I wonder if -- either from a playing or from a designing perspective -- there is any merit in an analogy of a 'template' hole to a poetic form (sonnet etc.) or musical form (sonata etc.)? I know there was discussion on the 'will old mac make tom grumpy' thread about a number of visual artists tackling the same content (madonna and child) but I wonder if the poetic and musical forms are more apt? Part of the persistence of the sonnet form is the way it brings some structure/comfort/recognition with it without limiting creativity--there are good sonnets and bad sonnets but they aren't good or bad because of the form. Similarly, it's rarely said that a particular sonnet is not creative or original just because it uses the given/borrowed form. There are, afterall, a whole raft of fixed things about a golf course (18 holes, narrow band of yardage, relatively fixed hole allotment, etc.) that don't drive one to question an architect's creativity or originality.