There are only two bands that
everybody likes when they've had a few -- Skynard and AC/DC.
Dave:
I'll concede AC/DC (my 14-year-old has just discovered them -- yikes!), but not Skynard (and even AC/DC takes a few hops and barley drinks). Skynard had one terrific song, a few other decent ones, but was essentially a warmed over, riff-ripping-off, Allman Bros. band (pre-motorcycle crash, that was a band worth listening to...) Drive-By Truckers is doing Skynard much better these days than Skynard ever did.
Eric:
We'll probably have to agree to disagree about Bruce (and Shivas is full of it...has he ever seen him live?). While I certainly think the Wild... is a tremendous record, Springsteen to me really re-directed his music from a sort of Dylan-esque rock-folk thing with jazzy overtones (remember that album had David Sancious on piano, who surely listened to a lot of McCoy Tyner growing up) to the Spector-esque Wall of Sound combined with his and Miami Steve's terrific guitar work on Born to Run. The weakness of Darkness to me is that it is of a time, clearly reflective of his bitter recording contract battle that delayed the album for some three years. And Springsteen (again, Shivas should read some lyrics) to me has never been a songwriter focused on the downside of life; he chronicles a certain slice of Americana, but usually in a fairly upbeat way, if you dig into what he's writing.
OK -- enough dorky music writing. How was Erin Hills? Agree w/ John K. on the merits of the 1st?
George:
I feel obligated to respond, since it was my comment about Lawsonia that prompted your thread. I guess I was trying to answer a somewhat hypothetical question that probably gets tossed around among GCA junkies -- if you could show only one course today that best presents Architect X's work, what would it be?
I'd actually like to see some discussion, for instance, about the merits of San Francisco vs. Winged Foot (or others) for Tillie, or Mackenzie's famous trio (Cypress, Augusta, Melbourne), or Ross or Flynn. It's sort of a non-starter debate for the likes of Fownes, Crump and Hugh Wilson, of course, but for Langford/Moreau, I can't think of a course that better represents their work than Lawsonia, based on what I've played and read about and seen posted here on GCA.