To compare it to some true greats and an insult to everyone on this board including Doak and ones needs to look at themselves and figure out why they would believe such. although art is subjective there is some limit to that subjectiveness; I can't claim a clay bowl I made my mother for mother's day when I was 10 is the equal to Michelaneglo's Statue of David.
David,
I wasn't insulted by the people who really liked Common Ground, and Im not insulted by most of your posts on this thread, either. I understand that nearly all golfers include the scenery and setting as part of the golf course architecture, and I have benefitted from that phenomenon in recent years as much as anyone.
However, for the record, I don't believe I rated Common Ground on the Doak scale, and had I done so, it certainly would have gotten a 6 from me and not a 5. I noticed you were not so quick to list the 6's and 5's and rail against how the course did not compare to them. It is an interesting course with an excellent set of greens PLUS some driving hazards in the wheelhouse of today's better players, and there are not too many of those.
I suspect that the people who have "overrated" Common Ground on this thread did so because the lack of scenery forced them to take a closer look at the architecture and to appreciate the strategic design for what it is, whereas at some other projects I've done, like Cape KIdnappers, it took nearly a year before any of my friends or critics even noticed that it also has a really good, subtle set of greens. And I also suspect that if you looked at Spyglass Hill really closely, while it is still a 7 in my book, the design features are not as interesting as those at Common Ground.
Whenever Tom comes on here with comments such as these I'm always reminded of the "Marshall McLuhan movie line" scene from Annie Hall...
[EXCERPT FROM FILM ANNIE HALL PLAYS]
MAN IN MOVIE LINE: It's the influence of television. Now, now Marshall McLuhan deals with it in terms of it being a, a high-- high intensity, you understand? A hot medium--
WOODY ALLEN [BEHIND MAN IN MOVIE LINE]: What I wouldn't give for a large sock with horse manure in it.
MAN: -- as opposed to the truth which he [sees as the] media or--
WOODY ALLEN: What can you do when you get stuck on a movie line with a guy like this behind you?
MAN: Now, Marshall McLuhan--
WOODY ALLEN: You don't know anything about Marshall McLuhan's work--
MAN: Really? Really? I happen to teach a class at Columbia called TV, Media and Culture, so I think that my insights into Mr. McLuhan, well, have a great deal of validity.
WOODY ALLEN: Oh, do you?
MAN: Yeah.
WOODY ALLEN: Oh, that's funny, because I happen to have Mr. McLuhan right here. Come over here for a second?
MAN: Oh--
WOODY ALLEN: Tell him.
MARSHALL McLUHAN: -- I heard, I heard what you were saying. You, you know nothing of my work. How you ever got to teach a course in anything is totally amazing.
WOODY ALLEN: Boy, if life were only like this.