Ian
Tolstoi: "Her pretty little upper lip, on which a delicate dark down was just perceptible, was too short for her teeth, but it lifted all the more sweetly, and was especially charming when she occasionally drew it down to meet the lower lip. As is always the case with a thoroughly attractive woman, her defect -- the shortness of her upper lip and her half-open mouth -- seemed to be her own special and peculiar form of beauty."
Wethered & Simpson: "We must count on at least one very indifferent hole in a round; to be quite on the safe side, we will allow an additional half of indifference as well, for the sake of extra relief. The course we think of should be noble in spite of its defects, as perfection throughout would be a monument of chilly precision incapable of inspiring us or of stimulating our jaded imagination."
Curious to hear what people think W&S were getting at in that phrase, "of stimulating our jaded imagination"? Why is imperfection necessary for this to occur? Is the concept a crucial ingredient of great or at least "ideal" courses, and if so, why?
Mark