No problem Garland. Tilly didn't believe in CREATING blind shots for the sake of having one, but rather utilized them where the natural features of the course brought them into being.
For example, the 5th hole on Bethpage Black could easily have had it's green placed at the end of the valley floor, yet Tiully chose, and rightly so, to place it on the upper left plateau area just beyond. As a result what would have been a good strong par-4 became one of the greatest two-shotters in the world.
A similar hole is the 14th at Fenway. Here you have and uphill and then slightly down right-to-left elbow hole whose green and entrance can't be seen. At 320 yards it is eminently drivable and totally blind for that as well as the landing area for any drive hit. Yet when one arrives, plays and finishes it you see that it was a wonderful way to connect the holes before and after. Quite natural as the rest of the holes are that work their way up through, around and back down the hill.
Another example of this is the 1st hole of the Dellwood CC in New City, New York. It was designed as the private golf course for Hollywood mogul Adolph Zucker and today serves the club whose name it bears.
The first hole is bisected by a public road about 340 yards from the tee. Tilly could have placed a green at the base of the hill on the opposite side (1925 & not many cars at all) yet instead chose to put the green on top of the 60 foot hill beyond. At 430 yards, in many ways it plays similar to the 15th hole of Bethpage Black. Imagine having a second shot like that played OVER an active public street to a totally unseen green complex!