In any case, I am not trying to get too specific about the examples I presented, I am arguing more for general purposes mainly for the sake of variety and a bit of creativity. I am bunkered out and am quickly becoming bored with the fix-all mentality that so many bunkers seem to represent.
Ciao
Sean, I'm with you. The photographic examples you always provide here are great examples of golf as I dream it. But I think the specifics are very important nonetheless.
When I look at a hole -- whether from the tee, on the approach, looking back from the next hole, on GCA.com -- I always have two primary ideas in mind:
*1 If I am coming on this piece of land for the first time, and I throw down my ball as if I am just knocking it along on my way into town or back to my doorstep, would I be convinced that those landforms over which I am manipulating my "stone" are natural and pleasing on both sensational and motor levels?
*2 If I am the architect, am I presenting an aesthetically near perfect version of an x-yard stretch of landscape, where whatever I add to the picture is complementary and challenging to the game that I and the ideal player are seeing in his or her or my mind?
Are architects overzealous in their use of bunkers? Yes, many are; but you agree that there are many exceptions. The use of bunkers in golf architecture today is analogous to shrubbing up a piece of property.
Still, I want to look at the specific examples. Bethpage Black, one of my favorite local courses, is IMO overbunkered. (I cringe at Phil's response on this one.) And I think Pasa #15, for instance, has two bunkers too many, just as another specific, perhaps controversial example.
The point is, I agree with you; but I do think the individual example IS what ultimately counts, because that is where you really see the architect's mind really swallowing rapture or channeling demons, take your pick.