Tom, but all your statements on this thread do is show an incredible BIAS, a LACK of any open-mind, a POOR understanding of the quality of work that Rees' and his people have done and HOW LITTLE you know about Tilly and his work for the three courses in Dallas are all distinctly DIFFERENT in design "style" as his designs were SITE SPECIFIC! Anyone who did even a bit of research on those courses would understand that. You also need a history lesson; Tilly was working on a number of courses during that same time period, yet what good would that do anyone to compare the work at Tulsa with what he was doing at BALTUSROL, the San Francisco Golf Club, Quaker Ridge, Mt. Kisco, Spring Lake, Sound Beach, Shawnee, Suburban, Kingsport in Tennessee and many others. WHY NOT GO STUDY THESE since they were done during the SAME TIME PERIOD and by your logic should have the same style? The answer is because they DON'T! By the way, Rees' has worked at several of those clubs and would understand his "style" from 1920 far better than you have shown.
No, Tom, all you want to do is argue and I will refrain from doing so. If that means you don't care for my lack of answers to obviously argumentative comments... oh well, the sun is shining someplace even if it isn't where you happen to be...