Jeff,
For me, the issue is not whether or not Tom Fazio is successful, innovative, gives the client what he wants, or anything else that is and has been said in defense of his work. I freely admit to not having seen the vast majority of his work. I have also lived long enough to know now that the popularity of a person or thing may or may not have anything to do with lasting, true value. And the issue isn't whether or not great courses that will equal or surpass anything done in the past are being built; they are, and they are wonderful. I've gotten to play new stuff that I love every bit as much as the classics that I've been fortunate enough to play.
For me, the issue is that his courses that I have played (9 or 10?), without exception, just leave me cold. No real desire to see the place again, no vivid memories of great holes, and too often not much memory of ANY holes. Often, in fact, I leave with the feeling that a great opportunity was missed, and/or that I have been ripped off! In fact, I've never returned to the one I liked the best of his courses that I have played, despite pretty close proximity. I just don't care to.
That is NOT true of my feelings of the vast majority of modern golf courses, maybe not even of MOST modern golf courses. I rarely play a golf course I don't like, and rarely have much bad to say about them or the gentlemen who design them; I have no real idea how you guys do it, and I admire the artistry of your profession immensely.
Fazio has a special place in my heart, though. My first and second plays of his redesign of the course at UNC are the beginning of my interest in GCA. bummed out the first time I saw the $8M redesign that more than tripled greens fees, I assumed it must have been a bad day or bad mood on my part. The second play made me realize that it wasn't me at all, and I've been hooked on this GCA stuff ever since; I wanted to know what went wrong at Finley, which I dearly, dearly loved.
That's why it's hard to swallow when Fazio self-promotes at the expense of time-tested classics. You and I both know that he means HIS courses are better; he sure ain't advertising for Jeff Brauer, or Paul Cowley, or Tom Doak, or Mike Young, or anybody else.
Well, in my small, unimportant book, his courses are NOT better! They are big, and they are pretty, and they are profitable, and I shoot some of my best scores on them. But great, and the equal of the classics? I don't believe that history will judge them that way. I really don't.
Just one man's opinion.