While I've argued that it's impossible to divorce golf course architecture from its aesthetic components (which is why the "look" of things like bunkers and other golf features is so very fundamentally important), I do draw the personal line at factoring in things like "service and experience" while analyzing a golf course.
Perhaps that distinction is fuzzy, but for me what is included in the first part are all of the things that are seen, sensed, and viscerally felt while "on the golf course" that make up the actual functional and aesthetic play of a round of golf. Generally, I find great beauty in subtlety and simplicity and find it wears well.
And yes, those things included views to the horizon, adjoining oceans and forests, etc., because a talented architect finds adjoining natural beauty and maximizes it for the viewing pleasure of the golfer.
Purposefully, I try to divorce myself and my impressions from factors like friendliness, impressiveness of out-buildings and clubhouses(even Ben's porch), camaraderie, my own scoring, showerheads, wine-list, and a whole host of other non-golf related accoutrements.
To get this discussion back to architecture, I find it amazing at how little was done at Sand Hills beyond "finding" the golf holes. Yes, the land was superb for the purpose, but even so, we speculated whether other modern architects, particularly those who seem so enamored with the power of earth-moving and massive shaping, would have had the vision and restraint to have realized a Sand Hills in its current, "perfect" form.
Said another way, I'd be very surprised if an architect like Tom Fazio would have taken the same approach if he was given the commission for the Sand Hills property. Not to cite him specifically, what do others think would have been the result with the same land, but instead a commission to Nicklaus, or Rees Jones, or Weiskopf/Moorish, Hurdzan/Fry, Arthur Hills, Pete Dye, or even our own Jeff Brauer, Tom Doak, Jim Engh, or Kelly Moran? It's very interesting to imagine how each might have approached the job, and what the results might have been.
In a way, it's almost the ultimate architectural "acid test" of philosophy and methodology.