Pat,
As you mention, this thread does describe mountains in the distance AND the canyon walls that border the golf course (and an additional tangent about playability that has further muddled the thread). But again, the title overtly and explicitly suggests more than this, as does your original post, as well as Post #2, in which you talk about mountains as “backdrop,” which you distinguish from the flanking nature of the mountains and canyon walls through the use of the word “and.” So, whereas now you might want only to talk about one aspect of your original query, I would like to discuss another—those features that are OFF the golf course? Is that fair, or allowable?
I am curious about this as you have in the past quite passionately defended the position the idea that elements OFF the course have no bearing on the architecture or the playing of the golf hole, per the link that I posted before. Here, however, you posit the idea that features off the golf course now have a direct impact on the architecture, or at least the perception of the architecture, in the way that they tend to diminish the character of the on-course architectural features. So I will ask one more time: why the change in opinion? Did mountain golf provide you with an epiphany about the impact of borrowed scenery that other kinds off-property features could not do in the past?
Please do not respond to this with a diatribe on playability, though you and others have brought it up. Right now, I am asking you to please keep your response to me within the confines of the original post, which deals with visual framing and the potentially overpowering nature of borrowed scenery. Does that sound reasonable?