I have played one Rees Jones course (Atlantic) in the past ten years so I’m not in a good position to comment on how Mackenzie’s mounds may or may play relative to Ree’s mounds. However, the fact that the mounds at The Red Course are internal to both the fairways and the greens (see the photos of the 2nd and 7th greens) seems different to Jones. Also, go check Tom Doak’s book on Mackenzie and you’ll see an old black and white photo that shows the huge mounds on 16 maintained as part of the putting surface
Today, the grass is short and tight on those massive mounds and I would hazard a guess that today’s surface is every bit as fast as it was in the 1930s even when it was maintained as the green. Anyway, the point is that the mounds have always been intended to present the opportunity for some very neat shots – they were never shrouded in rough. Our caddies thought that Ben was crazy on 13 when he turned his back to the hole and tried to putt up the back mound and have it end near the hole. Ben is crazy - just not for that reason
Tom MacWood has long said that Mackenzie’s work at The Jockey Club was a precursor for things to come at Augusta National Golf Club – and he was right. Seeing short grass around neat green complexes is a wonderful, wonderful thing and the Argentines have done a great job of not screwing it up. As Mark says, who knows the fate this revolutionary course would have suffered in the U.S.
Re: the Blue Course, I wish I had seen it but as Tom says, no one seems to have as high opinion of it as the Red.
Nearby Olivos is supposed to be set on better property (i.e. more natural rolls) and was built by the same man who helped Mackenzie at The Jockey Club. Without Mackenzie’s personal touch, though, it is hard to believe it enjoys such distinctive, stand-out holes. However, many Argentines consider it the ‘stronger’ of the two tests, whatever that means.
No architect jumps with glee at the prospect of a flat site. However, to me, Mackenzie made the most of the situation - and that's all one can ever ask of the architect.