Sean
CADSTLETOWN - this is what we know, and it is reasonably detailed:
Redesigned existing 1892 course in 1927 according to Hawtree, while C&W list as a redesign with no date. Listed in AM 1923 advertisement so work must have commenced prior to 1923. DSH suggest course is incorrectly attributed to AM and was actually redesigned by Mackenzie Ross in 1947, hence the confusion, which is incorrect. Kroeger (1995) makes the situation clear about this original Tom Morris designed layout ca1892, "Sometime prior to 1920 Dr. Alister Mackenzie altered the course and apparently performed significant construction since he mentions the course in his book 'Golf Architecture' (1920). Dr. Mackenzie wrote that the horse scraper was used with success at Castletown, meaning that he moved earth to form land contours, including mounds and bunkers. After World War II, Mackenzie Ross, architect of Turnberry, remodelled the course into its present state." AM wrote of Castletown (p71-72), "The scraper has been used with considerable success at Castletown (Isle of Man), Wheatley Park (Doncaster), and Grange-over-Sands, among other courses."
Anthony Spalding, in The Guardian of 3 November 1913, indicates that Mackenxie "is engaged in the improvement of the Castletown links in the Isle of Man", while in the Guardian of 2 March 1914, Spalding indicated the course had been “…reconstructed entirely on modern principles” and lengthened to 6,150 yards. “Much of the old course he ruthlessly condemned, not even sparing bunkers and landmarks which are regarded locally with superstitious awe, and one congratulates the club on accepting the expert’s view of their cherished idols. Features which were weak have been strengthened, and as Dr. Mackenzie selected slopes as sites for some of the new greens, there has been a considerable amount of artificial constructional work. As the distance between Leeds and the Isle of Man is considerable, and winter seas in the Irish Channel are very testing, Dr. Mackenzie hit upon the happy expedient of supervising the work by photograph. Photographs of every feature he planned were taken in their varying stages of completion and forwarded to him each week, with the result that much of the artificial work is indistinguishable from nature itself. ” This suggests 1913 as a date for this work.